The same audience that gobbled up the R rated sex comedy, “Wedding Crashers,” should help make “The 40 Year Old Virgin” into a box office hit. And that’s fine by me. This is one of the best comedies of the decade and I applaud Universal for having the guts to let “The 40 Year Old Virgin” be an R rated movie without putting any restrictions on writer/director Judd Apatow or writer/actor Steve Carell that would have diluted the humor.

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A government agent trains a typical teenager Cody Banks who loves to skateboard, hates math, and feels like a complete idiot around girls, in the ways of covert operations that require younger participants. But Cody’s got a secret–he’s actually part of a secret teen CIA program. Cody’s living every boy’s dream life–he can drive like a stunt man, has an incredible arsenal of cool gadgets, and his agency mentor, Ronica Miles, is totally hot. But Cody’s training is put to the test when he’s sent to pose as a prep school student and befriend fellow teen Natalie Connors in order to gain access to her father–a scientist unknowingly developing a fleet of deadly pair of twisted villains called the nanobots for the evil organization ERIS, which can destroy any carbon or silicon-based substance-to destroy the world’s defense systems so he can threaten anyone who opposes him. From runaway cars and high-speed snowboard chases to a spectacular final mountaintop showdown, Cody has to use everything he’s learned to prove himself as an agent and stop ERIS from completing their mission before their mission fails. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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The animated story of Bambi, a young deer hailed as the ‘Prince of the Forest’ at his birth. As Bambi grows, he makes friends with the other animals of the forest, learns the skills needed to survive, and even finds love. One day, however, the hunters come, and Bambi must learn to be as brave as his father if he is to lead the other deer to safety. Written by Jean-Marc Rocher {rocher@fiberbit.net}

Moisés Kaufman and members of New York’s Tectonic Theater Project went to Laramie, Wyoming after the murder of Matthew Shepard. This is a film version of the play they wrote based on more than 200 interviews they conducted in Laramie. It follows and in some cases re-enacts the chronology of Shepherd’s visit to a local bar, his kidnap and beating, the discovery of him tied to a fence, the vigil at the hospital, his death and funeral, and the trial of his killers. It mixes real news reports with actors portraying friends, family, cops, killers, and other Laramie residents in their own words. It concludes with a Laramie staging of “Angels in America” a year after Shephard’s death. Written by {jhailey@hotmail.com}