Jerry is a junkyard worker who attempts to sabotage a power plant he suspects of causing his headaches. But he inadvertently causes his brain to become magnetized, leading to the unintentional destruction of all the movies in his friend’s store. In order to keep the store’s one loyal customer, an elderly lady with a tenuous grasp on reality, the pair re-create a long line of films including The Lion King, Rush Hour, Ghostbusters, When We Were Kings, Driving Miss Daisy, and Robocop, putting themselves and their townspeople into it. They become the biggest stars in their neighborhood. Written by Anonymous

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Opens with Bleek as a child learning to play the trumpet, his friends want him to come out and play but mother insists he finish his lessons. Bleek grows into adulthood and forms his own band - The Bleek Gilliam Quartet. The story of Bleek’s and Shadow’s friendly rivalry on stage which spills into their professional relationship and threatens to tear apart the quartet. Written by David {DGOWERS6@CHECLABA.SCU.EDU.AU}

The 1950s. Manhattan lavatory attendant, Tom Ripley, borrows a Princeton jacket to play piano at a garden party. When the wealthy father of a recent Princeton grad chats Tom up, Tom pretends to know the son and is soon offered $1,000 to go to Italy to convince Dickie Greenleaf to return home. In Italy, Tom attaches himself to Dickie and to Marge, Dickie’s cultured fiancée, pretending to love jazz and harboring homoerotic hopes as he soaks in luxury. Besides lying, Tom’s talents include impressions and forgery, so when the handsome and confident Dickie tires of Tom, dismissing him as a bore, Tom goes to extreme lengths to make Greenleaf’s privileges his own. Written by {jhailey@hotmail.com}

A comedic biopic focused on the life of fictional jazz guitarist Emmett Ray. Ray was an irresponsible, free-spending, arrogant, obnoxious, alcohol-abusing, miserable human being, who was also arguably the best guitarist in the world. We follow Ray’s life: bouts of getting drunk, his bizzare hobbies of shooting rats and watching passing trains, his dreams of fame and fortune, his strange obsession with the better-known guitarist Django Reinhardt, and of course, playing his beautiful music. Written by Martin Lewison {mlewison@utk.edu}

Harry Angel has a new case, to find a man called Johnny Favourite. Except things aren’t quite that simple, and Johnny doesn’t want to be found. Let’s just say that, amongst the period detail and beautiful scenery, it all gets really, really nasty. Written by David Carroll {davidc@atom.ansto.gov.au}

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There’s an eerie, otherworldly feel to the way director Michael Mann (“The Insider,” “Heat”) has portrayed the City of Angels in “Collateral.” Los Angeles at night is a whole different beast and in Mann’s hands, the city itself becomes a living, breathing character. Dark and brooding, the LA depicted in “Collateral” provides the perfect backdrop to this intense action thriller.

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If you can get past the fact Tom Hanks’ character learns English at an incredibly accelerated rate and if you can overlook the lack of chemistry between Catherine Zeta-Jones and Hanks, then you’ll be able to get some enjoyment out of “The Terminal.”

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