In a futuristic world, a strict regime has eliminated war by suppressing emotions: books, art and music are strictly forbidden and feeling is a crime punishable by death. Cleric John Preston (Bale) is a top ranking government agent responsible for destroying those who resist the rules. Whe he misses a dose of Prozium, a mind-altering drug that hinders emotion, Preston, who has been trained to enforce the strict laws of the new regime, suddenly becomes the only person capable of overthrowing it. Written by Anonymous

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King Roland of the planet Druidia is trying to marry his daughter Princess Vespa (Daphne Zuniga) to Prince Valium, but Vespa is kidnapped by the evil race of the Spaceballs. The Spaceballs ask Roland a tremendous ransom: all the air of Druidia (you see, the air of Spaceball had serious pollution problems…). The King decides to offer a generous amount of money to a space rogue, Lone Starr, to persuade him to save Vespa. What follows is the parody of a _LOT_ of famous SF movies. Written by Flavio Rizzardi {spillo@maya.dei.unpid.it}

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When the governor of Tokyo is killed in his campaign for election, the former CIA agent Travis Hunter is assigned to find the responsible working together with the rookie FBI agent Sean. Travis was raised in Japan, has great connections with the underworld of the streets and is a master in sword and martial arts, trained by a former member of Yakuza. Travis discloses that there is a war between the old and traditional members of Yakuza and the new generation leaded by the deranged and sick Kuroda, who has associated to the Chinese Tong mobster Chen in a powerful drug dealing business. When his fiancée Nayako is brutally and cowardly murdered by one of Kuroda’s men, the mission of Travis becomes a personal issue and he seeks revenge. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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“Two Knights…Two Horses…Two Pieces of Sharp Lumber…
But, Only One Chick…Do the Math”

Backed by the throbbing sound of Queen’s “We Will Rock You,” “A Knight’s Tale” opens by immediately letting you know, in no uncertain terms, that this is no ordinary tale of jousting and medieval times. Mixing classic rock with medieval stylings, “A Knight’s Tale” is a wild ride that never takes itself seriously. From the booming beat of “The Boys are Back in Town” to the mixture of modern-day and medieval dialogue, “A Knight’s Tale” is pure entertainment.

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Lancelot lives by the sword. In fact, they’re next door neighbours, so teaming up to fight for money comes pretty naturally. Lady Guinevere, on her way to marry King Arthur is ambushed by the evil Sir Malagant. Fortunately Lancelot is lurking nearby and he rescues his future queen. They fall in love, but Guinevere still fancies the idea of wearing a crown, so she honours her promise to Arthur. Can Lady Guinevere remain faithful, or will this Pretty Woman become a lady of the knight? Written by Tim McSmythurs {Tim.McSmythurs@swindon.ericsson.se}

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After “Attack of the Clones” I swore off anything to do with “Star Wars.” Lucas had taken the “Star Wars” franchise to such an unsatisfying, dull and unappealing place, it appeared there wasn’t any way to salvage the saga. He redeems himself with “Star Wars: Episode III Revenge of the Sith.” Lucas remembers to edge the darkness and hostilities with wit and humor, and he ties up a lot of loose ends without taking too many storytelling liberties.

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During the Napoleonic Wars, a British frigate, HMS Surprise, and a much larger French warship, the Acheron, with greater fire power, stalk each other off of the coast of South America. Russell Crowe brings great intensity to the role of Captain Jack Aubrey. Lucky Jack, as he is referred to by his crew, is well regarded by his men, who trust him implicitly, even after the first devastating battle and an apparent personal vendetta against the French captain. While the naval battle sequences are quite fantastic, the film is successful because director Weir chose to build the story to get to know the men who are locked aboard the tight quarters of a small ship and how they interact everyday. The officers and the mates are well-known by the time the final battle comes. Paul Bettany offers a strong performance as the surgeon and naturalist who balances the violence of his chosen life with the quiet demeanor of the scientist. He is the captain’s friend and confidant, the two frequently playing violin and cello duets together. The horrors of the injuries from the war are frequently implied, but vividly depicted in the reactions of the characters. Written by John Sacksteder {jsackste@bellsouth.net}

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I get it! I finally understand the point of a guy dressing up in a batsuit and flying around Gotham fighting crime. Finally after all these years, someone’s found a way to make it all seem logical to a non-comic book person like myself.

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As the adventure continues, the saga of war between vampires and werewolves. Selene, the vampire “death dealer” who’s now fighting to stop the release of the original “Lycan” werewolf, William from the prison that’s held him for centuries. As we learn from the film’s action-packed prologue, William and his brother Marcus began the bloodline of vampires and werewolves, and after witnessing centuries of warfare between them, their immortal father Corvinus now seeks Selene and the human vampire/lycan hybrid Michael to put an end to the war perpetuated by Victor, the vampire warrior whose betrayal of Selene turns Underworld: Evolution into an epic tale of familial revenge. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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The original Zorro, Don Diego de la Vega, is captured and imprisoned just as Spain concedes California to Santa Anna. 20 years go by and his mortal enemy, Don Rafael Montero, returns to California with a plan to become wealthy at the expense of the peasants. The original Zorro escapes from prison and trains a new Zorro to take his place. Much swashbuckling and derring-do ensues. Written by Afterburner {aburner@erols.com}

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