Joe Pendleton is a quarterback preparing to lead his team to the superbowl when he is almost killed in an accident. An overanxious angel plucks him to heaven only to discover that he wasn’t ready to die, and that his body has been cremated. A new body must be found, and that of a recently murdered millionaire is chosen. His wife and accountant, the murderers, are confused by this development, as he buys the L.A. Rams in order to once again quarterback them into the Superbowl. Written by John Vogel {jlvogel@comcast.net}

Matt Stifler, the younger brother of the legendary Steve Stifler, who made it big as Hollywood porn-producer and shamelessly ignores the idolizing kid brother, may claim the title of Stifmeister as his heritage, but even for his horniest mates he’s little more then a bad joke. When Matt alone gets caught red-handed for a prank with the school band’s instruments, present high school counselor Sherman ‘Sherminator’ finds great pleasure in taking revenge on him for the misbehavior Steve excelled even worse in, so instead of expelling the little prick, he condemns him to take part in band camp at Great Oaks, where Jim Levenstein’s still understanding dad is filling in for the feared problem counselor. As there are plenty of girls in the competing bands, Matt hopes to turn his (mis)fortune around by smuggling in camera equipment including a robot to shoot saucy, clandestine material for his counterpart to Steve’s hit video “Girls Gone Wild”, an at least as ‘revealing’ Bandies Gone Wild. Matt’s nerdy, yet also horny roomie Ernie was originally confined to the closet, but is promoted to assistant-producer when he proves himself an invaluable technician. Things get complicated as Matt becomes romantically involved with Elyse, his own school band’s director, whose ambition is to beat haughty five-fold winner Brandon Vandecamp -son of a famous, rich father- as band music composer and thus win a good shot at a scholarship for an exclusive music school. For her sake Matt turns musician (on the trivial triangle by her decree, bagpipes in surprising scenes) and proves his leadership skills, but courting a ‘decent’ girl just doesn’t square with voyeurism… Written by KGF Vissers

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This is a spoof of the airport disaster movies. When the crew of an airplane are struck by some form of virus, the fate of the passengers depends on an ex-war pilot who is the only one able to land the plane safely! The passengers represent a selection of interesting wacky characters who seem to take every word for its literal meaning. Written by Sami Al-Taher {staher2000@yahoo.com}

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The 1950s. Manhattan lavatory attendant, Tom Ripley, borrows a Princeton jacket to play piano at a garden party. When the wealthy father of a recent Princeton grad chats Tom up, Tom pretends to know the son and is soon offered $1,000 to go to Italy to convince Dickie Greenleaf to return home. In Italy, Tom attaches himself to Dickie and to Marge, Dickie’s cultured fiancée, pretending to love jazz and harboring homoerotic hopes as he soaks in luxury. Besides lying, Tom’s talents include impressions and forgery, so when the handsome and confident Dickie tires of Tom, dismissing him as a bore, Tom goes to extreme lengths to make Greenleaf’s privileges his own. Written by {jhailey@hotmail.com}

If you can get past the fact Tom Hanks’ character learns English at an incredibly accelerated rate and if you can overlook the lack of chemistry between Catherine Zeta-Jones and Hanks, then you’ll be able to get some enjoyment out of “The Terminal.”

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