A young man transporting a car to another state is stalked along the road by a cunning and relentless serial killer who eventually frames the driver for a string of murders. Chased by police and shadowed by the killer, the driver’s only help comes from a truck stop waitress. Written by Keith Loh {loh@sfu.ca}

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Nicolas Cage’s hair is the most memorable thing about Next, a sci-fi thriller directed with semi-verve by Lee Tamahori (Die Another Day, XXX: State of the Union). Tamahori knows action but that can’t save the irritatingly pointless Next from taking one disastrous misstep after another. Clever editing and an intriguing premise are wasted when on a film that’s loaded with plot holes and loopy logic, and filled with incredibly bad dialogue.

The first romantic comedy of the year (Catch and Release) hit too many bad notes. The second one (Because I Said So) was so painful to watch that listening to a full concert by William Hung would have been a better way to spend an evening. And now, a mere seven weeks into 2007, Warner Bros Pictures tests the semi-crowded romantic comedy waters with Music and Lyrics. After two stinkeroos, fans of the much-maligned genre finally have reason to stand up and sing.

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Frank Martin is the best in the business. The ex-Special Forces operative hires himself out as a mercenary “transporter” who moves goods–human or otherwise. Very simple, he delivers, no questions asked. Frank has relocated from the French Mediterranean to Miami, Florida, where as a favor to a friend, Frank is driving for the wealthy Billings family. There’s very little that can surprise The Transporter, but young Jack Billings has done just that; Frank has unexpectedly bonded with Jack, age 6, who he drives to and from school. But when Jack is kidnapped, Frank must use his battle-tested combat skills to retrieve the boy and thwart the kidnappers’ master plan to release a virus that will kill anyone with whom it comes in contact. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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Three-times MVP baseball player Bobby Rayburn joins San Fransisco Giants, and obsessive fan, whose profession is selling hunting knives, Gil Renard is excited over that. But Rayburn plays the worst season of his career and Renard tries to do everything to help him, but goes too far. Written by Anonymous

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Robert Duvall and Michael Caine are terrific in the family-friendly comedy/drama, “Secondhand Lions.” These two venerable actors with over 11 decades of work between them are fresh and fun to watch as two crotchety old men who, on first glance, seem to live by the old adage, “Shoot first, ask questions later.”

“Secondhand Lions” follows the story of Hub (Duvall) and Garth McCaan (Caine), elderly brothers spending their retirement years in solitude on a farm in Texas. The only significant intrusions on their peace are the traveling salesmen who show up uninvited and leave hastily when shotgun rounds answer their requests for money.

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A government agent trains a typical teenager Cody Banks who loves to skateboard, hates math, and feels like a complete idiot around girls, in the ways of covert operations that require younger participants. But Cody’s got a secret–he’s actually part of a secret teen CIA program. Cody’s living every boy’s dream life–he can drive like a stunt man, has an incredible arsenal of cool gadgets, and his agency mentor, Ronica Miles, is totally hot. But Cody’s training is put to the test when he’s sent to pose as a prep school student and befriend fellow teen Natalie Connors in order to gain access to her father–a scientist unknowingly developing a fleet of deadly pair of twisted villains called the nanobots for the evil organization ERIS, which can destroy any carbon or silicon-based substance-to destroy the world’s defense systems so he can threaten anyone who opposes him. From runaway cars and high-speed snowboard chases to a spectacular final mountaintop showdown, Cody has to use everything he’s learned to prove himself as an agent and stop ERIS from completing their mission before their mission fails. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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A young man (Lerman) moves from Montana to Florida with his family, where he’s compelled to engage in a fight to protect a population of endangered owls.