A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes stumble across the house and in the ensuing panic, both parents are killed. A female ape takes the tiny boy as a replacement for her own dead infant, and raises him as her son. Twenty years later, Captaine Phillippe D’Arnot discovers the man who thinks he is an ape. Evidence in the tree house leads him to believe that he is the direct descendant of the Earl of Greystoke, and thus takes it upon himself to return the man to civilization. Written by Murray Chapman {muzzle@cs.uq.oz.au}

An eager young Englishman is dispatched to Sarawak to become part of the British colonial government, encounters some unorthodox local traditions, and finds himself faced with tough decisions of the heart involving the beautiful young Selima, the unwitting object of his affections. Written by Anonymous

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Bud Baxter is a struggling clerk in a huge New York insurance company. He’s discovered a quick way to climb the corporate ladder - by lending out his apartment to the executives as a place to take their mistresses. He often has to deal with the aftermath of their visits and one night he’s left with a major problem to solve. Written by Col Needham {col@imdb.com}

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Six criminals, who are strangers to each other, are hired by a crime boss Joe Cabot to carry out a diamond robbery. Right at the outset, they are given false names with an intention that they won’t get too close and concentrate on the job instead. They are completely sure that the robbery is going to be a success. But when the police show up right at the time and the site of the robbery, panic spreads amongst the group members and one of them is killed in the subsequent shootout along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop. Written by Soumitra

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If asked to sum up “The Ice Harvest” in just one word it would have to be ‘pointless’. Of course if all I was asked to give was a simple one-word summary, there would be no reason to write a full-length review. So to pad out the ‘pointless’ description, I’m adding mean-spirited, nonsensical, and a waste of time and talent.

There’s absolutely nothing appealing about “The Ice Harvest.” I realize this is a movie about a couple of bad apples surrounded by a basket-load of rotten fruit, however at the core of “The Ice Harvest” is a blackened pit that’s sure to leave an ugly aftertaste in your mouth. (Sometimes these descriptions just pop into my head and they won’t leaf…er, leave.)

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Harry Angel has a new case, to find a man called Johnny Favourite. Except things aren’t quite that simple, and Johnny doesn’t want to be found. Let’s just say that, amongst the period detail and beautiful scenery, it all gets really, really nasty. Written by David Carroll {davidc@atom.ansto.gov.au}

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Hype machines be damned. Forget the rumors of derision behind the scenes, forget the cost over-runs and lack of onscreen chemistry between two of the leading actors. Forget that Miramax and Harvey Weinstein had anything whatsoever to do with cutting, budgeting or otherwise exercising creative control over the finished product. “Gangs of New York” is pure Scorsese through-and-through and for that audiences should be eternally grateful. We’re not force-fed a toned down, been-there-done-that formula film. Instead Scorsese delivers an epic motion picture showcasing a critical time in our nation’s history.

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