Don Anderson (Greg Kinnear) is the Mickey’s food restaurant chain’s Marketing Director. He is the inventor of the “Big One” the hamburger best seller of Mickey’s. An independent research reports the presence of cow’s feces in the Big One. So Don is sent to Cody, Colorado, to verify if the slaughterhouse, main supplier of Mickey’s, is efficient as it appears and the production process is regular. During his investigations he discovers the horrible truth behind a simple hamburger; the reality is not like we think it is. Don discovers that the mass production system involves from the temp workers like Amber (Ashley Jonhson), to the exploitation of Mexican irregular immigrants. It is not only the meat that is crush in the mincing machine, but all our society. Written by 1felco

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Spike Lee’s take on the “Son of Sam” murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.

Our intrepid adolescent heroes wake up to find their beloved television stolen, and embark on an epic journey across America to recover it, and, who knows, maybe even score. On the way they encounter a murderous smuggler of a deadly virus and his treacherous wife, an FBI agent with a predilection for cavity searches, a couple of rather familiar looking ex-Motley Crue roadies, Mr. Van Dreesen singing “Lesbian Seagull”, a little old lady and of course Mr. Anderson and his trailer. Can the Great Cornholio save the day? Uh-huh. Huh-huh. Written by Martin H. Booda {booda@datasync.com}

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Lelia (Lauren Lee Smith) is a happily unattached, sexually voracious young woman who satisfies her instable appetite for sex with a host of young male bed partners. But all that changes when a chance encounter has Lelia meets and beings an affair with David (Eric Balfour) an artist looking for a committing relationship. David is just as sexually aggressive and ravenous as Lelia and whenever they get together, they grow more hopelessly entangled, both physically and emotionally. Written by Matt Patay

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Timothy Lea and his brother-in-law Sidney decide upon opening a driving school as their latest get-rich-quick scheme. Though he sincerely wants to teach, young Timmy finds that his female students are far more interested in keeping their eyes on him than on the road. Written by Jean-Marc Rocher {rocher@fiberbit.net}

Thorny, Mac, Rabbit, Foster and Farva are Vermont state troopers out to have a good time. Stationed in a remote area near the Canadian border, the troopers, avid pranksters with an affinity for syrup, have a knack for screwing up on the job. But when budget cuts in the town of Spurbury threaten their livelihood and pit them against arch-rival Spurbury P.D., the five friends try to straighten up and fly right. That is, until a dead body is discovered and a possible drug ring is unearthed. The super troopers spring into action attempting to solve the crime, save their jobs, and outdo the local police department. Written by Anonymous

In Los Angeles, Allison Lang is a bored girl from an upper class dysfunctional family that acts and dresses like a slut. Her wealthy boyfriend and friends are totally influenced by the hip-hop culture, behaving like rappers, dressing and imitating their lifestyle. When they decide to drive to East L.A. for fun, they meet a Latin gang of drug-dealers and Allison and her best friend Emily become fascinated with their “gangsta” lifestyle. Later they return to the ghetto to visit and excite Hector and his friends, expecting to join their 16th Street gang. When the guys propose them to have sex as a form of initiation, they change their mind, leading to a tragic consequence. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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I’ve heard people refer to “The Notebook” as cheesy, as a ‘chick flick’ (a label very few of my colleagues can stand because of its negative connotation), as predictable and sappy. So “The Notebook” doesn’t exactly take a brain surgeon to guess how the story is going to play out. And it does unapologetically play on your emotions, practically begging you to squeeze out a few tears. But here’s why I enjoyed “The Notebook”: it’s a movie you can relax and let flow over you. It’s also one of the few films out there that tells a complete story. There’s a well-defined beginning, middle, and end.

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When the ten-year-old son, David, (Blake Woodruff) of a wealthy New England socialite is abducted, his kidnapper Max Harper (Josh Holloway) and his seedy associates assume it will be a routine kidnapping in exchange for a large ransom. Unknown to the kidnappers, the shy and reserved David actually has a hidden agenda of his own, and a mysterious way of tapping into the minds of others. Soon, Max will wish that he had never kidnapped David, much less even heard of him. Written by Icedberry

A Ronald Reagan-obsessed serial killer targets a bunch of hippies who are heading to a weekend-long concert.