In a futuristic world, a strict regime has eliminated war by suppressing emotions: books, art and music are strictly forbidden and feeling is a crime punishable by death. Cleric John Preston (Bale) is a top ranking government agent responsible for destroying those who resist the rules. Whe he misses a dose of Prozium, a mind-altering drug that hinders emotion, Preston, who has been trained to enforce the strict laws of the new regime, suddenly becomes the only person capable of overthrowing it. Written by Anonymous

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Victor (Leguizamo), is trying to escape his life as a drug dealer in the South Bronx. Enter Jack (Sarsgaard), a Wall Street investment banker with a business proposal that has Victor’s name (and money) written all over it. Written by Anonymous

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It was an ingenious enough plan: rob the Riviera Casino’s count room during an Elvis impersonator convention. But Thomas Murphy decided to keep all the money for himself and shot all his partners, including recently-freed ex-con Michael Zane. With $3.2 million at stake, the Marshals Service closing in, and single mom Cybil Waingrow and her son Jesse constantly confounding things, Michael must track down Murphy. Written by Jeff Cross {blackjac_1998@yahoo.com}

WWII. Joe Enders, a decorated Marine who is by-the-book to a fault, is just coming back on duty (by cheating on his medical tests). “Ox” Anderson, much greener, is also getting the same new task: Protect the Navajo codetalkers (Ben Yahzee and Charles Whitehorse, respectively). While Enders is initially frustrated with his assignment, his respect grows as the codetalkers prove their worth in the brutal battle to take Saipan. Written by Jon Reeves {jreeves@imdb.com}

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Rural Australia in the late nineteenth century: Capt. Stanley and his men capture two of the four Burns brothers, Charlie and Mike. Their gang is held responsible for attacking the Hopkins farm, raping pregnant Mrs. Hopkins and murdering the whole family. Arthur Burns, the eldest brother and the gang’s mastermind, remains at large has and has retreated to a mountain hideout. Capt. Stanley’s proposition to Charlie is to gain pardon and - more importantly - save his beloved younger brother Mike from the gallows by finding and killing Arthur within nine days. Written by Armin Ortmann {armin@sfb288.math.tu-berlin.de}

With this sequel to his prize-winning independent previous film, “El Mariachi,” director Robert Rodriquez joins the ranks of Sam Peckinpah and John Woo as a master of slick, glamorized ultra-violence. We pick up the story as a continuation of “El Mariachi,” where an itinerant musician, looking for work, gets mistaken for a hitman and thereby entangled in a web of love, corruption, and death. This time, he is out to avenge the murder of his lover and the maiming of his fretting hand, which occurred at the end of the earlier movie. However, the plot is recapitulated, and again, a case of mistaken identity leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown. Written by Tad Dibbern {DIBBERN_D@a1.mscf.upenn.edu}

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Part four in the Hannibal Lecter Quadrilogy. Having escaped the asylum in “Silence of the Lambs,” Dr Lecter goes into hiding in Florence, Italy. Back in America, Mason Verger, an old victim of the doctor’s, seeks revenge. Disfigured and confined to a life-support system, he plans to draw Lecter out of his hiding place, using the one thing he truly cares for: Clarice Starling. Written by James McManus

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Sean Archer, a very tough, rugged FBI Agent. Who is still grieving for the dead son Michael. Archer believes that his son’s killer is his sworn enemy, a very powerful criminal, Castor Troy. One day, Archer has finally cornered Castor, however, their fight has knocked out Troy cold. As Archer finally breathes easy over the capture of his enemy, he finds out that Troy has planted a bomb that will destroy the entire city of Los Angeles and all of its inhabitants. Unfortunately the only other person who knows its location is Castor’s brother Pollux, and he refuses to talk. The solution, a special operation doctor that can cut off people’s faces, and can place a person’s face onto another person. Archer undergoes one of those surgeries to talk to Pollux. However, Castor Troy somehow regains consciousness and now wants revenge on Archer for taking his face. Not only is Troy ruining Archer’s mission, but his personal life as well. Archer must stop Troy again. This time, it’s personal. Written by John Wiggins

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I find it really strange anyone would watch “The Punisher” and come out upset about the film’s violence. Come on. Did anyone seriously believe a movie called “The Punisher” would be about kitty cats and dandelions? Watch the trailer or pick up the comic book the movie’s based on and it’s readily apparent this isn’t your average ‘fun’ comic book subject. Speaking of comic books, it’s time to issue my disclaimer: Yada, yada, yada, I don’t know anything about comic books, yada, yada, yada, don’t expect this review to compare and contrast the source material to the movie, and so on. From what I gather from my limited research into the realm of comics, “The Punisher” in comic book form is a dark tale, as is the movie.

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A group of young offenders, sent to an island for some character building exercises, suddenly looses one of their fellow inmates and being hunted by some merciless slayer armed with the crossbow, who keeps a pack of blood-thirsty dogs. Guys should be united in order to survive.