With Von Doom back in his homeland of Latveria the fantastic four have new troubles when Galactus has decided that Earth is his next target. When his henchman, The Silver Surfer, is sent to Earth he discovers that he’s getting more than he bargained for when he encounters the Fantastic Four. But that’s not all when Dr. Doom decides that after two years in the homeland he is ready to return. Written by Gharrett Favinger

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A projectionist bored with his everyday life begins fantasizing about his being one of the superheroes he sees in the movies he shows.

In New York, when the shy and lonely project manager of a design firm Matt Saunders meets Jenny Johnson in the subway, he invites her to date and have dinner with him. Jenny immediately falls in love for him, they have sex and she discloses her true identity to him, telling that she is the powerful superhero G-Girl. After meeting his co-worker and friend Hannah Lewis, the needy Jenny becomes jealous, controlling and manipulative, and Matt follows the advice of his best friend Vaughn Haige and dumps her, breaking her heart. Jenny turns Matt’s life into hell, while he has a romance with Hannah. However, the archenemy of G-Girl and former high school sweetheart of Jenny, Professor Bedlam, proposes Matt to lure Jenny to strip her superpowers. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Satire. Four troubled orphans from four separate movie scenario’s who are bind together in a wacky chocolate factory after receiving golden tickets to go on an ‘epic adventure.’ After they escape from the clutches of a very scary Willy Wonka they discover the magical world of ‘Gnarnia’ through an enchanted wardrobe. There they must seek the help of a randy lion, a hoard of mutants from the x academy, students of witchcraft and wizardry, funky swash-buckling pirates and a mischievous beaver to defeat the evil white bitch! A movie of Epic Proportions indeed! Written by MovieMagic

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Bryan Singer’s love of the 1978 Richard Donner Superman film is evident from the very beginning of Superman Returns, a movie which signals the rebirth of yet another comic book superhero film franchise. From the opening scroll of credits to the set design and the film’s borrowed John Williams score, Superman Returns captures the tone of Donner’s work while re-introducing a beloved – and missed – character to movie audiences.

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Having defeated the Joker, Batman now faces the Penguin - a warped and deformed individual who is intent on being accepted into Gotham society. Crooked businessman Max Schreck is coerced into helping him become Mayor of Gotham and they both attempt to expose Batman in a different light. Earlier however, Selina Kyle, Max’s secretary, is thrown from the top of a building and is transformed into Catwoman - a mysterious figure who has the same personality disorder as Batman. Batman must attempt to clear his name, all the time deciding just what must be done with the Catwoman. Written by Graeme Roy {gsr@cbmamiga.demon.co.uk}

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[A Totally Spoiler Free Review] Is “Spider-Man 2” the best movie ever made based on a comic book, as some early reviews have proclaimed? I don’t know, that’s a pretty grand statement and one I don’t feel qualified to assess being a non-comic book type of person. I do know the original “Spider-Man” was incredibly fun, a genuine rollercoaster ride of a movie that set the bar tremendously high, much too high for most movies of this subgenre to live up to. I believe this sequel is a better film, though I didn’t find myself feeling as exhilarated during it as I did while watching the original. But that’s not to say this one has a been-there, done-that quality to it. It doesn’t. This sequel stands on its own and in no way feels like recycled material. And judged on its own, I feel safe in declaring it’s one of the best movies we’ll see in theaters this year.

“Spider-Man 2” is darker, more emotionally intense, and features a more serious storyline than the first movie. While the first film had to spend a good portion of its running time introducing the characters and explaining how Spider-Man came to be, this second film of the series doesn’t carry that burden. We know Peter Parker (Tobey Maguire) was bitten by a radioactive spider, we know Peter loves MJ (Kirsten Dunst) but will not allow himself to be with her, and we know Peter’s best friend, Harry (James Franco) is out to kill Spider-Man because he believes the webslinger murdered his father. All of this was laid out for us by the end of the first “Spider-Man” movie.

In the second film, we’re allowed more of an opportunity to get to know Peter as a person. We feel his torment as he tries to hide his emotions from MJ. We care about him as he’s pulled between doing the responsible thing as Spider-Man and living a normal life free from the pressure of being a hero. ”Spider-Man 2” lets us look further into the psyche of the boy/man who wears the blue and red suit. And while we’re taken on this emotional journey with Peter, we’re also treated to more time with the central figures of the first “Spider-Man” movie and to a few new characters from world of the “Spider-Man” comic books, foremost of which is this film’s villain, Dr. Otto Octavius (Doc Ock for short). This ultra-cool bad guy is the star of the show when it comes to effects - and acting. Very few movie villains can rival Alfred Molina in character as the man with tentacles (special kudos to Raimi for making sure Doc Ock was played by such a first-rate actor). Doc Ock could have been a campy character, but with Molina in charge, he remains a man tormented by the evil he’s unleashed and overwhelmed by tragic circumstances, rather than a two-dimensional antagonist of the film’s hero.

“Spider-Man 2” has a gentler sense of humor, quirky like the original, yet quieter. Sam Raimi throws in a few recognizable faces in cameo roles who generate a fair share of laughs, and even inserts a scene in which Maguire as Spider-Man injures his back (a nod at Maguire’s real-life back problems, which almost kept him out of this sequel). One of my personal favorite scenes featured Hal Sparks in an elevator with the in-costume Spider-Man. Classic.

We got used to watching Spider-Man fly between buildings and leap from incredible heights in the first movie. The effects which worked so well in “Spider-Man” have been tweaked to such a degree in “Spider-Man 2” it’s nearly impossible to distinguish pure computer-generated graphics from scenes involving actors or stuntmen in front of blue screens. Because all of the effects – from speeding trains to giant fiery orbs – are simply incredible, there’s nothing that jolts you out of the movie, no point in the film where you are jarred from believing your eyes. As far as effects-heavy movies go, “Spider-Man 2” is at the head of the pack.

Comparing the two “Spider-Man” movies is like comparing apples and oranges. They are totally different creations. One’s an exuberant burst of energy contained on film and the other’s a toned down, coming-of-age tale set in the world of superheroes and monstrous villains. Though both movies relied heavily on the CGI effects, Raimi did a terrific job in both films of never forgetting the audience needs to connect with the flesh and blood actors. The reason “Spider-Man” and “Spider-Man 2” work is that both keep that focus in the forefront, with the special effects filling in around the actors and not overwhelming them.

Rebecca Murray
Hollywood Movies Guide

Dreamer Max, ridiculed by his classmates, conjures up his perfect dreamworld…the Planet Drool. But his dream is more powerful than even he suspects, and his favourite dream super-heroes, Sharkboy and Lavagirl, materialise on Earth. They need help from Max. All is not well in Max’s dreamworld. An alien intelligence is interfering and darkness threatens his beloved Planet Drool. Is it true, as Sharkboy and Lavagirl say, that only Max, the powerful dreamer, can stop it? Max takes off on a wild and dangerous journey to the fantastic Planet Drool with Sharkboy and Lavagirl. Can they discover the source of the danger? Will they be able to stop it in time? Written by Yaalaast

Between “X2,” “Spider-Man 2,” and “Batman Begins” I was almost convinced that I’m a closet comic book movie fan. Then “Fantastic Four” came along and knocked some sense into me.

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This suspense thriller unfolds as the audience is introduced to David Dunn, played by Willis. Not only is he the sole survivor of a horrific train-crash that killed 131 people he doesn’t have a scratch on him. Samuel L Jackson plays an obscure character who approaches Dunn with a seemingly far fetched theory behind it all rocketing off an enticing thriller with a sci fi twist Written by Filmtwob {webmaster@filmfreak.co.za}

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