Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill’s lives are put in danger. Written by Philip Brubaker {coda@nando.net}

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THE MACHINIST is the story of TREVOR REZNIK, a lathe-operator who is dying of insomnia. In a machine shop, occupational hazards are bad enough under normal circumstances; yet for Trevor the risks are compounded by fatigue. Trevor has lost the ability to sleep. This is no ordinary insomnia… Written by Anonymous

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Film adaptation of street tough Jim Carroll’s epistle about his kaleidoscopic free fall into the harrowing world of drug addiction. As a member of a seemingly unbeatable high school basketball squad, Jim’s life centers around the basketball court and the court becomes a metaphor for the world in his mind. A best friend who is dying of leukemia, a coach (”Swifty”) who takes unacceptable liberties with the boys on his team, teenage sexual angst, and an unhealthy appetite for heroin — all of these begin to encroach on young Jim’s dream of becoming a basketball star. Soon, the dark streets of New York become a refuge from his mother’s mounting concern for her son. He can’t go home and his only escape from the reality of the streets is heroin for which he steals, robs and prostitutes himself. Only with the help of Reggie, an older neighborhood friend with whom Jim “picked up a game” now and then, is he able to begin the long journey back to sanity. Written by Mark Fleetwood {mfleetwo@mail.coin.missouri.edu}

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What’s Eating Gibert Grape is a beautifully shot movie of tenderness, caring and self-awareness that is set amongst the fictional working class one street town Endora. Centred around the Grape family Ellen and Amy and their two brothers Arnie and Gilbert, who, along with their morbidly obese widowed mother Bonnie Grape are striving to survive and coexist with the absence of a father figure, low wage work and seventeen-year-old Arnie’s severe mental condition. It is in this awkward and extremely one sided affair that the unfortunate Gilbert has to constantly, while working for the town’s slowly dying Convenience Store, take care of his younger brother Arnie. Gilbert’s life, his future, is thwarted he know this, but it is in this Guardian Angel that his love and bond for Arnie cannot, and will not, be let go. That is until the free spirit of Becky arrives in town, and with her grandmother are stranded for the week while waiting for parts for their vehicle. This realization unties new feelings, new thoughts and new hope for the put upon Gibert, something new is eating Gilbert Grape. Written by Cinema_Fan

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Based on the classic novel by ‘CS Lewis’ . Four London children are sent to a professor’s country home in order for protection during World War II. There they find a magic wardrobe which leads to a mystical land called Narnia, which is being ruled by an evil witch. To defeat the witch, they must join forces with Aslan, the lion God of Narnia. Written by Brett Walter {StreepFan126@cs.com}

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Everyone’s born with one special thing, and Eddie Adams uses his humongous “asset” to take the world of film pornography by storm. Things get ugly though when success leads to drugs and ruin. Will Dirk clean up and get back on top? Will Amber see her son? Will Rollergirl ever take off her skates?! Written by Film Student Boy {gillease@scf.usc.edu}

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Mel Coplin departs on a mission of discovery dragging his wife and 4 month old son behind. He and wife, Nancy, won’t agree on a name for their son until adopted Mel gets in touch with his roots. He assures her that once he knows who he really is, the right name for their boy will be a snap. Enlisting the aid of student-psychologist and part-time adoption agent, Tina Kalb, they embark on a journey across the United States to find Mel’s “birth” mother. “The best part,” Mel tells Nancy, “is it’s all free.” Tina is finishing her dissertation and will film the happy reunion of mother and child as part of her research. For this privilege, she’s footing the bill. His adoptive parents are left behind feeling abandoned by an ungrateful son. Clerical errors, mistaken identities, Nancy’s misplaced high school friend and his gay lover, and a super-charged libido here and there are thrown into the mix along the way until — at last — Mel’s real parents, the Schlictings (mispronounced as “Shit-kings” by Mrs. Coplin), are discovered in remote New Mexico. There, Mel begins to wonder if he would have been better off not knowing these people, after all. Written by MARK FLEETWOOD {mfleetwo@mail.coin.missouri.edu}

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Newlyweds Nick (Ice Cube) and Suzanne (Long) decide to move to the suburbs to provide a better life for their two kids. But their idea of a dream home is disturbed by a contractor (McGinley) with a bizarre approach to business.

Those so young they need to be read the Dr Seuss books and those old enough to have read first editions as kids should equally enjoy this engaging, hilarious, and heartfelt tale of an elephant who hears Whos. Directed by Jimmy Hayward and Steve Martino from a screenplay by Cinco Paul and Ken Daurio, the classic Dr Seuss tale springs to life on the big screen using a color palette so vibrant you may feel the urge to don a pair of shades. Although the animation itself isn’t groundbreaking in its technique, it is perfectly in keeping with the tone and style of Dr Seuss’ work.

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The trailer for “The Forgotten” gives too much away and that’s a shame. The less you know going in, the better. It’s tough to thrill audiences when the plot is totally laid out in advance. All the anticipation is ripped away when the best scenes from the film are played over and over again on TV and on the Internet. With “The Forgotten,” knowing too much going in ruins the enjoyment you might have gotten out of the moviegoing experience.

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