Mari and Phyllis go to the “big city” to see their favorite band BloodLust. Along the way they meet up with newly escaped convict Krug and his gang. Written by Paul D. Geiser {pgeiser@freenet.columbus.oh.us}

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Elvis lives! I knew it all along. No way could The King die on a toilet. It’s much more reasonable to believe he traded places with an impersonator to live out his life in relative obscurity, playing dive bars and Indian casinos, having a grand ol’ time pulling the wool over everyone’s eyes.

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Wayne is still living at home. He has a world class collection of name tags from jobs he’s tried, but he does have his own public access TV show. A local station decides to hire him and his sidekick, Garth, to do their show professionally and Wayne & Garth find that it is no longer the same. Wayne falls for a bass guitarist and uses his and Garth’s Video contacts to help her career along, knowing that Ben Oliver, the sleazy advertising guy who is ruining their show will probably take her away from him if they fail. Written by John Vogel {jlvogel@comcast.net}

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A beautiful, wealthy young party girl drops out of Radcliffe in 1965 and heads to New York to become Holly Golightly. When she meets a hungry young artist named Andy Warhol, he promises to make her the star she always wanted to be. And like a super nova she explodes on the New York scene only to find herself slowly lose grip on reality… Written by Richard Golub

In 1982 legendary British heavy metal band Spinal Tap attempt an American comeback tour accompanied by a fan who is also a film-maker. The resulting documentary, interspersed with powerful performances of Tap’s pivotal music and profound lyrics, candidly follows a rock group heading towards crisis, culminating in the infamous affair of the eighteen-inch-high Stonehenge stage prop. Written by Jeremy Perkins {jwp@aber.ac.uk}

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Stuart Townsend, Marguerite Moreau, and Aaliyah combine talents in a blend of sex, vampire violence, pulsating rock rhythms, and erotic fantasy in director Michael Rymer’s vision of Anne Rice’s third novel in the “Vampire Chronicles.”

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On July 4th, in the small Broken Ridge, Colorado, the teenagers Colby, his girlfriend Amber and their friends Zoe, Roger and PJ play a prank with the legend of the Fisherman that kills teenagers with dirty little secrets with his hook in an entertaining park. However, when PJ jumps with his skateboard, there is an unexpected accident and PJ dies. The group stays together and makes a covenant to keep their secret. One year later, Amber receives messages in her cell-phone telling that “I’ll Always Know What You Did Last Summer” and she gathers her friends to find who might have told about their pact. They find that PJ’s cousin Lance also knows what they did. Sooner they find that a dark man wearing slicker is chasing them with a hook to kill each one of them. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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After her mother dies from a methadone overdose, Jeliza-Rose is taken from the big city to a rural farmhouse by her father. As she tries to settle into a new life in a house her father had purchased for his now-deceased mother, Jeliza-Rose’s attempts to deal with what’s happened result in increasingly odd behavior, as she begins to communicate mainly with her bodiless Barbie doll heads and Dell, a neighborhood woman who always wears a beekeeper’s veil.

In the hilarious comedy Daddy Day Care, two fathers (Eddie Murphy, Jeff Garlin) lose their jobs in product development at a large food company and are forced to take their sons out of the exclusive Chapman Academy and become stay-at-home fathers. With no job possibilities on the horizon, the two dads open their own day care facility, “Daddy Day Care“, and employ some fairly unconventional and sidesplitting methods of caring for children. As “Daddy Day Care” starts to catch on, it launches them into a highly comedic rivalry with Chapman Academy’s tough-as-nails director (Anjelica Huston) …who has driven all previous competitors out of business. Written by Sony Pictures Publicity

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Just hearing the word ‘sequel’ makes me cringe. Too many times the fond memories of a good movie have been ruined by a lame, cash-in-while-the-getting-is-good sequel. The bad sequel list goes on ad nauseam, populated with misguided, unnecessary and annoying attempts to recapture the spirit – and the box office dollars – of a successful movie. And no matter how you try to forget them, bad sequels leave a rotten taste in your mouth that taints the enjoyment of the original film. But the powers behind “Shrek” got it right. They pulled off the near impossible and created a sequel that’s better than the original. Even the computer generated animation, which was pretty darn good in the first film, has been vastly improved. This “Shrek” looks gorgeous, feels fresh, and touches your heart on a grander scale than the first movie.

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