Spike Lee’s take on the “Son of Sam” murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.

Director Ayer has a real eye for capturing LA’s less glamorous streets, and with a story and screenplay by James Ellroy, another storyteller who knows his way around the turf, Street Kings has the makings of a classic cop drama. But somewhere along the line the dialogue and story took a turn down a dark alley lined with film clichés and Hollywood melodrama and didn’t emerge unscathed.

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Derek Vinyard returns from prison to find his younger brother, Danny, caught in the same web of racism and hatred that landed him in prison. After Derek’s father is killed in the line of duty by a minority, Derek’s view of mankind is altered, but while in prison, he discovers that there is good and bad in every race. The task before him now is to convince Danny of his newfound enlightenment. Written by Robin {soonerzs@yahoo.com}

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Oddball cop and tough guy, Jack Cates is the only survivor of a cop shooting and in hunting down the murderer collects Reggie Hammond from jail for 48 hours. Hammond is oddly motivated to help. The killer is searching for his stash of cash. Cates and Hammond who have the Black-white, cop-crook thing to work out make surprisingly good partners as they navigate through the city looking for their suspect. Written by John Vogel {jlvogel@comcast.net}

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Did Superman star George Reeves commit suicide or was the Man of Steel taken down by a gunman (or woman) who snuck into his bedroom in the wee hours of the morning and shot the actor in the head? Nearly five decades after Reeves’ death, the circumstances surrounding his demise still inspire debate.