In this English-language remake of a deconstruction in the way violence is portrayed in the media, a family settles into its vacation home, which happens to be the next stop for a pair of young, articulate, white-gloved serial killers on an excursion through the neighborhood. Written by MuzikJunky

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A group of young film students run into real-life zombies while filming a horror movie of their own.

Frank Darabont takes on his third Stephen King film adaptation with the creepy creature feature, The Mist. The Shawshank Redemption was a straight up drama and The Green Mile had elements of fantasy, but The Mist is Darabont’s first full-on adaptation of a Stephen King horror story. While the The Mist isn’t in the same league as either Shawshank or Green Mile, it’s nonetheless a worthy addition to Darabont’s King-related resume as well as one of the better films based on King’s work.

Veronica mingles with Heather I, II and III to be as popular as them, even though she hates them. She hates them enough to wish they were dead, but she would never want to be their cause of death though. When she starts dating Jason Dean, however, she finds herself involved in the murdering of most of her enemies, covered up as suicides. Written by Lars J. Aas {larsa@colargol.edb.tih.no}

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In ancient China, before the reign of the first emperor, warring factions throughout the Six Kingdoms plot to assassinate the most powerful ruler, Qin. When a minor official defeats Qin’s three principal enemies, he is summoned to the palace to tell Qin the story of his surprising victory. Written by Yocke

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In the sequel to the Tsui Hark classic, Wong Fei-Hung faces The White Lotus society, a fanatical cult seeking to drive the Europeans out of China through violence, even attacking Chinese who follow Western ways. Wong must also defend Dr. Sun Yat Sen, a revolutionary, from the military. With his friends, loved ones, and the future of China itself at stake, Wong must once again use his martial arts skills to defend the innocent. Written by Ian Cohen

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An alien (Klaatu) with his mighty robot (Gort) land their spacecraft on Cold War-era Earth just after the end of World War II. They bring an important message to the planet that Klaatu wishes to tell to representatives of all nations. However, communication turns out to be difficult, so, after learning something about the natives, Klaatu decides on an alternative approach. Written by Bruce Janson {bruce@cs.su.oz.au}

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Nearly 10 years have passed since Sarah Connor was targeted for termination by a cyborg from the future. Now her son, John, the future leader of the resistance, is the target for a newer, more deadly terminator. Once again, the resistance has managed to send a protector back to attempt to save John and his mother Sarah. Written by Colin Tinto {cst@imdb.com}

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Oliver Twist (Clark) is an orphan, who is soon kicked out of the orphanage and thrown into a terrible home. The bad treatment Oliver receives, forces him to run off to London. Here, he is soon picked up by the Artful Dodger (Eden) and taken to Fagin (Kingsley). Fagin treats Oliver well, but is it the life Oliver really wants? Written by Film_Fan

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P.D. James’ novel Children of Men comes alive onscreen (albeit with a couple of major plot changes) via the masterful filmmaking of Alfonso Cuaron (Harry Potter and the Prisoner of Azkaban, Y Tu Mama Tambien). Cuaron skillfully weaves a fascinating story of nightmarish proportions by smoothly mixing high drama, dark humor, and one of the most riveting action sequences in recent history, into the tale of a dystopic society we can only hope is in no way prophetic.

Children of Men envisions a world in which women can no longer give birth. The youngest person on Earth has just died at the age of 18 and the fact that man will soon be extinct is a foregone conclusion. The world is one big war zone and no one feels safe or secure. A totalitarian government is in place in London and people who try to enter the country who aren’t residents are placed in holding pens and treated like cows.Theo (Clive Owen) exists in this world as an ex-activist-turned-bureaucrat. He begins most days by stopping in at a café to pick up his morning cup of coffee. But one particular day is unlike any others. Upon exiting the shop, a bomb goes off. Shortly thereafter, he’s kidnapped and reunited with his ex-lover, Julian (Julianne Moore in a restrained performance), a fearless, furious freedom fighter who needs help only Theo can provide.

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