Mel Coplin departs on a mission of discovery dragging his wife and 4 month old son behind. He and wife, Nancy, won’t agree on a name for their son until adopted Mel gets in touch with his roots. He assures her that once he knows who he really is, the right name for their boy will be a snap. Enlisting the aid of student-psychologist and part-time adoption agent, Tina Kalb, they embark on a journey across the United States to find Mel’s “birth” mother. “The best part,” Mel tells Nancy, “is it’s all free.” Tina is finishing her dissertation and will film the happy reunion of mother and child as part of her research. For this privilege, she’s footing the bill. His adoptive parents are left behind feeling abandoned by an ungrateful son. Clerical errors, mistaken identities, Nancy’s misplaced high school friend and his gay lover, and a super-charged libido here and there are thrown into the mix along the way until — at last — Mel’s real parents, the Schlictings (mispronounced as “Shit-kings” by Mrs. Coplin), are discovered in remote New Mexico. There, Mel begins to wonder if he would have been better off not knowing these people, after all. Written by MARK FLEETWOOD {mfleetwo@mail.coin.missouri.edu}

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“Anger Management” is another example of a good idea gone bad. Take two popular actors with radically different styles, mix in a sprinkling of a few name actors, throw in Adam Sandler’s buddies in supporting roles, and ask them to take an intriguing idea and turn it into a solid comedy. The result? Well, let’s just say this is deeply disappointing considering how much promise Sandler showed in “Punch-Drunk Love.” And Nicholson’s far from blameless. He takes his wild man character from the latter part of “The Shining,” tones it down a bit, and then generally looks uncomfortable with the results throughout this film.

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Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland’s thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey’s true soul mate as they experience the bizarre byproducts of Harvey’s cult celebrity stature. Written by Sujit R. Varma