A troubled loner, Bob Maconel, imagines blowing up the tower in Los Angeles where he works. He takes a revolver to his office intent on killing colleagues, and then himself. At home, he holds conversations with his fish, who encourage him to do it. His supervisor picks on him. As he’s screwing his courage to the sticking place, he drops a bullet; while on the floor looking for it, another colleague does exactly what Bob has been planning. Bob emerges a hero and the one colleague he likes, a woman with a bright smile, is severely wounded. Can Bob help her through despair and find himself and joy in life? Or, as everyone says, is this impossible for a man like him? Written by {jhailey@hotmail.com}

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Audiences can start celebrating a little early as the holiday-themed romantic comedy “Love Actually” weaves its spell over moviegoers. Writer/director Richard Curtis’ romantic comedy can honestly, truthfully, and without hesitation be labeled ‘the romantic comedy of the year.’ In a year practically devoid of romantic comedies, that’s not exactly a tough title to claim. However, “Love Actually” is utterly charming, irresistible, and all those other accolades usually launched at a cute, fluffy, romantic comedy, so it deserves the label - and not just by default.

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Bud Baxter is a struggling clerk in a huge New York insurance company. He’s discovered a quick way to climb the corporate ladder - by lending out his apartment to the executives as a place to take their mistresses. He often has to deal with the aftermath of their visits and one night he’s left with a major problem to solve. Written by Col Needham {col@imdb.com}

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Ron Burgundy (Ferrell) is the top-rated anchorman in San Diego in the ’70s. When feminism marches into the newsroom in the form of ambitious newswoman Veronica Corningstone (Applegate), Ron is willing to play along at first-as long as Veronica stays in her place, covering cat fashion shows, cooking, and other “female” interests. But when Veronica refuses to settle for being eye candy and steps behind the news desk, it’s more than a battle between two perfectly coiffed anchor-persons… it’s war. Written by austin4577@aol.com

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The sea underworld is shaken up when the son of the shark mob boss is found dead and a young fish named Oscar is found at the scene. Being a bottom feeder, Oscar takes advantage of the situation and makes himself look like he killed the finned mobster. Oscar soon comes to realize that his claim may have serious consequences. Written by Anonymous

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