Writer/director Takashi Shimizu took his Japanese blockbuster “Ju-On: The Grudge” and along with screenwriter Stephen Susco, revamped it for American audiences. The filmmakers cast familiar American actors, fleshed out the English-language version with unneeded extraneous scenes, and in a sense, dumbed it down. Plot points that were left up to your imagination in the original Japanese film are explained in detail in the new version. And while the original was creepy/spooky, the new one offers only a scattering of scary moments surrounded by scenes that only serve to test your patience and kill time.

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In Pasadena, Mrs. Davis sends her daughter Aubrey Davis to Tokyo to bring her sister Karen Davis, who is interned in a hospital after surviving a fire, back to the USA. After their meeting, Karen dies and Aubrey decides to investigate what happened to her and gets herself trapped in the same situation, being chased by the ghost of the house. Meanwhile in Tokyo, the three high school mates Allison, Vanessa and Miyuki visit the famous haunted house and are also chased by the ghost. In Chicago, Trish moves to the apartment of her boyfriend Bill, who lives with his children, the teenager Lacey and boy Jake. On the next door, weird things happen with their neighbor. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Can I just start this out by declaring upfront Peter Jackson is a genius? There, I’ve said it and I stand behind my opinion. He’s a genius for having the guts to film the entire trilogy at the same time, for choosing the perfect mix of new, rising, and established actors, and for creating a fantasy world so breathtakingly entrancing fans of Tolkien’s work were left with very little to gripe about. Jackson’s also one smart cookie for his use of the Internet and fan sites to spread the news (and hype) surrounding “The Lord of the Rings.” Instead of keeping fans at a distance, Jackson did a fantastic job of embracing the people who would ultimately buy tickets, buy the DVDs, and support “The Lord of the Rings” trilogy.

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Sauron’s forces increase. His allies grow. The Ringwraiths return in an even more frightening form. Saruman’s army of Uruk Hai is ready to launch an assault against Aragorn and the people of Rohan. Yet, the Fellowship is broken and Boromir is dead. For the little hope that is left, Frodo and Sam march on into Mordor, unprotected. A number of new allies join with Aragorn, Gimli, Legolas, Pippin and Merry. And they must defend Rohan and attack Isengard. Yet, while all this is going on, Sauron’s troops mass toward the City of Gondor, for the War of the Ring is about to begin. Written by Yuandi Li

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Director Peter Jackson had big shoes to fill in creating “The Lord of the Rings: The Two Towers” - his own (albeit in reality said shoes were most often missing, exposing feet that have been described as ‘hobbit-like’). With the first film garnering 13 Academy Award nominations, picking up American Film Institute and Screen Actors Guild Awards, doing boffo business at the box office, and accomplishing the near impossible - exceeding many Tolkien fanatics’ fantasies of a live action trilogy - Jackson set the bar incredibly high. Fortunately, this short, stout, visionary director turns out to be quite a high jumper.

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