In the 60’s, the Puerto Rican Carlito Brigante, the Afro-American Earl and the Italian Rocco become best friends while in prison. When they are released, Rocco intermediates a heroin business with a family of the Italian Mafia leaded by Artie Bottolota Sr. Carlito negotiates with the lord Leroy “Hollywood Nicky” Barnes the area where the trio could operate in his neighborhood and sooner the three friends become powerful. Later, Carlito dates and has an affair with the beautiful Leticia. When Earl decides to move to Barbados with his girlfriend and leave the heroin business, his stupid younger brother causes a situation with the Italian mobsters, and Carlito and Rocco have to resolve the mess to save their lives. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Xander Cage is your standard adrenaline junkie with no fear and a lousy attitude. When the US Government “recruits” him to go on a mission, he’s not exactly thrilled. His mission: to gather information on an organization that may just be planning the destruction of the world, led by the nihilistic Yorgi. Written by Ryan McIntosh

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As the adventure continues, the saga of war between vampires and werewolves. Selene, the vampire “death dealer” who’s now fighting to stop the release of the original “Lycan” werewolf, William from the prison that’s held him for centuries. As we learn from the film’s action-packed prologue, William and his brother Marcus began the bloodline of vampires and werewolves, and after witnessing centuries of warfare between them, their immortal father Corvinus now seeks Selene and the human vampire/lycan hybrid Michael to put an end to the war perpetuated by Victor, the vampire warrior whose betrayal of Selene turns Underworld: Evolution into an epic tale of familial revenge. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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Beginning in the 1930’s, “The English Patient” tells the story of Count Almasy who is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almasy enters into a world of love, betrayal, and politics that is later revealed in a series of flashbacks while Almasy is on his death bed after being horribly burned in a plane crash. Written by Anthony Hughes {husnock31@hotmail.com}

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During the WWII battle of Stalingrad, two snipers, a Russian (Law), and a German (Harris), are locked in a battle of wills and marksmenship, while the Russian is boosted to the status of hero by a political official (Fiennes). Written by IMDb Eds

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Whether or not you are a fan of the 1986 “Manhunter” (also based on Thomas Harris’ “Red Dragon“), you’ve got to admit that seeing Sir Anthony Hopkins crawl into Hannibal Lecter’s skin one more time makes for gripping entertainment.

“Manhunter” was a different film - different cast, different script, different. Period. End of statement. For the benefit of this review, let’s allow “Red Dragon” to pass or fail on its own merits. There are countless books that have been made into multiple films by different filmmakers and hundreds of movies that are simply remakes of earlier versions. What’s the point of debating whether or not Brett Ratner’s “Red Dragon” needed to be made in the first place? It’s done already; let’s get past it.

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3 backpackers are in Amsterdam where they get locked out of their youth hostel. They are invited into a man’s house where he tells them of a hostel somewhere in eastern Europe where the women are all incredibly hot and have a taste for American men. When they get there, everything is too good to be true - the hostel is “to die for” Written by CROESKE

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Ex-Special Forces operator Frank Martin lives what seems to be a quiet life along the French Mediterranean, hiring himself out as a mercenary “transporter” who moves goods–human or otherwise–from one place to another. No questions asked. Carrying out mysterious and sometimes dangerous tasks in his tricked-out BMW, Frank adheres to a strict set of rules, which he never breaks. Rule One: Never change the deal. Rule Two: No names–Frank doesn’t want to know whom he’s working for, or what he’s transporting. Rule Three: never look in the package. Frank’s newest transport seems no different from the countless ones he’s done in the past. He’s been hired by an American known only as “Wall Street” to make a delivery; but when Frank stops along the route, he notices his package is moving. Violating Rule Three, Frank looks inside the bag, finding its contents to be a beautiful, gagged woman. Frank’s steadfast adherence to his other two rules–which make up his basic code of survival–also quickly fails, hurtling him and his new companion on a road leading to shocking secrets, deadly complications, and the last thing that Frank ever expected to come to believe: that rules are made to be broken. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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1327: after a mysterious death in a Benedictine Abbey, the monks are convinced that the apocalypse is coming. With the Abbey to play host to a council on the Franciscan’s Order’s belief that the Church should rid itself of wealth, William of Baskerville, a respected Franciscan monk, is asked to assist in determining the cause of the untimely death. Alas, more deaths occur as the investigation draws closer to uncovering the secret the Abbey wants hidden, and there is finally no stopping the Holy Inquisition from taking an active hand in the process. William and his young novice must race against time to prove the innocence of the unjustly accused and avoid the wrath of Holy Inquisitor Bernardo Gui. Written by Rick Munoz {rick.munoz@his.com}

William Friedkin’s gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between ‘Popeye’ Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed. Written by Tad Dibbern {DIBBERN_D@a1.mscf.upenn.edu}

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