A descent into Hell is triggered when “Ex-Lord” Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help. Written by Bob Lee

Elvis lives! I knew it all along. No way could The King die on a toilet. It’s much more reasonable to believe he traded places with an impersonator to live out his life in relative obscurity, playing dive bars and Indian casinos, having a grand ol’ time pulling the wool over everyone’s eyes.

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Two American students are on a walking tour of England and are attacked by a Werewolf. One is killed, the other is mauled. The Werewolf is killed, but reverts to it’s human form, and the townspeople are able to deny it’s existence. The surviving student begins to have nightmares of hunting on 4 feet at first, but then finds that his friend and other recent victims appear to him, demanding that he find a way to die to release them from their curse, being trapped between worlds because of their unnatural death. Written by John Vogel {jlvogel@comcast.net}

Writer/director Takashi Shimizu took his Japanese blockbuster “Ju-On: The Grudge” and along with screenwriter Stephen Susco, revamped it for American audiences. The filmmakers cast familiar American actors, fleshed out the English-language version with unneeded extraneous scenes, and in a sense, dumbed it down. Plot points that were left up to your imagination in the original Japanese film are explained in detail in the new version. And while the original was creepy/spooky, the new one offers only a scattering of scary moments surrounded by scenes that only serve to test your patience and kill time.

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Humbert Humbert, a divorced British professor of French literature, travels to small-town America for a teaching position. He allows himself to be swept into a relationship with Charlotte Haze, his widowed and sexually famished landlady, whom he marries in order that he might pursue the woman’s 14-year-old flirtatious daughter, Lolita, with whom he has fallen hopelessly in love, but whose affections shall be thwarted by a devious trickster named Clare Quilty. Written by filmfactsman

A criminal psychologist (Berry) awakens to find herself a patient in the institution where she works, with no memory of the murder she’s accused of committing. As she tries to regain her memory - and her freedom - a vengeful spirit manipulates her. Written by Anonymous

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Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boy friend, Stuart, lives above her apartment and finds this space near the Brooklyn Bridge where there is a gap in time. He goes back to the eighteen hundreds and takes pictures of the place. Leopold, a man living in the 1870’s, was puzzled by Stuart’s tiny camera and decides to follow him and they both ended up in this century. Leopold is clueless about his new surroundings. He gets help and insights from Charlie who thinks that Leopold is an actor who is always in character. Leopold is a highly intelligent man and tries his best to learn and even improve the modern conveniences that he encounters. Written by Rosemea D.S. MacPherson

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A madcap portrayal of William Lightbody’s stay at the health farm run by cereal king Dr. John Harvey Kellogg. William’s wife, Eleanor, has persuaded him to go to Kellogg to have his system cleaned of impurities. Kellogg is very unconventional, and almost barbaric in his treatments. Written by Rob Hartill

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I’ve heard people refer to “The Notebook” as cheesy, as a ‘chick flick’ (a label very few of my colleagues can stand because of its negative connotation), as predictable and sappy. So “The Notebook” doesn’t exactly take a brain surgeon to guess how the story is going to play out. And it does unapologetically play on your emotions, practically begging you to squeeze out a few tears. But here’s why I enjoyed “The Notebook”: it’s a movie you can relax and let flow over you. It’s also one of the few films out there that tells a complete story. There’s a well-defined beginning, middle, and end.

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On 09 February 2000, the American military base of Yongson releases toxic chemicals in the drain to the Han River under the direct order of an arrogant coroner. Six years later, a mutant squid monster leaves the water and attacks people on the side of the river. The teenager Park Hyun-seo is carried by the creature and vanishes in the river. While grieving her loss, her slow father Park Gang-du; her grandfather and owner of a bar-kiosk nearby the river Park Hie-bong; her aunt and archery medalist Park Nam-Joo; and her graduated unemployed uncle Park Nam-il are sent by the army with all the people that had some sort of contact with the monster to quarantine in a facility. During the night, Gang-du receives a phone call from Hyun-seo telling that she is alive in a big sewage nearby the river. Gang-du tell the militaries but nobody believes on his words, saying that he is delusional due to the shock of his loss. The Park family joins forces trying to find Hyun-seo and rescue her. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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