My Rant:

For my local media screening of “The Village,” an edict was issued from on high (meaning the studio, not our local PR firm) stating online and radio journalists were not allowed to see any of the advanced screenings of M. Night Shyamalan’s newest film until Thursday, July 29th (just half a dozen hours before it actually invaded theaters). Other media people were allowed to see it – TV, print, and so on – days earlier, but not online or radio critics. So what I’m wondering is, what makes a talking head on TV less likely to give away something from the plot than someone who works online or on the radio? What keeps local newspaper reporters from spoiling the story when an online or radio person can’t be trusted to keep the twists a secret? The answer: nothing. Nothing stops those smiling faces on TV from inadvertently blurting out a plot twist. They’ve done it before and you can bet they’ll do it again. Nothing stops a newspaper reporter from putting a line or two they shouldn’t into a review. I’ve read things that made me cringe where journalists have forgotten a plot point wasn’t known by the audience before the last 15 minutes of the movie. It happens all the time.

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Jay and Silent Bob Strike Back is a tale of adventure on the open road. When Dante and Randal (of Clerks fame) get a restraining order to keep the punchy Jay and his hetero life-mate, Silent Bob, from selling drugs in front of the Quick Stop convenience store, their lives are suddenly empty. They find new purpose when their friend, Brodie, informs them a movie is being made featuring two infamous characters based on their likenesses. After visiting one of the creators of the Bluntman and Chronic, Holden McNeil, they set out to get what fat movie cash they deserve and hopefully put an end to people slandering them on the Internet. Along the way, they learn the rules of the road from a hitchhiking George Carlin, ride with a group of gorgeous jewel thieves, and incur the wrath of a hapless wildlife marshal for liberating an orangutan named Suzanne. The quest takes them from New Jersey to Hollywood where a showdown involving the police, the jewel thieves, and the Bluntman and Chronic filmmakers will decide the fate of Suzanne, Jay, Silent Bob, and their good names. Written by Lordship