A new family moves into the house on Elm Street, and before long, the kids are again having nightmares about deceased child murderer Freddy Krueger. This time, Freddy attempts to possess a teenage boy to cause havoc in the real world, and can only be overcome if the boy’s sweetheart can master her fear. Written by David Thiel {d-thiel@uiuc.edu}

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Film adaptation of street tough Jim Carroll’s epistle about his kaleidoscopic free fall into the harrowing world of drug addiction. As a member of a seemingly unbeatable high school basketball squad, Jim’s life centers around the basketball court and the court becomes a metaphor for the world in his mind. A best friend who is dying of leukemia, a coach (”Swifty”) who takes unacceptable liberties with the boys on his team, teenage sexual angst, and an unhealthy appetite for heroin — all of these begin to encroach on young Jim’s dream of becoming a basketball star. Soon, the dark streets of New York become a refuge from his mother’s mounting concern for her son. He can’t go home and his only escape from the reality of the streets is heroin for which he steals, robs and prostitutes himself. Only with the help of Reggie, an older neighborhood friend with whom Jim “picked up a game” now and then, is he able to begin the long journey back to sanity. Written by Mark Fleetwood {mfleetwo@mail.coin.missouri.edu}

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Alex and his three droogs, live in a futuristic Britain void of proper law and civil protection. They do drugs, drink, skip school, and wreak havoc during the night. They beat up an old drunkard, steal cars, rape helpless women, and start gang fights in the streets. Alex, being a rather arrogant leader, is rude and disrespectful towards his other droogs, and because of this they plot behind his back against him. In their plan to rob a woman on the outskirts of town, Alex enters the house alone to unlock the door for the other. When confronted by the owner of the house he strikes her in the head in attempt to knock her out. Meeting his droogs outside he is met with a bottle being smashed over his own head, stunning him long enough for the cops to finally arrive and arrest him. It turns out the woman he struck inevitably ended up dieing from the blow and Alex now finds himself with a 14 year prison sentence. In hopes of severely shortening his sentence, Alex signs up for a new breakthrough treatment that “cures” criminals of their want to do evil. The Ludovico treatment, as it is called, consist of Alex living a very high lifestyle while twice daily being subjected to gory and hateful films full of all that is considered wrong and evil. Part of Alex’s diet contains a special drug that causes him to slowly get sick as he is forced to watch these films. After a short period of time he is shown as being cured and when, in front of a small audience, he is subjected to another bullying man and a beautiful woman, he is unable to fight back or do what he would like to do, and instead is utterly paralyzed with sickness. The process stripped him not only of his evil, but more importantly and symbolically stripped him of his right to think and be free and live the life he wishes to. After being released from prison and kicked out of his home he is taken in by small group of people who want to get Alex’s pitiful story out to the public to attempt to harm the current regime in time for the next election. During this process, Alex attempts suicide and fails, but because of this the doctors of the original Ludovico treatment set out to cure him. Alex awakes from his coma cured of the sickness and is finally able to think and do what he wishes again. Written by Walker Parkhill

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China, Later Tang Dynasty, 10th Century. On the eve of the Chong Yang Festival, golden flowers fill the Imperial Palace. The Emperor (Chow Yun Fat) returns unexpectedly with his second son, Prince Jai (Jay Chou). His pretext is to celebrate the holiday with his family, but given the chilled relations between the Emperor and the ailing Empress (Gong Li), this seems disingenuous. For many years, the Empress and Crown Prince Wan (Liu Ye), her stepson, have had an illicit liaison. Feeling trapped, Prince Wan dreams of escaping the palace with his secret love Chan (Li Man), the Imperial Doctor’s daughter. Meanwhile, Prince Jai, the faithful son, grows worried over the Empress’s health and her obsession with golden chrysanthemums. Could she be headed down an ominous path? The Emperor harbors equally clandestine plans; the Imperial Doctor (Ni Dahong) is the only one privy to his machinations. When the Emperor senses a looming threat, he relocates the doctor’s family from the Palace to a remote area. While they are en route, mysterious assassins attack them. Chan and her mother, Jiang Shi (Chen Jin) are forced back to the palace. Their return sets off a tumultuous sequence of dark surprises. Amid the glamour and grandeur of the festival, ugly secrets are revealed. As the Imperial Family continues its elaborate charade in a palatial setting, thousands of golden armored warriors charge the palace. Who is behind this brutal rebellion? Where do Prince Jai’s loyalties lie? Between love and desire, is there a final winner? Against a moonlit night, thousands of chrysanthemum blossoms are trampled as blood spills across the Imperial Palace. Written by Sony Pictures Classics

Jeremy Irons plays a Spanish Jesuit who goes into the South American wilderness to build a mission in the hope of converting the Indians of the region. Robert DeNiro plays a slave hunter who is converted and joins Irons in his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portugese aggressors. Written by mattbballman17

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If “The Passion of the Christ” didn’t have the backing of a Hollywood player such as Mel Gibson, it’s extremely likely this movie would have been shown in a handful of art house theaters or gone straight to video. With someone as powerful and connected as Gibson behind it, “The Passion of The Christ” is finding wide release throughout the United States, with some theaters showing the film on multiple screens, and many showings bought out well in advance.

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