A WWII film set on a Pacific island. Japanese and allied forces occupy different parts of the island. When a group of British soldiers are sent on a mission behind enemy lines, things don’t go exactly to plan. This film differs in that some of the ‘heros’ are very reluctant, but they come good when they are pursued by the Japanese who are determined to prevent them returning to base. Written by Rob Hartill

The President of the United States is on a journey home after making a speech in Moscow. But on the journey, Russian hi-jakers take over the plane, disguising themselves as newspaper reporters. They want the President to ring Moscow and release General Redek. But they think that the President has escaped in the pod. But the president is really still on board air force One attempting to regain control of the plane and to rescue his wife and daughter. Written by Dilen Foster

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In a mountainous South American country, drug-dealing rebels kidnap Peter Bowman, a US engineer who works for an oil company’s subsidiary. The company calls in a negotiator, Terry Thorne, an Aussie ex-soldier based in London. When the subsidiary goes bankrupt, the oil company washes its hands of the matter and pulls Thorne. Bowman’s wife Alice begs him to stay. She and Peter’s sister cobble together some money, Thorne talks ransom terms with the cash-strapped rebels, and Peter, chained high in the mountains, is sustained by a photo of Alice. When the politics of the situation change, so must Thorne’s strategy. And what can Alice and he do about the attraction growing between them? Written by {jhailey@hotmail.com}

Denzel Washington and Clive Owen deliver first-rate performances in director Spike Lee’s “Inside Man,” a clever, engaging film that’s considerably better than the average heist movie.

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Pick your own tagline for this one. My suggestions: “Beyond Boredom” or “Beyond Belief” or “Why Isn’t There Anything Entertaining About This Movie?” or “Clive Owen is Great But…” or “A Love Story Without Chemistry.” I could go on and on.

What starts out with an interesting premise quickly deteriorates into a cockeyed political statement. If you support the humanitarian work prominently featured in “Beyond Borders,” you’ll be disappointed in how Hollywood has taken an important program and screwed around with its basic mission statement.

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