A criminal psychologist (Berry) awakens to find herself a patient in the institution where she works, with no memory of the murder she’s accused of committing. As she tries to regain her memory - and her freedom - a vengeful spirit manipulates her. Written by Anonymous

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Martin Riggs and Roger Murtaugh, after escaping death from the previous movies are put on a hit list by The Triads. When blood thirsty mercenaries are on their tail they team up again with Leo Getz and Lorna Cole, a newcomer (Chris Rock) to finally put an end to the Triads for good. Written by Brian H {hershey@visuallink.com}

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A young woman helping care for an invalid in New Orleans finds herself caught in the middle of morbid going-ons centered around a group of Hoodoo (Not Voodoo, it’s of a different culture. Voodoo is Haitian while Hoodoo is an old African American magic that just like Voodoo only works if you believe in it.) practitioners. Written by Ed

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Recently divorced Meg Altman (Foster) and her daughter Sarah (Stewart) have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don’t stop there. The criminals know where she is, and what they require the most in the house is in that very room. Written by Film_Fan

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Nell and her husband Steven are looking for a business aswell as a home, where they come across the Lusman Arms apartment block. They move in and begin renovationg the building, in which a series of wierd killings take place. When she finally discovers the supernatural evil behind it all, she gets more than she bargained for! Written by Leatherface15

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[A Totally Spoiler Free Review] Is “Spider-Man 2” the best movie ever made based on a comic book, as some early reviews have proclaimed? I don’t know, that’s a pretty grand statement and one I don’t feel qualified to assess being a non-comic book type of person. I do know the original “Spider-Man” was incredibly fun, a genuine rollercoaster ride of a movie that set the bar tremendously high, much too high for most movies of this subgenre to live up to. I believe this sequel is a better film, though I didn’t find myself feeling as exhilarated during it as I did while watching the original. But that’s not to say this one has a been-there, done-that quality to it. It doesn’t. This sequel stands on its own and in no way feels like recycled material. And judged on its own, I feel safe in declaring it’s one of the best movies we’ll see in theaters this year.

“Spider-Man 2” is darker, more emotionally intense, and features a more serious storyline than the first movie. While the first film had to spend a good portion of its running time introducing the characters and explaining how Spider-Man came to be, this second film of the series doesn’t carry that burden. We know Peter Parker (Tobey Maguire) was bitten by a radioactive spider, we know Peter loves MJ (Kirsten Dunst) but will not allow himself to be with her, and we know Peter’s best friend, Harry (James Franco) is out to kill Spider-Man because he believes the webslinger murdered his father. All of this was laid out for us by the end of the first “Spider-Man” movie.

In the second film, we’re allowed more of an opportunity to get to know Peter as a person. We feel his torment as he tries to hide his emotions from MJ. We care about him as he’s pulled between doing the responsible thing as Spider-Man and living a normal life free from the pressure of being a hero. ”Spider-Man 2” lets us look further into the psyche of the boy/man who wears the blue and red suit. And while we’re taken on this emotional journey with Peter, we’re also treated to more time with the central figures of the first “Spider-Man” movie and to a few new characters from world of the “Spider-Man” comic books, foremost of which is this film’s villain, Dr. Otto Octavius (Doc Ock for short). This ultra-cool bad guy is the star of the show when it comes to effects - and acting. Very few movie villains can rival Alfred Molina in character as the man with tentacles (special kudos to Raimi for making sure Doc Ock was played by such a first-rate actor). Doc Ock could have been a campy character, but with Molina in charge, he remains a man tormented by the evil he’s unleashed and overwhelmed by tragic circumstances, rather than a two-dimensional antagonist of the film’s hero.

“Spider-Man 2” has a gentler sense of humor, quirky like the original, yet quieter. Sam Raimi throws in a few recognizable faces in cameo roles who generate a fair share of laughs, and even inserts a scene in which Maguire as Spider-Man injures his back (a nod at Maguire’s real-life back problems, which almost kept him out of this sequel). One of my personal favorite scenes featured Hal Sparks in an elevator with the in-costume Spider-Man. Classic.

We got used to watching Spider-Man fly between buildings and leap from incredible heights in the first movie. The effects which worked so well in “Spider-Man” have been tweaked to such a degree in “Spider-Man 2” it’s nearly impossible to distinguish pure computer-generated graphics from scenes involving actors or stuntmen in front of blue screens. Because all of the effects – from speeding trains to giant fiery orbs – are simply incredible, there’s nothing that jolts you out of the movie, no point in the film where you are jarred from believing your eyes. As far as effects-heavy movies go, “Spider-Man 2” is at the head of the pack.

Comparing the two “Spider-Man” movies is like comparing apples and oranges. They are totally different creations. One’s an exuberant burst of energy contained on film and the other’s a toned down, coming-of-age tale set in the world of superheroes and monstrous villains. Though both movies relied heavily on the CGI effects, Raimi did a terrific job in both films of never forgetting the audience needs to connect with the flesh and blood actors. The reason “Spider-Man” and “Spider-Man 2” work is that both keep that focus in the forefront, with the special effects filling in around the actors and not overwhelming them.

Rebecca Murray
Hollywood Movies Guide

A woman named Rose Da Silva goes in search for her troubled daughter, Sharon Da Silva within the confines of a strange, desolate town called “Silent Hill.” She is very concerned Sharon who has been experiencing severe nightmares and has begun sleepwalking. Their only clue to the girl’s condition is her repetition of Silent Hill. Desperate for answers, Rose takes Sharon to the town of Silent Hill, despite Christopher’s opposition. She reaches the town, but is knocked unconscious in a car crash, and awakens to find Sharon is missing. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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