Set in Chicago, ‘Boogeyman‘ tells the haunting tale of a young man traumatized by memories of terrible events he experienced in his childhood bedroom and who, years later, reluctantly returns home to face his fears of a monstrous entity that could be real or merely a figment of his imagination. Written by bondish

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Minature green monsters tear through the small town of Kingston Falls. Hijinks ensue as a mild-mannered bank teller releases these hideous loonies after gaining a new pet and violating two of three simple rules: No water (violated), no food after midnight (violated), and no bright light. Hilarious mayhem and destruction in a town straight out of Norman Rockwell. So, when your washing machine blows up or your TV goes on the fritz, before you call the repair man, turn on all the lights and look under all the beds. ‘Cause you never can tell, there just might be a gremlin in your house. Written by James Craver

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Man on the Moon is a biographical movie on the late comedian Andy Kaufman. Kaufman, along with his role on “Taxi,” was famous for being the self-declared Intergender Wrestling Champion of the world. After beating women time and time again, Jerry Lawler (who plays himself in the movie), a professional wrestler, got tired of seeing all of this and decided to challenge Kaufman to a match. In most of the matches the two had, Lawler prevailed with the piledriver, which is a move by spiking a guy head-first into the mat. In one of the most famous moments in this feud was in the early 80s when Kaufman threw coffee on Lawler on “The Late Show with David Letterman,” got into fisticuffs with Lawler, and proceeded to sue NBC. Written by Eli Boorstein {uahp@rocketmail.com}

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Harry Sanborn (Nicholson) is an aged music industry exec with a fondness for younger women like Marin (Peet), his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin’s mother Erica (Keaton). Left in the care of Erica and his doctor (Reeves), a love triangle starts to take shape. Written by Keanuette

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Marcus Burnett is a hen-pecked family man. Mike Lowry is a foot-loose and fancy free ladies’ man. Both are Miami policemen, and both have 72 hours to reclaim a consignment of drugs stolen from under their station’s nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other. Written by James Hastie {jdh1000@cus.cam.ac.uk}

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Any less of a charismatic leading actor and this film would have been dead within the first 15 minutes. However Hollywood’s current bad boy, Colin Farrell, uses that animal magnetism of his to full advantage as a man pinned down in a phone booth by an unseen sniper. Watching a man trapped in a phone booth for 90 minutes could get old extremely fast, but Farrell sinks his teeth into this character, compelling the audience to join him in that crowded space for the hour and a half it takes for the film to unfold.

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After twelve years in prison, Walter arrives in an unnamed city, moves into a small apartment across the street from an elementary school, gets a job at a lumberyard, and mostly keeps to himself. A quiet, guarded man, Walter finds unexpected solace from Vickie, a tough-talking woman who promises not to judge him for his history. But Walter cannot escape his past. A convicted sex offender, Walter is warily eyed by his brother-in-law, shunned by his sister, lives in fear of being discovered at work, and is hounded by a suspicious local police officer, Detective Lucas. After befriending a young girl in a neighborhood park, Walter must also grapple with the terrible prospect of his own reawakened demons. Written by Sujit R. Varma

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