Based on a true story, a group of allied escape artist type prisoners of war are all put in an ‘escape proof’ camp. Their leader decides to try to take out several hundred all at once. The first half of the film is played for comedy as the prisoners mostly outwit their jailers to dig the escape tunnel. The second half is high adventure as they use boats and trains and planes to get out of occupied Europe. Written by John Vogel {jlvogel@comcast.net}

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A remake of the 1974 horror movie Black Christmas. The movie tells the story about Billy, a young boy who was abused by his mother as a child. While his mother was cheating on Billy’s father, she eventually killed his father and kept Billy in the attic - for good, while she was with her lover and starting a “new” family. As Billy’s mother fell pregnant with a daughter and treated her with love, which Billy had never experienced with his mother, Billy came out of the attic after years and brutally murdered his mother and her lover. Cut to present day, a group of eight sorority sisters consisting of Kelli (Katie Cassidy), Dana (Lacey Chabert), Lauren (Crystal Lowe), Megan (Jessica Harmon), Claire (Leela Savasta), Heather (Mary Elizabeth Winstead), Megan (Jessica Harmon) and Melissa (Michelle Trachtenberg) and their house mother (Andrea Martin),who now live in Billy’s childhood home, find themselves being harassed by threatening and intimidating mystery phone-calls during Christmas Break and as one of the girls goes missing, the girls begin being murdered one by one by no other than Billy… Written by Anonymous

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Sid and Bernie keep having their amorous intentions snubbed by their girlfriends Joan and Anthea. The boys suggest a camping holiday, secretly intending to take them to a nudist camp. Of course they end up in the wrong place, and meet up with the weirdest bunch of campers you can imagine! Coach loads of sex-starved schoolgirls and bands of hippies all add to the laughs. Written by Simon N. McIntosh-Smith {Simon.N.Smith@cs.cf.ac.uk}

We follow a bunch of high school kids through a period in their puberty. Their lives mainly consist of watching the girls in the shower and making life a living hell for their teachers and for each other. The movie is packed with practical jokes and eccentric characters, like Pee Wee with the short dick (which he measures every morning) who met up for sex with the school “mattress” Wendy already wearing a rubber, or the fat teaching bitch Beulah Balbricker who is determined on making life a living hell for the boys. The name “Porky’s” is the name of a striptease bar the boys get thrown out of and humiliated in in the beginning of the movie. They have their minds set on revenge, but that’s not easy as the owner’s brother is sheriff. Only by forgetting their internal differences can they defeat Porky and his gang. Written by Rune Dahl Fitjar {rfitjar@online.no}

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Matt Stifler, the younger brother of the legendary Steve Stifler, who made it big as Hollywood porn-producer and shamelessly ignores the idolizing kid brother, may claim the title of Stifmeister as his heritage, but even for his horniest mates he’s little more then a bad joke. When Matt alone gets caught red-handed for a prank with the school band’s instruments, present high school counselor Sherman ‘Sherminator’ finds great pleasure in taking revenge on him for the misbehavior Steve excelled even worse in, so instead of expelling the little prick, he condemns him to take part in band camp at Great Oaks, where Jim Levenstein’s still understanding dad is filling in for the feared problem counselor. As there are plenty of girls in the competing bands, Matt hopes to turn his (mis)fortune around by smuggling in camera equipment including a robot to shoot saucy, clandestine material for his counterpart to Steve’s hit video “Girls Gone Wild”, an at least as ‘revealing’ Bandies Gone Wild. Matt’s nerdy, yet also horny roomie Ernie was originally confined to the closet, but is promoted to assistant-producer when he proves himself an invaluable technician. Things get complicated as Matt becomes romantically involved with Elyse, his own school band’s director, whose ambition is to beat haughty five-fold winner Brandon Vandecamp -son of a famous, rich father- as band music composer and thus win a good shot at a scholarship for an exclusive music school. For her sake Matt turns musician (on the trivial triangle by her decree, bagpipes in surprising scenes) and proves his leadership skills, but courting a ‘decent’ girl just doesn’t square with voyeurism… Written by KGF Vissers

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Harry and Sally meet when she gives him a ride to New York after they both graduate from the University of Chicago. The film jumps through their lives as they both search for love, but fail, bumping into each other time and time again. Finally a close friendship blooms between them, and they both like having a friend of the opposite sex. But then they are confronted with the problem: “Can a man and a woman be friends, without sex getting in the way?” Written by Greg Bole {bole@life.bio.sunysb.edu}

An unknown and lethal virus has wiped out five billion people in 1996. Only 1% of the population has survived by the year 2035, and is forced to live underground. A convict (James Cole) reluctantly volunteers to be sent back in time to 1996 to gather information about the origin of the epidemic (who he’s told was spread by a mysterious “Army of the Twelve Monkeys“) and locate the virus before it mutates so that scientists can study it. Unfortunately Cole is mistakenly sent to 1990, six years earlier than expected, and is arrested and locked up in a mental institution, where he meets Dr. Kathryn Railly, a psychiatrist, and Jeffrey Goines, the insane son of a famous scientist and virus expert. Written by Giancarlo Cairella {vertigo@imdb.com}

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John Singleton said he wanted to make a movie with a distinctly Western tone and with “Four Brothers,” Singleton’s accomplished just that. The movie’s contemporary urban setting could easily be encased in a time capsule and sent back to the days of the Wild West and it would seem right at home.

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oseph Gordon-Levitt gives the best performance of his career and Jeff Daniels is equally outstanding in writer/director Scott Frank’s The Lookout, an immensely entertaining and mesmerizing story about a guy with brain damage who becomes involved in a bank robbery. Frank’s rookie directorial effort (he wrote the screenplays for Out of Sight, Get Shorty, and The Interpreter) is an amazingly genuine and absorbing film that pulls you in from the get-go and doesn’t let up until the ending credits scroll by.

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