In the small town of San Dimas, a few miles away from Los Angeles, there are 2 nearly brain dead teenage boys going by the names of Bill S, Preston ESQ. and Ted Theodore Logan, they have a dream together of starting their own rock and roll band called the “Wyld Sallions”. Unfortunately, they are still in high school and on the verge of failing out of their school as well, and if they do not pass their upcoming history report, they will be separated as a result of Ted’s father sending him to military school. But, what Bill and Ted do not know is that they must stay together to save the future. So, a man from the future named Rufus came to help them pass their report. So, both Bill and Ted decided to gather up historical figures which they need for their report. They are hoping that this will help them pass their report so they can stay together. Written by John Wiggins

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Echoes of “Madame Bovary” in the American suburbs. Sarah’s in a loveless marriage, long days with her young daughter at the park and the pool, wanting more. Brad is a househusband, married to a flinty documentary filmmaker. Ronnie is just out of prison - two years for indecent exposure - living with his mother; Larry is a retired cop, fixated on driving Ronnie away. Sarah and Brad connect, a respite of adult companionship at the pool. Ronnie and Larry have their demons. Brad should be studying for the bar; Larry misses his job; Ronnie’s mom thinks he needs a girlfriend. Sarah longs to refuse to be trapped in an unhappy life. Where can these tangled paths lead? Written by {jhailey@hotmail.com}

The Newton family live in their comfortable home, but there seems to something missing. This “hole” is filled by a small puppy, who walks into their home and their lives. Beethoven, as he is named, grows into a giant of a dog… a St Bernard. Doctor Varnick, the local vet has a secret and horrible sideline, which requires lots of dogs for experiments. Beethoven is on the bad doctor’s list. Written by Rob Hartill

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The problem as I see it with “The Stepford Wives” hasn’t as much to do with the movie itself, as it has to do with the way the movie’s been marketed. Advertised as a biting, dark comedy with a hint of horror, Frank Oz’s “The Stepford Wives” turned out to be a campy comedy with humor replacing horror, and winks at the audience replacing the ‘dark’ in dark comedy.

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