Since a road accident left him with serious facial and bodily scarring, a former TV scientist has become obsessed by the marriage of motor-car technology with what he sees as the raw sexuality of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes whom they contort into the shape of trapped corpses. Ultimately, the scientist craves a suicidal union of blood, semen, and engine coolant, a union with which he becomes dangerously obsessed. Written by Matt A. Knapp {mak8@le.ac.uk}

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Based on Joseph Conrad’s Heart Of Darkness, this is a controversial addition to the multitude of Vietnam war movies in existence. Set in 1969 Vietnam, we follow U.S. Special Forces Captain Willard on his mission up a river into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe. Written by Colin Tinto {cst@imdb.com}

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Based on a book by Andrew Neiderman, the film centers on a young lawyer who joins a New York firm only to discover that his boss has an increasingly bizarre personality. Written by Erik Schuit {beschuit@xs4all.nl}

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McMurphy thinks he can get out of doing work while in prison by pretending to be mad. His plan backfires when he is sent to a mental asylum. He tries to liven the place up a bit by playing card games and basketball with his fellow inmates, but the head nurse is after him at every turn. Written by Colin Tinto {cst@imdb.com}

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I’ll lay my cards on the table right off the bat and confess what in some circles could be considered sacrilege - I’m not a fan of comic books. I’ve never read any, and I couldn’t tell you the story behind “Superman,” “Batman,” or “Spider-Man” if my life depended on it. All of my knowledge of ’superheroes’ comes from the movies, and I’d even label that knowledge mediocre at best. “Superman” wasn’t my kind of movie, “Batman” (in his many leading actor incarnations) wasn’t up my alley either, and I went into the theater for “Spider-Man” just hoping it would live up to half of its hype. Half would have been nice, but “Spider-Man” pulled off the near impossible - it lived up to a full 75% of the hoopla and was close to nudging its way 85-90% when it backed off just a smidge (smidge - such a technical term for a movie review).

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“Houses don’t kill people. People kill people.” That’s as deep as this 2005 version of “The Amityville Horror” gets. But then again, I don’t know a single person who goes to an American horror movie and expects deep, philosophical entertainment. Studios understand that and anything that’s even slightly intellectual is yanked out of the horror genre and labeled a thriller. And this isn’t a thriller by any stretch of the imagination. This new, reworked, revamped “Amityville Horror” is a full-on horror flick with character development taking a back seat to ghosts and other things that go bump in the night (at 3:15am to be exact).

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Mort Rainey (Depp), a writer just coming off of a troublesome divorce with his ex-wife, Amy (Bello), finds himself stalked at his remote lake house by a psychotic stranger (Turturro) who claims Mort stole his best story idea (changing just the ending)… (Hutton plays Bello’s new boyfriend; Dutton plays a private investigator hired to make Turturro’s character leave Mort alone.)