College student Lewis decides to drive across the country to see Venna, a friend who doesn’t know that Lewis is interested in her romantically. Unfortunately for his plans, Lewis gets saddled with his raucous-spirited older brother, Fuller, whose on-the-road pranks get the brothers and Venna sucked into a nightmare when a psychotic truckdriver takes offense. Written by Jim Beaver {jumblejim@prodigy.net}

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It’s not often that Hollywood has the opportunity (opportunity = financial backing) to team two superstars in a major release. Salaries for marquee names have reached limits rivaled only by professional athletes. Even when studios are able to get the backing needed, they aren’t guaranteed the film will be a hit, or that the stars will have on-screen chemistry. Notable superstar teamings that produced less-than-stellar results include Julia with Mel, DeNiro with Pacino, and, of course, the extremely forgettable “Ishtar” with Hoffman and Beatty.

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Thanks to falsified dental records supplied by his former neighbor Nicholas Oz Oseransky, retired hitman Jimmy The Tulip Tudeski now spends his days compulsively cleaning his house and perfecting his culinary skills with his wife, Jill, a purported assassin who has yet to pull off a clean hit. Suddenly, an uninvited and unwelcome connection to their past unexpectedly shows up on Jimmy and Jill’s doorstep: it’s Oz, and he’s begging them to help him rescue his wife from the Hungarian mob. To complicate matters even further, the men, who are out to get Oz, are led by Lazlo Gogolak, a childhood rival of Jimmy’s and another notorious hitman. Oz, Jimmy and Jill will have to go the whole nine yards–and then some–to manage the mounting Mafioso mayhem. Written by Sujit R. Varma

Part four in the Hannibal Lecter Quadrilogy. Having escaped the asylum in “Silence of the Lambs,” Dr Lecter goes into hiding in Florence, Italy. Back in America, Mason Verger, an old victim of the doctor’s, seeks revenge. Disfigured and confined to a life-support system, he plans to draw Lecter out of his hiding place, using the one thing he truly cares for: Clarice Starling. Written by James McManus

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This movie is talking about Tom Cruise, the most exciting and successful star in the world, returns to one of his signature roles, Secret Agent Ethan Hunt, in “Mission: Impossible III.” In this pulse-racing, mind-bending action thriller, Hunt confronts the toughest villain he’s ever faced - Owen Davian (Academy Award® winner Philip Seymour Hoffman), an international weapons and information provider with no remorse and no conscience. The film is co-written and directed by J.J. Abrams, who brings his unique blend of action, character, comedy, and drama to the franchise. The millions of loyal viewers of Abrams’s landmark creations, the television series “Lost” and “Alias,” know what to expect: an enthralling, intricate story with an unexpected and arresting payoff that satisfies on every level. With “M:i:III,” Abrams and Cruise turn the spy thriller on its ear as they hark back to the best aspects of the original TV series that inspired the films - a well-connected team of agents centered around a bold and heroic leader, the most exciting action stunts imaginable, and elaborate twists and turns that keep you on the edge of your seat. Written by Bill

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In the 60’s, the Puerto Rican Carlito Brigante, the Afro-American Earl and the Italian Rocco become best friends while in prison. When they are released, Rocco intermediates a heroin business with a family of the Italian Mafia leaded by Artie Bottolota Sr. Carlito negotiates with the lord Leroy “Hollywood Nicky” Barnes the area where the trio could operate in his neighborhood and sooner the three friends become powerful. Later, Carlito dates and has an affair with the beautiful Leticia. When Earl decides to move to Barbados with his girlfriend and leave the heroin business, his stupid younger brother causes a situation with the Italian mobsters, and Carlito and Rocco have to resolve the mess to save their lives. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Lou-Jean, a blonde woman, tells her husband, who is imprisoned, to escape. They plan to kidnap their own child, who was placed with foster parents. The escape is partly successful, they take a hostage, who is a policeman and are pursued through to Texas… Written by Kornel Osvart {kornelo@alphanet.hu}

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Whether or not you are a fan of the 1986 “Manhunter” (also based on Thomas Harris’ “Red Dragon“), you’ve got to admit that seeing Sir Anthony Hopkins crawl into Hannibal Lecter’s skin one more time makes for gripping entertainment.

“Manhunter” was a different film - different cast, different script, different. Period. End of statement. For the benefit of this review, let’s allow “Red Dragon” to pass or fail on its own merits. There are countless books that have been made into multiple films by different filmmakers and hundreds of movies that are simply remakes of earlier versions. What’s the point of debating whether or not Brett Ratner’s “Red Dragon” needed to be made in the first place? It’s done already; let’s get past it.

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Ex-Special Forces operator Frank Martin lives what seems to be a quiet life along the French Mediterranean, hiring himself out as a mercenary “transporter” who moves goods–human or otherwise–from one place to another. No questions asked. Carrying out mysterious and sometimes dangerous tasks in his tricked-out BMW, Frank adheres to a strict set of rules, which he never breaks. Rule One: Never change the deal. Rule Two: No names–Frank doesn’t want to know whom he’s working for, or what he’s transporting. Rule Three: never look in the package. Frank’s newest transport seems no different from the countless ones he’s done in the past. He’s been hired by an American known only as “Wall Street” to make a delivery; but when Frank stops along the route, he notices his package is moving. Violating Rule Three, Frank looks inside the bag, finding its contents to be a beautiful, gagged woman. Frank’s steadfast adherence to his other two rules–which make up his basic code of survival–also quickly fails, hurtling him and his new companion on a road leading to shocking secrets, deadly complications, and the last thing that Frank ever expected to come to believe: that rules are made to be broken. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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The sea underworld is shaken up when the son of the shark mob boss is found dead and a young fish named Oscar is found at the scene. Being a bottom feeder, Oscar takes advantage of the situation and makes himself look like he killed the finned mobster. Oscar soon comes to realize that his claim may have serious consequences. Written by Anonymous

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