Ben Sobol, Psychiatrist, has a few problems: His son spies on his patients when they open up their heart, his parents don’t want to attend his upcoming wedding and his patients’ problems don’t challenge him at all. Paul Vitti, Godfather, has a few problems as well: Sudden anxiety attacks in public, a certain disability to kill people and his best part ceasing service when needed. One day, Ben unfortunately crashes into one of Vitti’s cars. The exchange of Ben’s business card is followed by a business visit of Don Paul Vitti himself, who wants to be free of inner conflict within two weeks, before all the Mafia Dons meet. Now, Ben Sobol feels somewhat challenged, as his wedding is soon, his only patient keeps him busy by regarding Ben’s duty as a 24 hour standby and the feds keep forcing him to spy on Paul Vitti. And how do you treat a patient who usually solves problems with a gun? Written by Julian Reischl {julianreischl@mac.com}

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This is the sequel to “Romancing the Stone” where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an invitation to go to some middle eastern country as a guest of the sheik, but there she is abducted and finds her- self involved with the “jewel”. Jack decides to rescue her with his new partner Ralph. They all go from one adventure to another… What is the story of this “jewel”? Written by Sami Al-Taher {staher2000@yahoo.com}

Confetti - a mockumentary which follows three couples, competing for the title of Most Original Wedding of the Year: The Musical Wedding, The Tennis Wedding and the Naturist Wedding. Written by EssentiallyPointless

[A Totally Spoiler Free Review] Is “Spider-Man 2” the best movie ever made based on a comic book, as some early reviews have proclaimed? I don’t know, that’s a pretty grand statement and one I don’t feel qualified to assess being a non-comic book type of person. I do know the original “Spider-Man” was incredibly fun, a genuine rollercoaster ride of a movie that set the bar tremendously high, much too high for most movies of this subgenre to live up to. I believe this sequel is a better film, though I didn’t find myself feeling as exhilarated during it as I did while watching the original. But that’s not to say this one has a been-there, done-that quality to it. It doesn’t. This sequel stands on its own and in no way feels like recycled material. And judged on its own, I feel safe in declaring it’s one of the best movies we’ll see in theaters this year.

“Spider-Man 2” is darker, more emotionally intense, and features a more serious storyline than the first movie. While the first film had to spend a good portion of its running time introducing the characters and explaining how Spider-Man came to be, this second film of the series doesn’t carry that burden. We know Peter Parker (Tobey Maguire) was bitten by a radioactive spider, we know Peter loves MJ (Kirsten Dunst) but will not allow himself to be with her, and we know Peter’s best friend, Harry (James Franco) is out to kill Spider-Man because he believes the webslinger murdered his father. All of this was laid out for us by the end of the first “Spider-Man” movie.

In the second film, we’re allowed more of an opportunity to get to know Peter as a person. We feel his torment as he tries to hide his emotions from MJ. We care about him as he’s pulled between doing the responsible thing as Spider-Man and living a normal life free from the pressure of being a hero. ”Spider-Man 2” lets us look further into the psyche of the boy/man who wears the blue and red suit. And while we’re taken on this emotional journey with Peter, we’re also treated to more time with the central figures of the first “Spider-Man” movie and to a few new characters from world of the “Spider-Man” comic books, foremost of which is this film’s villain, Dr. Otto Octavius (Doc Ock for short). This ultra-cool bad guy is the star of the show when it comes to effects - and acting. Very few movie villains can rival Alfred Molina in character as the man with tentacles (special kudos to Raimi for making sure Doc Ock was played by such a first-rate actor). Doc Ock could have been a campy character, but with Molina in charge, he remains a man tormented by the evil he’s unleashed and overwhelmed by tragic circumstances, rather than a two-dimensional antagonist of the film’s hero.

“Spider-Man 2” has a gentler sense of humor, quirky like the original, yet quieter. Sam Raimi throws in a few recognizable faces in cameo roles who generate a fair share of laughs, and even inserts a scene in which Maguire as Spider-Man injures his back (a nod at Maguire’s real-life back problems, which almost kept him out of this sequel). One of my personal favorite scenes featured Hal Sparks in an elevator with the in-costume Spider-Man. Classic.

We got used to watching Spider-Man fly between buildings and leap from incredible heights in the first movie. The effects which worked so well in “Spider-Man” have been tweaked to such a degree in “Spider-Man 2” it’s nearly impossible to distinguish pure computer-generated graphics from scenes involving actors or stuntmen in front of blue screens. Because all of the effects – from speeding trains to giant fiery orbs – are simply incredible, there’s nothing that jolts you out of the movie, no point in the film where you are jarred from believing your eyes. As far as effects-heavy movies go, “Spider-Man 2” is at the head of the pack.

Comparing the two “Spider-Man” movies is like comparing apples and oranges. They are totally different creations. One’s an exuberant burst of energy contained on film and the other’s a toned down, coming-of-age tale set in the world of superheroes and monstrous villains. Though both movies relied heavily on the CGI effects, Raimi did a terrific job in both films of never forgetting the audience needs to connect with the flesh and blood actors. The reason “Spider-Man” and “Spider-Man 2” work is that both keep that focus in the forefront, with the special effects filling in around the actors and not overwhelming them.

Rebecca Murray
Hollywood Movies Guide

Robbie Hart is singing the hits of the 1980s at weddings and other celebrations. He also can keep the party going in good spirit, he knows what to say and when to say it. Julia is a waitress at the events where Robbie performs. When both of them find someone to marry and prepare for their weddings, it becomes clear that they’ve chosen wrong partners. Written by Anonymous

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I liked that movie, but I love the original “What Rats Won’t Do” (1998) with James Frain, Natascha McElhone, and, surprise! surprise! Parker Posey. In that movie the attraction is much more logical and real. I recommend it with all my heart. Written by V Petrova

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Who would have thought that a little romantic comedy about blonde empowerment would gross close to $100 million at the box office and bring Reese Witherspoon to the forefront of the list of young up-and-comers? MGM’s 2001 release of “Legally Blonde” was so successful that it spawned this 2003 sequel/formulaic copycat, “Legally Blonde 2: Red, White & Blonde.”

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Melanie Carmichael (Reese Witherspoon), an up and rising fashion designer in New York, has gotten almost everything she wished for since she was little. She has a great career and the JFK-like husband of New York City. But when he proposes to her, she doesn’t forget about her family back down South - and, more importantly, her husband back there, who refuses to divorce her ever since she sent divorce paper for almost 5 years. To settle matters straight, she decides to go to the south quick and make him sign the papers. But when things don’t turn out the way she planned them out, she realizes that what she had before in the south was far more perfect than the life she had in new york city. Written by kay

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King Roland of the planet Druidia is trying to marry his daughter Princess Vespa (Daphne Zuniga) to Prince Valium, but Vespa is kidnapped by the evil race of the Spaceballs. The Spaceballs ask Roland a tremendous ransom: all the air of Druidia (you see, the air of Spaceball had serious pollution problems…). The King decides to offer a generous amount of money to a space rogue, Lone Starr, to persuade him to save Vespa. What follows is the parody of a _LOT_ of famous SF movies. Written by Flavio Rizzardi {spillo@maya.dei.unpid.it}

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Henry Hill is a small time gangster, who takes part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who have set their sights a bit higher. His two partners kill off everyone else involved in the robbery, and slowly start to climb up through the hierarchy of the Mob. Henry, however, is badly affected by his partners success, but will he stoop low enough to bring about the downfall of Jimmy and Tommy ? Written by Colin Tinto {cst@imdb.com}

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