Successful and single businesswoman Kate Holbrook has long put her career ahead of a personal life. Now 37, she’s finally determined to have a kid on her own. But her plan is thrown a curve ball after she discovers she has only a million-to-one chance of getting pregnant. Undaunted, the driven Kate allows South Philly working girl Angie Ostrowiski to become her unlikely surrogate. Simple enough … After learning from the steely head of their surrogacy center that Angie is pregnant, Kate goes into precision nesting mode: reading childcare books, baby-proofing the apartment and researching top pre-schools. But the executive’s well-organized strategy is turned upside down when her Baby Mama shows up at her doorstep with no place to live. An unstoppable force meets an immovable object as structured Kate tries to turn vibrant Angie into the perfect expectant mom. In a battle of wills, they will struggle their way through preparation for the baby’s arrival. And in the middle of this tug-of-war, they’ll discover two kinds of family: the one you’re born to and the one you make. Written by Universal Pictures

Mel Coplin departs on a mission of discovery dragging his wife and 4 month old son behind. He and wife, Nancy, won’t agree on a name for their son until adopted Mel gets in touch with his roots. He assures her that once he knows who he really is, the right name for their boy will be a snap. Enlisting the aid of student-psychologist and part-time adoption agent, Tina Kalb, they embark on a journey across the United States to find Mel’s “birth” mother. “The best part,” Mel tells Nancy, “is it’s all free.” Tina is finishing her dissertation and will film the happy reunion of mother and child as part of her research. For this privilege, she’s footing the bill. His adoptive parents are left behind feeling abandoned by an ungrateful son. Clerical errors, mistaken identities, Nancy’s misplaced high school friend and his gay lover, and a super-charged libido here and there are thrown into the mix along the way until — at last — Mel’s real parents, the Schlictings (mispronounced as “Shit-kings” by Mrs. Coplin), are discovered in remote New Mexico. There, Mel begins to wonder if he would have been better off not knowing these people, after all. Written by MARK FLEETWOOD {mfleetwo@mail.coin.missouri.edu}

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Sally Bowles, an American singer in 1930s Berlin, fall in love with bi-sexual Brian. They are both then seduced by Max, a rich playboy. Sally becomes pregnant, and Brian offers to marry her… All the characters are linked by the Kit-Kat club, a nightspot where Sally sings. Written by Colin Tinto {cst@imdb.com}

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Samantha’s life is going downhill fast. The fifteen-year-old has a crush on the most popular boy in school, and the geekiest boy in school has a crush on her. Her sister’s getting married, and with all the excitement the rest of her family forgets her birthday! Add all this to a pair of horrendously embarrassing grandparents, a foreign exchange student named Long Duc Dong, and we have the makings of a hilarious journey into young womanhood. Written by Rick Munoz {rick.munoz@his.com}

Spoiled socialite and notorious practical joker Melanie Daniels is shopping in a San Francisco pet store when she meets Mitch Brenner. Mitch is looking to buy a pair of love birds for his young sister’s birthday; he recognizes Melanie but pretends to mistake her for an assistant. She decides to get her own back by buying the birds and driving up to the quiet coastal town of Bodega Bay, where Mitch spends his weekends with his sister and mother. Shortly after she arrives, Melanie is attacked by a gull, but this is just the start of a series of attacks by an increasing number of birds. Written by Col Needham {col@imdb.com}

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“Bringing Down the House” telegraphs every joke before the actor hits the punchline but that’s the least of the movie’s problems. The film has some funny moments, but there are too many jokes that are just plain uncomfortable. Because every ethnic stereotype is used as a source of amusement, the scenes that are supposed to make you laugh are the scenes that actually make you cringe. It’s got cracks about Latinos only being allowed in a rich neighborhood if they have a leaf-blower in their hands, Steve Martin’s character for some strange reason has a pink maid outfit on hand that fits Queen Latifah (where did that come from?), and every person of color speaks slang and it’s up to a white guy to teach them how to speak proper English.

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Divorce mediators John Beckwith and Jeremy Grey are business partners and lifelong friends who share one truly unique springtime hobby–crashing weddings! Whatever the ethnicity of the wedding party–Jewish, Italian, Irish, Chinese, Hindu–the charismatic and charming duo always have clever back stories for inquisitive guests and inevitably become the hit of every reception, where they strictly adhere to their proven rules of wedding crashing to meet and pick up women aroused by the very thought of marriage. At the tail end of another successful season of toasting brides and grooms, Jeremy learns that the daughter of Treasury Secretary William Cleary and his wife, Kathleen, is getting married in what is sure to be the Washington D.C. social event of the year. After infiltrating the lavish affair, John and Jeremy quickly set their sights on two bridesmaids, Claire and Gloria Cleary. With the lavish reception in full swing, Jeremy works his game plan to perfection in seducing Gloria, but John’s flirtation banter with Claire is unexpectedly impeded by her pompous, Ivy League boyfriend Sack. Having uncharacteristically fallen hard and fast for Claire, John convinces a resistant Jeremy to bend the crashing rules and accept an invitation to an extended weekend party at the Cleary family compound. Once at the palatial waterfront estate, John and Jeremy endure a multitude of comical mishaps at the hands of the dysfunctional members of the Cleary family, but also learn a few unexpected lessons about love and relationships. Written by Sujit R. Varma

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