Dr. Evil uses a device he calls a “Time Machine” to travel back to 1969 and remove Austin Powers’ mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil’s personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs “Mini-Me”. The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either “The Death Star” or “Alan Parson’s Project,” depending on which name is available. Written by Michael “Rabbit” Hutchison {rabhutch@spacestar.net}

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The teenage DJ is observing his neighbor Nebbercracker on the other side of their street in the suburb that destroys tricycles of children that trespass his lawn. When DJ’s parents travel on the eve of Halloween and the abusive nanny Zee stays with him, he calls his clumsy best friend Chowder to play basketball. But when the ball falls in Nebbercracker’s lawn, the old man has a siege, and sooner they find that the house is a monster. Later the boys rescue the smart Jenny from the house and the trio unsuccessfully tries to convince the babysitter, her boyfriend Bones and two police officers that the haunted house is a monster, but nobody believes on them. The teenagers ask their video-game addicted acquaintance Skull how to destroy the house, and they disclose its secret on the Halloween night. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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A rag-tag team of Reno cops are called in to save the day after a terrorist attack disrupts a national police convention in Miami Beach during spring break. Based on the Comedy Central series.

Satire. Four troubled orphans from four separate movie scenario’s who are bind together in a wacky chocolate factory after receiving golden tickets to go on an ‘epic adventure.’ After they escape from the clutches of a very scary Willy Wonka they discover the magical world of ‘Gnarnia’ through an enchanted wardrobe. There they must seek the help of a randy lion, a hoard of mutants from the x academy, students of witchcraft and wizardry, funky swash-buckling pirates and a mischievous beaver to defeat the evil white bitch! A movie of Epic Proportions indeed! Written by MovieMagic

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Just hearing the word ‘sequel’ makes me cringe. Too many times the fond memories of a good movie have been ruined by a lame, cash-in-while-the-getting-is-good sequel. The bad sequel list goes on ad nauseam, populated with misguided, unnecessary and annoying attempts to recapture the spirit – and the box office dollars – of a successful movie. And no matter how you try to forget them, bad sequels leave a rotten taste in your mouth that taints the enjoyment of the original film. But the powers behind “Shrek” got it right. They pulled off the near impossible and created a sequel that’s better than the original. Even the computer generated animation, which was pretty darn good in the first film, has been vastly improved. This “Shrek” looks gorgeous, feels fresh, and touches your heart on a grander scale than the first movie.

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It was with a great deal of trepidation that I found myself at a recent preview screening of “Finding Nemo.” First off, I don’t usually like ‘kids’ movies. Secondly, I’m not a big fan of animated films in general. “Finding Nemo” combines the two, making it the sort of film I dread seeing the most.

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Down and out rock star Dewey Finn (Black) gets fired from his band, and he faces a mountain of debts and depression. He takes a job as a 4th grade substitute teacher at an uptight private school where his attitude and hijinx have a powerful effect on his students. He also meets Zack, a 10-year-old guitar prodigy, who could help Dewey win a “battle of the bands” competition, which would solve his financial problems and put him back in the spotlight. Written by Anonymous

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Do you ever feel like everyone but you is in on the joke? I didn’t feel that way with Wes Anderson’s other films – “Bottle Rocket,” “Rushmore,” or the amazing “Royal Tenenbaums.” Those films were clever but never condescending. Those I understood and basically stood in awe of. But from the title to the bizarre action sequences, “The Life Aquatic with Steve Zissou” left me feeling like an outsider looking in.

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