This is the story of a mild-mannered man named Tom Stall who becomes a local hero through an act of violence, he lives a happy and quiet life with his lawyer wife and their two children in the small town of Millbrook, Indiana. But one night their idyllic existence is shattered when Tom foils a vicious attempted robbery in his diner. Sensing danger, he takes action and saves his customers and friends in the self-defense killings of two-sought-after criminals. Heralded as a hero, Tomâ¿¿s life is changed overnight, attracting a national media circus, which forces him into the spotlight. Uncomfortable with his newfound celebrity, Tom tries to return to the normalcy of his ordinary life only to be confronted by a mysterious and threatening man who arrives in town believing Tom is the man whoa¿¿s wronged him in the past. As Tom and his family fight back against this case of mistaken identity and struggle to cope with their changed reality, they are forced to confront their relationships and the divisive issues which surface as a result. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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In this blend of the B movie classic The Blob (1958) and some Romero’s zombies film, a meteorite collides in a small town. Grant finds it, and is infected by a parasite worm, which installs in his brain and causes him a creepy transformation into a monster. Starla, his wife, and Bill, a policeman, will try to stop him and the plague of worms generated by the creature. Written by Alejandro Frias

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I’ve already established in previous reviews I’m not a comic book person (see “The Hulk,” “Spider-Man,” “Hellboy,” etc.). The same lack of knowledge of the source material extends to sci-fi films. I think I read Isaac Asimov years ago, but it didn’t stick with me. I didn’t know there were three laws robots must obey, and the title “I, Robot” reminded me more of a “Me, Tarzan, You, Jane”-type of thing than anything else.

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After the death of his brother, An expert street dancer goes to Georgia to attend Truth University. But his efforts to get an education and woo the girl he likes are sidelined when he joins in his fraternity’s effort to win a step dancing competition. Written by Somone.

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Jeff is an anguished man, who grieves and misses his young son that was killed by a driver in a car accident. He has become obsessed for revenge against the man and reckless with his wife and daughter. When Dr. Lynn Denlon, who has troubles with her marriage, is abducted by the deranged Jigsaw’s apprentice Amanda, she is brought to a gruesome warehouse to keep John Kramer alive in spite of having a terminal brain tumor. Amanda puts a necklace gadget full of explosives around Dr. Lynn’s neck connected to John Kramer’s life support system, and tells her that if he dies the device will explode. Meanwhile, Jeff is submitted to a sick game of forgiveness with surprising dark consequences. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Frank Martin is the best in the business. The ex-Special Forces operative hires himself out as a mercenary “transporter” who moves goods–human or otherwise. Very simple, he delivers, no questions asked. Frank has relocated from the French Mediterranean to Miami, Florida, where as a favor to a friend, Frank is driving for the wealthy Billings family. There’s very little that can surprise The Transporter, but young Jack Billings has done just that; Frank has unexpectedly bonded with Jack, age 6, who he drives to and from school. But when Jack is kidnapped, Frank must use his battle-tested combat skills to retrieve the boy and thwart the kidnappers’ master plan to release a virus that will kill anyone with whom it comes in contact. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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Meg Ryan and Mark Ruffalo get down and dirty in the whodunit, “In the Cut.” Showing off more than their acting skills, Ryan and Ruffalo attempt to generate a lot of heat for director Jane Campion in this big screen adaptation of Susanna Moore’s novel.

After a promising start, “In the Cut” quickly deteriorates into a jumbled mess of naked limbs and muddled plot. Bland rather than bold and predictable rather than suspenseful, “In the Cut” lacks the emotional thrust needed to carry off what could have been a super-charged erotic thriller.

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Frank Horrigan is a secret service agent who keeps thinking back to November 22, 1963, when, as a hand-picked agent by President Kennedy, he became one of the few agents to have lost a President to an assassin when Kennedy died. Now, former CIA assassin Mitch Leary is stalking the current President, who is running for re-election. Mitch has spent long hours studying Horrigan, and he taunts Horrigan, telling him of his plans to kill the President. Leary plans to kill the president because Leary feels betrayed by the government — Leary was removed from the CIA, and the CIA is now trying to have him killed. After talking to Leary, Horrigan makes sure he is assigned to presidential protection duty, working with fellow secret service agent Lilly Raines. Horrigan has no intention of failing his President this time around, and he’s more than willing to take a bullet. White House Chief of Staff Harry Sargent refuses to alter the President’s itinerary, while Horrigan’s boss, Secret Service Director Sam Campagna, is supportive of Horrigan. As the election gets closer, Horrigan begins to doubt his own abilities, especially when Horrigan’s colleague Al D’Andrea is killed by Leary. But Horrigan may be the only one who can stop Leary. Written by Todd Baldridge

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