Thorny, Mac, Rabbit, Foster and Farva are Vermont state troopers out to have a good time. Stationed in a remote area near the Canadian border, the troopers, avid pranksters with an affinity for syrup, have a knack for screwing up on the job. But when budget cuts in the town of Spurbury threaten their livelihood and pit them against arch-rival Spurbury P.D., the five friends try to straighten up and fly right. That is, until a dead body is discovered and a possible drug ring is unearthed. The super troopers spring into action attempting to solve the crime, save their jobs, and outdo the local police department. Written by Anonymous

Suzanne Stone (Maretto) knows exactly what she wants. She wants to be a television newscaster and she is willing to do ANYTHING to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary. Written by Tad Dibbern {DIBBERN_D@a1.mscf.upenn.edu}

Construction worker Doug Kinney finds that the pressures of his working life, combined with his duties to his wife Laura and daughter Jennifer leaves him with little time for himself. However, he is approached by geneticist Dr. Owen Leeds who offers him a rather unusual solution to his problems - cloning. Written by Jonathan Broxton {j.w.broxton@sheffield.ac.uk}

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Matt Stifler, the younger brother of the legendary Steve Stifler, who made it big as Hollywood porn-producer and shamelessly ignores the idolizing kid brother, may claim the title of Stifmeister as his heritage, but even for his horniest mates he’s little more then a bad joke. When Matt alone gets caught red-handed for a prank with the school band’s instruments, present high school counselor Sherman ‘Sherminator’ finds great pleasure in taking revenge on him for the misbehavior Steve excelled even worse in, so instead of expelling the little prick, he condemns him to take part in band camp at Great Oaks, where Jim Levenstein’s still understanding dad is filling in for the feared problem counselor. As there are plenty of girls in the competing bands, Matt hopes to turn his (mis)fortune around by smuggling in camera equipment including a robot to shoot saucy, clandestine material for his counterpart to Steve’s hit video “Girls Gone Wild”, an at least as ‘revealing’ Bandies Gone Wild. Matt’s nerdy, yet also horny roomie Ernie was originally confined to the closet, but is promoted to assistant-producer when he proves himself an invaluable technician. Things get complicated as Matt becomes romantically involved with Elyse, his own school band’s director, whose ambition is to beat haughty five-fold winner Brandon Vandecamp -son of a famous, rich father- as band music composer and thus win a good shot at a scholarship for an exclusive music school. For her sake Matt turns musician (on the trivial triangle by her decree, bagpipes in surprising scenes) and proves his leadership skills, but courting a ‘decent’ girl just doesn’t square with voyeurism… Written by KGF Vissers

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I’ve heard people refer to “The Notebook” as cheesy, as a ‘chick flick’ (a label very few of my colleagues can stand because of its negative connotation), as predictable and sappy. So “The Notebook” doesn’t exactly take a brain surgeon to guess how the story is going to play out. And it does unapologetically play on your emotions, practically begging you to squeeze out a few tears. But here’s why I enjoyed “The Notebook”: it’s a movie you can relax and let flow over you. It’s also one of the few films out there that tells a complete story. There’s a well-defined beginning, middle, and end.

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In rural Mississippi, Lazarus, a former blues musician who survives by truck farming, finds a young girl nearly beaten to death near his home. She’s the white-trash town tramp, molded by a life of sexual abuse at the hands of her father and verbal abuse from her mother, who seems to delight in reminding Rae of her mistake in not aborting her. Lazarus, who is also facing personal crisis at the dissolution of his marriage, nurses Rae back to health, providing her with gentle, fatherly advice as well as an education in blues music. Rae’s boyfriend, Ronnie, goaded by the man who nearly beat Rae to death, misunderstands the relationship between Lazarus and Rae, and vows to kill him. Lazarus, exhibiting a street-smart understanding of violence and its motives, calls Ronnie’s bluff, senses that he is as troubled as Rae, and becomes a guiding force in the young couple’s resurrection. Written by Joe Jurca

Audiences have sat through torturously bad sequels, remakes, and newly concocted drivel this year without a mass revolt. Studios are lucky ticket buyers haven’t organized and made a stand against $100 million-budgeted chunks of garbage. And now we have the third film of a gross-out comedy series competing for our hard-earned cash. Please pass the Tylenol.

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I WANT CANDY follows two hopeful lads from Leatherhead trying to break into the movies who stumble upon the opportunity of a lifetime. Frustrated by their arty film teacher (Mackenzie Crook), wannabe producer Joe (Tom Riley) and his talented but neurotic director friend Baggy (Tom Burke) head to London to sell what they know is a script made of gold.

The story follows a man with a murderous alter ego. Tracy Atwood is a tough detective whose devotion to her craft catches the attention and respect of the serial killer she is hunting, which leads to a symbiotic relationship. Written by anonymous