“Minority Report” is a little romance and a little comedy mixed up with a whole lot of souped-up action and death-defying stunts. Did it work? I’m still thinking about it. I left the screening thinking I liked the film, and alternately convinced I didn’t. The strange thing is, I told a fellow journalist there’s no way the film would be a middle of the road-er; you’d either love it or hate it. And yet, I loved it - the incredibly stunning futuristic scenery, the action sequences that leap off the screen, and the shockingly brutal Spielbergian vision of the world in the not too distant future - and I disliked it (hate’s way too strong of a word) - the storylines that led to unbelievable conclusions and the fact that it’s supposedly set only 50 years in the future.

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Jim West is a guns-a-blazing former Civil War hero. Artemus Gordon is an inventive U.S. Marshal who excels in disguise. When the United States is threatened by psychotic Confederate Arliss Loveless, President Ulysses Grant teams the duo up to bring him to justice. On a hazard-packed train journey from Washington to Utah, West and Gordon must combine their skills to best Loveless and his diabolical machines. Written by Chris Turner {theaten@earthlink.net}

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