A criminal psychologist (Berry) awakens to find herself a patient in the institution where she works, with no memory of the murder she’s accused of committing. As she tries to regain her memory - and her freedom - a vengeful spirit manipulates her. Written by Anonymous

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Armed with the knowledge “Mean Girls” was scripted by Tina Fey, “Saturday Night Live’s” head writer and one half of the team that brought “SNL’s” Weekend Update skits back to life, I was really looking forward to a sharply written, tell-it-like-it-is, teen movie. And while parts of it were as good as I expected, it didn’t quite have the bite to it I associate with Fey’s writing style.

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When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl’s aunt Beatrice McCready hires two private detectives Patrick Kenzie and Angie Gennaro. The detective freely admit that they have little experience with this type of case, but the family wants them for two reasons - they’re not cops and they know the tough neighborhood in which they all live. As the case progresses, Kenzie and Gennaro face drug dealers, gangs and pedophiles. When they finally solve the case, they are faced with a moral dilemma that tears them apart. Written by garykmcd

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When a ‘Single White Female‘ places an ad in the press for a similar woman to rent a room (to replace the boyfriend she’s just left), all the applicants seem weird. Then along comes a level headed woman who seems to be just right. The new lodger has a secret past which haunts her. Written by Rob Hartill

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I walked out of “House of Sand and Fog” with two distinct thoughts pinging around in my brain. One, the acting in “House of Sand and Fog” was some of the best of the year. And two, I was thinking in amazement about the way director/screenwriter Vadim Perelman was able to make me alternately despise and cheer for each of the central characters in a balanced fashion over the entire course of the movie. Normally you get to pick one bad guy and wish evil thoughts on him or her over the course of the film. That’s not so easy with “House of Sand and Fog.” The characters were so well developed and human, with all the foibles that implies, it was difficult to find a hero or a villain and label them with that designation for longer than a scene or two.

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Dalton is the Cooler in bars; He backs up and directs the bouncers. He takes a job in a Road House that has gotten far too rough. His attempts to clean things up put him in conflict with Brad Wesley, the town bully and rich person. Things heat up. Written by John Vogel {jlvogel@comcast.net}

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It’s been 10 years since “Get Shorty” entertained moviegoers, and 10 years is a long time to wait for a sequel. I assumed that since it took a decade to be made, and since novelist Elmore Leonard was involved, the finished product would be worthy of its predecessor. Well, we all know what happens when you assume…

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Earl and Hank have only one thing in common: they’re both L.A.P.D. rejects. One just got kicked out, the other can’t even get in. After confronting each other on opposite sides of the law during a traffic stop that escalates out of control, these two luckless individuals end up partnered as lowly security guards. Despite being damned to the lowest rung of the law enforcement ladder, Earl and Hank uncover a sophisticated smuggling operation led by Nash and his band of thugs. When Earl and Hank get their hands on some hot property, they go on the run from, first the bad guys, then the L.A.P.D.–led by Lt. Washington and Detective McDuff. What these two unlikely partners do to law enforcement is a crime, but they just might save the day. That is, if they don’t kill each other first. Written by Sujit R. Varma