As the adventure continues, the saga of war between vampires and werewolves. Selene, the vampire “death dealer” who’s now fighting to stop the release of the original “Lycan” werewolf, William from the prison that’s held him for centuries. As we learn from the film’s action-packed prologue, William and his brother Marcus began the bloodline of vampires and werewolves, and after witnessing centuries of warfare between them, their immortal father Corvinus now seeks Selene and the human vampire/lycan hybrid Michael to put an end to the war perpetuated by Victor, the vampire warrior whose betrayal of Selene turns Underworld: Evolution into an epic tale of familial revenge. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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The story of irreverent supernatural detective John Constantine, who has literally been to Hell and back. When Constantine teams up with skeptical policewoman Angela Dodson to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldly events, the two become inextricably involved and seek to find their own peace at whatever cost. Written by unit publicist/WB

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3 backpackers are in Amsterdam where they get locked out of their youth hostel. They are invited into a man’s house where he tells them of a hostel somewhere in eastern Europe where the women are all incredibly hot and have a taste for American men. When they get there, everything is too good to be true - the hostel is “to die for” Written by CROESKE

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So what if they had to reshoot scenes, change the ending, and move its original release date from early September 2001 to June 14, 2002? Though many times substantial changes to a film or its release date can be the kiss of death, “The Bourne Identity” rises above it all to provide killer entertainment (I use the word ‘killer’ meaning great - I’m trying to get into the spirit of an action film).

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Bruce Willis plays a broken down cop who’s ready for either rehab or retirement – or both – in “16 Blocks,” the latest police drama from Richard Donner, the director of the “Lethal Weapon” film series. Although the movie practically screams ‘been there done that,’ there are enough little twists to keep you amused and mostly entertained.

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Zed has only just arrived in the beautiful Paris and already he’s up to no good. Having just slept with a call girl, he spends a night on the town with his dangerous friends. They all decide to rob a bank the following day. There’s only one problem: Zed’s call-girl, Zoe, just happens to work at the bank which is to be robbed! Written by Michael Feller {reb@magna.com.au}

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“Serenity” is a wild, white-knuckle roller coaster ride set in the future where the heroes are deeply conflicted, people do whatever they have to – even if it’s illegal - just to survive, and if you want to cuss at someone, you do it in a foreign language so there’s no need to cover the ears of small children.

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The first rumblings from Touchstone Pictures over “The Alamo” centered around how authentic their 2004 cinematic version would be. Historians were used as technical advisors, insuring the accuracy of the events portrayed on screen. Unfortunately, while the filmmakers were worrying about getting the history right, they forgot they were making a movie that needed to flow narratively and work as entertainment for the masses.

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Kevin Costner jumps back in the saddle for “Open Range,” a majestic look at the old west. The “Dances With Wolves” director and “Silverado” and “Wyatt Earp”star, with “Open Range” Costner reconnects with the genre that’s served him well in the past.

“Open Range” is the nostalgic story of grizzled cowboys, the wide-open beauty of a young country, and the fading days of a way of life. “Open Range” is visually stunning and features an easy to follow plot with strictly defined heroes and villains. While the heroes don’t literally wear white hats, there’s never the slightest doubt whom to root for.

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Do not go into “Bad Santa” thinking you’re about to see the normal ‘Christmas is magical, everyone goes to bed with visions of sugarplums dancing in their heads, and behind every Scrooge there’s a jolly old elf just waiting to emerge’ movie. First of all, Christmas is only magical for the first 15 minutes of shopping when the reality of overpriced presents and pushy crowds hasn’t yet sunk in. Secondly, I don’t know a single person who ever dreamed of sugarplums. And third, miraculous transformations are more in keeping with fairy tales than real life. Sometimes a Scrooge just is a Scrooge. “Bad Santa” takes those cynical thoughts to the extreme, gleefully lashing out at the holiday season and all those sticky sweet Hollywood movies with ho ho happy endings.

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