The first rumblings from Touchstone Pictures over “The Alamo” centered around how authentic their 2004 cinematic version would be. Historians were used as technical advisors, insuring the accuracy of the events portrayed on screen. Unfortunately, while the filmmakers were worrying about getting the history right, they forgot they were making a movie that needed to flow narratively and work as entertainment for the masses.

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In Ruggsville, Texas, the police under the command of Sheriff John Quincy Wydell attack the house of the sadistic serial killers Firefly family (a.k.a. The Devil’s Reject) and they arrest mother Firefly, but Otis B. Driftwood and Baby Firefly escape from the siege. Tiny is wandering nearby the house and also escapes. Otis and Baby call their patriarch, the mad clown Captain Spaulding and they schedule to reunite at an isolated motel in the desert. When Otis and Baby arrive, they kidnap two families of singers, using sadism and violence against the harmless persons. Meanwhile, Sheriff Wydell promises to capture and kill the runaways, seeking revenge for the death of his brother, the Deputy George Wydell. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Kevin Costner jumps back in the saddle for “Open Range,” a majestic look at the old west. The “Dances With Wolves” director and “Silverado” and “Wyatt Earp”star, with “Open Range” Costner reconnects with the genre that’s served him well in the past.

“Open Range” is the nostalgic story of grizzled cowboys, the wide-open beauty of a young country, and the fading days of a way of life. “Open Range” is visually stunning and features an easy to follow plot with strictly defined heroes and villains. While the heroes don’t literally wear white hats, there’s never the slightest doubt whom to root for.

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There’s an eerie, otherworldly feel to the way director Michael Mann (“The Insider,” “Heat”) has portrayed the City of Angels in “Collateral.” Los Angeles at night is a whole different beast and in Mann’s hands, the city itself becomes a living, breathing character. Dark and brooding, the LA depicted in “Collateral” provides the perfect backdrop to this intense action thriller.

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This true story follows FBI agent Joe Pistone as he infiltrates the mafia of New York. Befriending Lefty Ruggiero, Pistone (under the name Donnie Brasco) is able to embed himself in a mafia faction lead by Sonny Black. Ruggiero and Pistone become tight as the group goes about collecting money for ‘the bosses’. Eventually, the group become big time when Black himself becomes a boss, all the while Pistone collects evidence. However, the trials and tribulations of the undercover work become more than Pistone can bear. His marriage falls apart and to top it off, the mafia suspect a mole in the organization. The real dilemma is afforded to Pistone, who knows if he walks away from the mafia, Ruggiero will be the one punished. Written by P. Wong {pwong@nt.net}

Action/war drama based on the best-selling book detailing a near-disastrous mission in Somalia on October 3, 1993 where nearly 100 U.S. Army Rangers, commanded by Capt. Mike Steele, were dropped by helicopter deep into the capital city of Mogadishu to capture two top lieutenants of a Somali warlord which lead to a large and drawn-out firefight between the Rangers and hundreds of Somali gunmen which led to the destruction of two U.S. Black Hawk helicopters in Mogadishu, and the heroic efforts by various Rangers to get to them, centering on Sgt. Eversmann, commanding one Ranger unit named Chalk Four, leading Rangers to the first black hawk crash site, to Warrant Officer Durant who was only survivor of the second black hawk crash site and whom was captured, to Col. McKnight who leads a rescue convoy for the Rangers only to get lost within the hostile city, to Sgt. Sanderson desperately trying to get to the first crash site, to Staff Sgt. Yurek who leads two fellow Rangers, Nelson and Twombly to meet with up their squad, Chalk Four, at the first crash site, to many others involved who where either killed or survived. Written by Matthew Patay

In a place soon to be known as The Valley of Death, in a small clearing called landing zone X-Ray, Lt. Colonel Hal Moore (Mel Gibson) and 400 young fathers, husbands, brothers, and sons, all troopers from an elite American combat division, were surrounded by 2,000 North Vietnamese soldiers. The ensuing battle was one of the most savage in U.S. history. We Were Soldiers Once…And Young is a tribute to the nobility of those men under fire, their common acts of uncommon valor, and their loyalty to and love for one another. Written by John Willis {Cavalier6@aol.com}

Narcotics cops Mike Lowrey (Smith) and Marcus Bennett (Lawrence) head up a task force investigating the flow of ecstasy into Miami. Their search leads to a dangerous kingpin, whose plan to control the city’s drug traffic has touched off an underground war. Meanwhile, things get sexy between Mike and Syd (Union), Marcus’s sister. Written by Anonymous

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Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by Soumitra

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Special agent Harry Tasker gets out of the water outside a heavily guarded mansion, takes off his wetsuit, and there is a dinner jacket underneath. Harry strolls into a swanky party. Harry meets with Juno Skinner, steals some computer files, and escapes in a blaze of gunfire. He’s picked up by his partner, Albert “Gib” Gibson, and they return to the United States. Harry goes home to his wife Helen. Helen doesn’t know what Harry does because he pretends to be a computer salesman. Their 14-year-old daughter Dana is a sullen teenager, and Helen is so bored by the routine of her life that she’s on the verge of having an affair with used-car salesman Simon, who claims to be a spy. Harry is hot on the trail of a group of terrorists led by Salim Abu Aziz. Aziz and his men are smuggling nuclear weapons into the USA in pieces of Persian art, and Aziz plans to hold the country hostage in the name of the Crimson Jihad. Harry’s also out to save his marriage when he discovers Helen with Simon, who still claims to be a spy. Harry uses the Agency’s resources to give Helen a taste of the real thing. Harry blackmails Helen into seducing an enemy agent — Harry himself — in a hotel room, but their tryst is interrupted by Aziz’s men, who kidnap them and take them to one of the Florida Keys, where they’re preparing to detonate their nuclear bomb. Harry escapes and rescues Helen, and then they discover that Aziz has gone to Miami and kidnapped Dana. Harry uses a harrier jet to get to Miami, where he sets out to rescue Dana. Written by Todd Baldridge

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