Lee Holloway is a smart, quirky woman in her twenties who returns to her hometown in Florida after a brief stay in a mental hospital. In search of relief from herself and her oppressive childhood environment, she starts to date a nerdy friend from high school and takes a job as a secretary in a local law firm, soon developing an obsessive crush on her older boss, Mr. Grey. Through their increasingly bizarre relationship, Lee follows her deepest longings to the heights of masochism and finally to a place of self-affirmation. Written by Sujit R. Varma

Nicole Kidman as a Russian? At first consideration that may seem an unlikely bit of casting, but it’s no more unlikely than Nicole Kidman winning accolades singing and dancing in a rousing romantic musical. In “Birthday Girl,” Kidman dons sleazy costumes, darkens her hair, chain smokes, and speaks with a Russian accent that seems a mixture of Natasha from “Rocky and Bullwinkle” and true Russian. What’s amazing is that despite the fact that you never forget it’s Kidman playing a Russian, she manages to pull off this part without missing a step.

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Since a road accident left him with serious facial and bodily scarring, a former TV scientist has become obsessed by the marriage of motor-car technology with what he sees as the raw sexuality of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes whom they contort into the shape of trapped corpses. Ultimately, the scientist craves a suicidal union of blood, semen, and engine coolant, a union with which he becomes dangerously obsessed. Written by Matt A. Knapp {mak8@le.ac.uk}

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