Writer/director Takashi Shimizu took his Japanese blockbuster “Ju-On: The Grudge” and along with screenwriter Stephen Susco, revamped it for American audiences. The filmmakers cast familiar American actors, fleshed out the English-language version with unneeded extraneous scenes, and in a sense, dumbed it down. Plot points that were left up to your imagination in the original Japanese film are explained in detail in the new version. And while the original was creepy/spooky, the new one offers only a scattering of scary moments surrounded by scenes that only serve to test your patience and kill time.

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Alex Rose (Stiller) and Nancy Kendricks (Barrymore) are a young, professional, New York couple in search of their dream home. When they finally find the perfect Brooklyn brownstone they are giddy with anticipation. The duplex is a dream come true, complete with multiple fireplaces, except for one thing: Mrs. Connelly (Eileen Essel), the cranky old lady who lives on the rent-controlled top floor. Assuming she is elderly and ill, they take the apartment but their hopes are quickly dashed when they realize that Mrs. Connelly is an energetic senior who enjoys watching her television at top volume day in and day out and rehearsing in a brass band. A writer, Alex is attempting to finish his novel against a looming deadline. However, each day as he begins to write, he is interrupted by Mrs. Connelly’s numerous demands and requests and what begins as a nuisance quickly escalates into an all-out war. When Nancy loses her job and the pair are trapped at home together with Mrs. Connelly, their rage turns to homicidal fantasy as they plot ways to get rid of their no-good neighbour… Written by Gavin Nelson

Robbie Hart is singing the hits of the 1980s at weddings and other celebrations. He also can keep the party going in good spirit, he knows what to say and when to say it. Julia is a waitress at the events where Robbie performs. When both of them find someone to marry and prepare for their weddings, it becomes clear that they’ve chosen wrong partners. Written by Anonymous

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Recently widowed well-to-do Laura Henderson is at a bit of a loose end in inter-war London. On a whim she buys the derelict Windmill theatre in the West End and persuades impresario Vivian Van Damm to run it, despite the fact the two don’t seem to get on at all. Although their idea of a non-stop revue is at first a success, other theatres copy it and disaster looms. Laura suggests they put nudes in the show, but Van Damm points out that the Lord Chamberlain, who licenses live shows in Britain, is likely to have something to say about this. Luckily Mrs Henderson is friends with him. Written by Jeremy Perkins {jwp@aber.ac.uk}