I’d been eagerly anticipating “Sin City” for months and you know how that normally winds up. When your expectations are so high, chances are very slim the final product will live up to its promise. But “Sin City” blew me away, easily surpassing anything I’d hoped for from the film. Wildly provocative and featuring one of the sexiest casts collected together in a feature film, Robert Rodriguez and “Sin City” creator/co-director Frank Miller have made a movie that feels retro yet is so fresh and new, it’s tough to actually take in everything in just one sitting.

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I’m sure there are comic book fans out there who will cringe while reading this review. For that, I apologize now and suggest that you read no further. If you’ve read my reviews of “The Hulk” or “X2” then you’re probably aware of the fact that I don’t read comic books. Nothing personal, they’ve just never drawn my interest. In fact, my knowledge of comic books is so limited that I didn’t know – prior to reading all the production notes – that “The League of Extraordinary Gentlemen” was even based on a comic. So if you’re looking for a review that compares the two media, I’m going to gently suggest looking elsewhere. Go now before it’s too late. Gentle enough?

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A young man receives a call on his cellular phone from a woman who says she’s been kidnapped, and thinks she’s going to be killed soon, along with her husband and son who the kidnappers have gone after next. The catch? She doesn’t know where she is… and his cell phone battery might go dead soon. Written by Tru Blu

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Hype machines be damned. Forget the rumors of derision behind the scenes, forget the cost over-runs and lack of onscreen chemistry between two of the leading actors. Forget that Miramax and Harvey Weinstein had anything whatsoever to do with cutting, budgeting or otherwise exercising creative control over the finished product. “Gangs of New York” is pure Scorsese through-and-through and for that audiences should be eternally grateful. We’re not force-fed a toned down, been-there-done-that formula film. Instead Scorsese delivers an epic motion picture showcasing a critical time in our nation’s history.

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Martin Riggs is an L.A. cop with suicidal tendencies and Roger Murtaugh is the unlucky police officer with whom Riggs is assigned. Together they uncover a huge drug-smuggling operation, and as their success rate grows so does their friendship. Written by Graeme Roy {gsr@cbmamiga.demon.co.uk}

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More than 10 years after ‘Terminator 2′, John Connor now exists only as a drifter - living ‘off the grid’, so no more Terminators from the future can hunt him down. Unfortunately, SkyNet does send another one back - and this one is called the T-X, even more powerful & advanced than the dreaded T-1000. However, another CSM-101 Terminator is also sent back to protect John against the T-X. Now, Skynet is patiently assuming control of civilian computer systems, under the guise of a computer virus. John has also met his future wife, Kate Brewster, whose father - a U.S. Air Force General - is in charge of the military computer systems & is leery of up linking SkyNet. However, when the SkyNet virus infects the U.S military computers & leaves the country open to attack, the machines begin their horrific takeover. Soon a nuclear war will result - and the war against the machines will begin. Can the outdated CSM-101 Terminator eliminate the highly advanced T-X - or will a darker future await man following the nuclear attack? Written by Derek O’Cain

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Earl and Hank have only one thing in common: they’re both L.A.P.D. rejects. One just got kicked out, the other can’t even get in. After confronting each other on opposite sides of the law during a traffic stop that escalates out of control, these two luckless individuals end up partnered as lowly security guards. Despite being damned to the lowest rung of the law enforcement ladder, Earl and Hank uncover a sophisticated smuggling operation led by Nash and his band of thugs. When Earl and Hank get their hands on some hot property, they go on the run from, first the bad guys, then the L.A.P.D.–led by Lt. Washington and Detective McDuff. What these two unlikely partners do to law enforcement is a crime, but they just might save the day. That is, if they don’t kill each other first. Written by Sujit R. Varma

When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show “Top Story.” Written by Jeff Cross {blackjac_1998@yahoo.com}

On New Year’s Eve, inside a police station that’s about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop. Written by IMDb Editors

Tom Mullen, rich airline owner, is shocked when his son is kidnapped. He is willing to pay the two million dollar ransom, but the drop goes wrong. So Tom turns the ransom money into a bounty on the head of the kidnapper. Written by karl Rose {krose@surf.metro.net.au}

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