A contract killer sees a chance to free himself from a tragic past.

Photagrapher L.B. “Jeff” Jeffries is confined to his small apartment with a broken leg.To pass the time,he watches the goings-on of his motley assortment of neighbors–a frustrated yet fun-loving composer,a middle-aged couple with a small dog,a dancer who seems to enjoy practicing her routines while scantily clad,a pair of reclusive newlyweds,a lonely woman who seems to live in a fantasy world,and a salesman and his invalid wife.One day the wife inexplicably disappears,and the salesman starts doing things that lead Jeff to suspect that he may have murdered her.Unfortunately,he has no proof and no one seems to believe him.Eventually,however,things start falling together in a way that make it look like Jeff might just be right after all.Finally he,his girlfriend Lisa and his nurse Stella come up with a plan to catch the killer red-handed. But doing so could put all of their lives in danger. Written by LOTUS73

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Richard Haywood, a Californian high school’s coolest kid, secretly teams up with another rich kid in his class, brilliant nerd Justin ‘Bonaparte’ Pendleton, whose erudition, specially in forensic matters, allows them to plan elaborately perfect murders, just for the kick, for which they set up Richard’s marijuana supplier, their school’s janitor Ray Feathers, as a psychotic serial killer. The case is assigned to detectives Cassie ‘the hyena’ Mayweather, who carries a sequoia-size chip on the shoulder from her previous life, and her brilliant new partner, Sam Kennedy, who just transferred from the vice squad; they can work together very well, and even fit romantically, but fall out over different professional attitudes towards the investigation, which Captain Rod Cody and her understandably vindictive abused ex, Assistant D.A. Al Swanson, soon ban her from when she disobeys instructions and hand to him. When the plotting boys both dig class-mate Lisa Mills, their unnatural bond comes under stress- will it break, allowing the hard-pressed police to bring them down? Written by KGF Vissers

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Susie’s husband is asked to hold a doll for a woman as they get off an airplane. She disappears. Mike and Carlino are small time hoods who find the woman’s body in Susie’s apartment, placed there by her partner, Harry Rote. Susie’s blindness is the key to them searching the apartment for the doll that contains smuggled drugs. Mike pretends to be an old friend of Susie’s husband while her husband is away and together the crooks invent a story of a police investigation of her husband that only the discovery of the now missing doll can save him from. Rote is a killer, and his stalking of Susie becomes more and more obvious as the story unfolds, leaving us with the question, how does a blind woman defend herself? Written by John Vogel {jlvogel@comcast.net}

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Bryan Singer’s love of the 1978 Richard Donner Superman film is evident from the very beginning of Superman Returns, a movie which signals the rebirth of yet another comic book superhero film franchise. From the opening scroll of credits to the set design and the film’s borrowed John Williams score, Superman Returns captures the tone of Donner’s work while re-introducing a beloved – and missed – character to movie audiences.

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A disillusioned war veteran, Capt. Rannulph Junah (Matt Damon), reluctantly agrees to play a game of golf. He finds the game futile until his caddy, Bagger Vance (Will Smith), teaches him the secret of the authentic golf stroke which turns out also to be the secret to mastering any challenge and finding meaning in life. Written by M. Fowler

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After three weeks chatting with the thirty-two years old photographer Jeff Kohlver in Internet, the fourteen years old Hayley Stark meets him in the Nighthawks coffee shop. Hayley flirts with him in spite of the difference of ages and proposes to go to his house. Once there, she prepares screwdriver for them and Jeff passes out. When he awakes, he is tied up to a chair, and Hayley accuses him of pedophilia. Jeff denies, and Hayley begin to torture him, in a mouse and cat game. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Fashion photographer Dick Avery (Fred Astaire), in search for an intellectual backdrop for an air-headed model, expropriates a Greenwich Village bookstore. When the photo session is over the store is left in a shambles, much to salesgirl Jo Stockton’s (Audrey Hepburn) dismay. Avery stays behind to help her clean up. Later, he examines the photos taken there and sees Jo in the background of one shot. He is intrigued by her unique appearance, as is Maggie Prescott (Kay Thompson), the editor of a leading fashion magazine. They offer Jo a modeling contract, which she reluctantly accepts only because it includes a trip to Paris. Eventually, her snobbish attitude toward the job softens, and Jo begins to enjoy the work and the company of her handsome photographer. Written by alfiehitchie

[A Totally Spoiler Free Review] Is “Spider-Man 2” the best movie ever made based on a comic book, as some early reviews have proclaimed? I don’t know, that’s a pretty grand statement and one I don’t feel qualified to assess being a non-comic book type of person. I do know the original “Spider-Man” was incredibly fun, a genuine rollercoaster ride of a movie that set the bar tremendously high, much too high for most movies of this subgenre to live up to. I believe this sequel is a better film, though I didn’t find myself feeling as exhilarated during it as I did while watching the original. But that’s not to say this one has a been-there, done-that quality to it. It doesn’t. This sequel stands on its own and in no way feels like recycled material. And judged on its own, I feel safe in declaring it’s one of the best movies we’ll see in theaters this year.

“Spider-Man 2” is darker, more emotionally intense, and features a more serious storyline than the first movie. While the first film had to spend a good portion of its running time introducing the characters and explaining how Spider-Man came to be, this second film of the series doesn’t carry that burden. We know Peter Parker (Tobey Maguire) was bitten by a radioactive spider, we know Peter loves MJ (Kirsten Dunst) but will not allow himself to be with her, and we know Peter’s best friend, Harry (James Franco) is out to kill Spider-Man because he believes the webslinger murdered his father. All of this was laid out for us by the end of the first “Spider-Man” movie.

In the second film, we’re allowed more of an opportunity to get to know Peter as a person. We feel his torment as he tries to hide his emotions from MJ. We care about him as he’s pulled between doing the responsible thing as Spider-Man and living a normal life free from the pressure of being a hero. ”Spider-Man 2” lets us look further into the psyche of the boy/man who wears the blue and red suit. And while we’re taken on this emotional journey with Peter, we’re also treated to more time with the central figures of the first “Spider-Man” movie and to a few new characters from world of the “Spider-Man” comic books, foremost of which is this film’s villain, Dr. Otto Octavius (Doc Ock for short). This ultra-cool bad guy is the star of the show when it comes to effects - and acting. Very few movie villains can rival Alfred Molina in character as the man with tentacles (special kudos to Raimi for making sure Doc Ock was played by such a first-rate actor). Doc Ock could have been a campy character, but with Molina in charge, he remains a man tormented by the evil he’s unleashed and overwhelmed by tragic circumstances, rather than a two-dimensional antagonist of the film’s hero.

“Spider-Man 2” has a gentler sense of humor, quirky like the original, yet quieter. Sam Raimi throws in a few recognizable faces in cameo roles who generate a fair share of laughs, and even inserts a scene in which Maguire as Spider-Man injures his back (a nod at Maguire’s real-life back problems, which almost kept him out of this sequel). One of my personal favorite scenes featured Hal Sparks in an elevator with the in-costume Spider-Man. Classic.

We got used to watching Spider-Man fly between buildings and leap from incredible heights in the first movie. The effects which worked so well in “Spider-Man” have been tweaked to such a degree in “Spider-Man 2” it’s nearly impossible to distinguish pure computer-generated graphics from scenes involving actors or stuntmen in front of blue screens. Because all of the effects – from speeding trains to giant fiery orbs – are simply incredible, there’s nothing that jolts you out of the movie, no point in the film where you are jarred from believing your eyes. As far as effects-heavy movies go, “Spider-Man 2” is at the head of the pack.

Comparing the two “Spider-Man” movies is like comparing apples and oranges. They are totally different creations. One’s an exuberant burst of energy contained on film and the other’s a toned down, coming-of-age tale set in the world of superheroes and monstrous villains. Though both movies relied heavily on the CGI effects, Raimi did a terrific job in both films of never forgetting the audience needs to connect with the flesh and blood actors. The reason “Spider-Man” and “Spider-Man 2” work is that both keep that focus in the forefront, with the special effects filling in around the actors and not overwhelming them.

Rebecca Murray
Hollywood Movies Guide

The story follows Mirabelle, a disenchanted salesgirl and aspiring artist who sells gloves and accessories at a department store. She has two men in her life: wealthy divorcee Ray Porter (Steve Martin) and struggling musician Jeremy. Mirabelle falls in love with the glamorous Ray, and her life takes a magical turn, but eventually she realizes that she must empower herself and make a choice between them. Written by Anonymous

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