A guy starts a fake casting agency in hopes that he will meet his soul mate.

Hysteria grips California in the wake of the bombing of Pearl harbour as an assorted group of defenders attempt to make the coast defensible against an imagined Japanese invasion in this big budget, big cast comedy. Members of a Japanese submarine crew scout out the madness. Written by Keith Loh {loh@sfu.ca}

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A female journalist tries to uncover the truth behind the breakup, years earlier, of a celebrated comedy team after the duo found a girl dead in their hotel room. Though both had airtight alibis and neither was accused, the incident put an end to their act. Written by N.E. Star

Tony wants to be a hitman for the Mafia, but first he has to learn from a master. Enter Stevie California-cool, eats veggie burgers and quotes Neitzche. Tony may not agree with Stevie’s style, but he has to complete his training so he can go back and kill the Mafia’s accountant, who’s about to turn state’s evidence. His final test: kill whoever is randomly picked out of the yellow pages. His target: Angel Chaste. Angel works the graveyard shift at a mortuary. She thinks a doll is her baby. Her mother left when she was little. Basically, Angel has PROBLEMS. When Tony, Angel and Stevie collide, it will change all of their lives. Written by Mad Meg {mad_meg@hotmail.com}

L.A. in the early 1930’s: racism, poverty, and disease color the Bunker Hill neighborhood where Arturo Bandini, a lover of men and beasts alike, has arrived from Colorado to write the great Los Angeles novel. After six months and down to his last nickel, he orders a cup of coffee, served by Camilla Lopez, beautiful, self-possessed, and Mexican. Arturo gets advice, encouragement, and an occasional check from H.L. Mencken, so he keeps writing and he keeps seeing Camilla. But, he’s mean to her for no apparent reason, so the relationship sputters. A housekeeper from back East suggests a way out of his jealously and fears. “Camilla Bandini”: is it in the cards? Written by {jhailey@hotmail.com}

Nicolas Cage’s hair is the most memorable thing about Next, a sci-fi thriller directed with semi-verve by Lee Tamahori (Die Another Day, XXX: State of the Union). Tamahori knows action but that can’t save the irritatingly pointless Next from taking one disastrous misstep after another. Clever editing and an intriguing premise are wasted when on a film that’s loaded with plot holes and loopy logic, and filled with incredibly bad dialogue.

Hurly-burly is an adaptation of David Rabe’s well known play about the intersecting lives of several Hollywood players and wannabes who’s personal lives threaten to veer into a catastrophe more interesting than anything they’re peddling to the studios. Written by Anonymous

A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio. Written by Anonymous

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The story follows Mirabelle, a disenchanted salesgirl and aspiring artist who sells gloves and accessories at a department store. She has two men in her life: wealthy divorcee Ray Porter (Steve Martin) and struggling musician Jeremy. Mirabelle falls in love with the glamorous Ray, and her life takes a magical turn, but eventually she realizes that she must empower herself and make a choice between them. Written by Anonymous

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There’s an eerie, otherworldly feel to the way director Michael Mann (“The Insider,” “Heat”) has portrayed the City of Angels in “Collateral.” Los Angeles at night is a whole different beast and in Mann’s hands, the city itself becomes a living, breathing character. Dark and brooding, the LA depicted in “Collateral” provides the perfect backdrop to this intense action thriller.

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