Sam Raimi and his co-writers Ivan Raimi and Alvin Sargent apparently adopted the more is better approach with what could be Raimi’s final film of the Spider-Man franchise. The desire to include more villains, more action, and more romance gave birth to a Spider-Man 3 bloated with unfulfilling storylines, underdeveloped characters, and a film that’s literally all over the place. It’s sort of fun, but not the Spider-Man film we’ve come to expect from Raimi and company.

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Regina is about to divorce her husband when she finds that he has been murdered after converting every penny they owned to cash, which is also missing. She meets Cary Grant who changes his name every 15 min. or so and is interested in her husband’s money, which seems to have come from a WWII payroll he stole. His partners in crime are also very interested in where the money is, as he stole it from them as well. Everyone assumes Regina MUST know where the money is. The situation becomes more tense when the searchers begin turning up dead. Written by John Vogel {jlvogel@comcast.net}

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“Underworld” starts off slow, speeds up when the action sequences kick in, then it gets itself totally mired down in the La Brea Tar Pit of Incomprehensible Plotlines. Unfortunately even the most spectacular looking and beautifully choreographed fight sequences cannot overcome the convoluted story.

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