A government agent trains a typical teenager Cody Banks who loves to skateboard, hates math, and feels like a complete idiot around girls, in the ways of covert operations that require younger participants. But Cody’s got a secret–he’s actually part of a secret teen CIA program. Cody’s living every boy’s dream life–he can drive like a stunt man, has an incredible arsenal of cool gadgets, and his agency mentor, Ronica Miles, is totally hot. But Cody’s training is put to the test when he’s sent to pose as a prep school student and befriend fellow teen Natalie Connors in order to gain access to her father–a scientist unknowingly developing a fleet of deadly pair of twisted villains called the nanobots for the evil organization ERIS, which can destroy any carbon or silicon-based substance-to destroy the world’s defense systems so he can threaten anyone who opposes him. From runaway cars and high-speed snowboard chases to a spectacular final mountaintop showdown, Cody has to use everything he’s learned to prove himself as an agent and stop ERIS from completing their mission before their mission fails. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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When a man dressed as a clown enters a bank and trys to rob it, no one takes him seriously at start. But as this New Yorker pulls this daring robbery with the help of his friends, it looks like leaving the bank with all the stolen money is the easy part! All they have to do now is make it out of the city and to the airport. They have plenty of time, but its not that easy as they seem to get out of one problem only to fall into another. Will they make before the cops catch up with them? Written by Sami Al-Taher {staher2000@yahoo.com}

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[A Totally Spoiler Free Review] Is “Spider-Man 2” the best movie ever made based on a comic book, as some early reviews have proclaimed? I don’t know, that’s a pretty grand statement and one I don’t feel qualified to assess being a non-comic book type of person. I do know the original “Spider-Man” was incredibly fun, a genuine rollercoaster ride of a movie that set the bar tremendously high, much too high for most movies of this subgenre to live up to. I believe this sequel is a better film, though I didn’t find myself feeling as exhilarated during it as I did while watching the original. But that’s not to say this one has a been-there, done-that quality to it. It doesn’t. This sequel stands on its own and in no way feels like recycled material. And judged on its own, I feel safe in declaring it’s one of the best movies we’ll see in theaters this year.

“Spider-Man 2” is darker, more emotionally intense, and features a more serious storyline than the first movie. While the first film had to spend a good portion of its running time introducing the characters and explaining how Spider-Man came to be, this second film of the series doesn’t carry that burden. We know Peter Parker (Tobey Maguire) was bitten by a radioactive spider, we know Peter loves MJ (Kirsten Dunst) but will not allow himself to be with her, and we know Peter’s best friend, Harry (James Franco) is out to kill Spider-Man because he believes the webslinger murdered his father. All of this was laid out for us by the end of the first “Spider-Man” movie.

In the second film, we’re allowed more of an opportunity to get to know Peter as a person. We feel his torment as he tries to hide his emotions from MJ. We care about him as he’s pulled between doing the responsible thing as Spider-Man and living a normal life free from the pressure of being a hero. ”Spider-Man 2” lets us look further into the psyche of the boy/man who wears the blue and red suit. And while we’re taken on this emotional journey with Peter, we’re also treated to more time with the central figures of the first “Spider-Man” movie and to a few new characters from world of the “Spider-Man” comic books, foremost of which is this film’s villain, Dr. Otto Octavius (Doc Ock for short). This ultra-cool bad guy is the star of the show when it comes to effects - and acting. Very few movie villains can rival Alfred Molina in character as the man with tentacles (special kudos to Raimi for making sure Doc Ock was played by such a first-rate actor). Doc Ock could have been a campy character, but with Molina in charge, he remains a man tormented by the evil he’s unleashed and overwhelmed by tragic circumstances, rather than a two-dimensional antagonist of the film’s hero.

“Spider-Man 2” has a gentler sense of humor, quirky like the original, yet quieter. Sam Raimi throws in a few recognizable faces in cameo roles who generate a fair share of laughs, and even inserts a scene in which Maguire as Spider-Man injures his back (a nod at Maguire’s real-life back problems, which almost kept him out of this sequel). One of my personal favorite scenes featured Hal Sparks in an elevator with the in-costume Spider-Man. Classic.

We got used to watching Spider-Man fly between buildings and leap from incredible heights in the first movie. The effects which worked so well in “Spider-Man” have been tweaked to such a degree in “Spider-Man 2” it’s nearly impossible to distinguish pure computer-generated graphics from scenes involving actors or stuntmen in front of blue screens. Because all of the effects – from speeding trains to giant fiery orbs – are simply incredible, there’s nothing that jolts you out of the movie, no point in the film where you are jarred from believing your eyes. As far as effects-heavy movies go, “Spider-Man 2” is at the head of the pack.

Comparing the two “Spider-Man” movies is like comparing apples and oranges. They are totally different creations. One’s an exuberant burst of energy contained on film and the other’s a toned down, coming-of-age tale set in the world of superheroes and monstrous villains. Though both movies relied heavily on the CGI effects, Raimi did a terrific job in both films of never forgetting the audience needs to connect with the flesh and blood actors. The reason “Spider-Man” and “Spider-Man 2” work is that both keep that focus in the forefront, with the special effects filling in around the actors and not overwhelming them.

Rebecca Murray
Hollywood Movies Guide

Josh and Tiffany have been together since they were kids. ENTER Beth, a sexy blonde going to college with Josh. One night, Josh and Beth hook up and make a videotape the same day that Josh plans to mail a video to Tiffany of him talking about college life. The wrong tape gets sent, forcing Josh, along with a few pals, to go to Austin, where Tiffany is, and stop her from seeing the tape. Full of laughs, you’ll be sure to enjoy Road Trip. Written by Zac Abrams

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A montage of French nuclear tests in the Pacific Ocean, observed by many marine iguanas. Then, in present days, a Japanese fishing ship is being attacked by an unseen monster; only one survived. Traumatized, he is later questioned in a hospital by a mysterious Frenchman and repeatedly says only one word –”Gojira”. NRC scientist Niko “Nick” Tatopolous is called in to investigate the matter, and he quickly arrives at the conclusion that a giant, irradiated lizard known as Godzilla has been created by the explosions. Then Godzilla makes its way north, landing at Manhattan to begin wreaking havoc in the big city! Even with the combined forces of the U.S. military are going to destroy Godzilla at all costs, but will it ever be enough to save the people of New York? Written by Anthony Pereyra {hypersonic91@yahoo.com}

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This biopic television miniseries features Jonathan Rhys-Meyers as the King of Rock-n-roll, the story traces all his life from the very boyhood in 1950’s Memphis to the pinnacles of his worldwide glory and the depths of isolation and drug addiction of his life’s end.

In Antonio Island, Oregon, the dwellers are celebrating the anniversary of the foundation of the seaside town and the mayor has built the statues of the founders: Wayne, Castle, Williams and Malone. The descendent Nick Castle owns the Castle & Son, a fishing charter company, using his vessel Seagrass for tourism in the Antonio Bay. When his girlfriend Elizabeth Williams returns to the island, coincidently a huge fog appears with weird noises and killing locals. When Elizabeth slips in Nick’s boathouse and falls in the sea, she finds an 1871 journal written by a man called Blake, who bought half the island for his leper people to build a town for them to live. While sailing in the clipper ship Elizabeth Dane, bringing his community to Antonio Island, Blake is betrayed by Wayne, Castle, Williams and Malone. The quartet locks Blake and his friends in the vessel, steals their money and possessions and fires the ship, killing them. In the present days, the ghosts of Blake and his crew are seeking for revenge on the descendants of the criminals. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Written and directed by Eric Forsberg, this unabashedly low-budget sci-fi flick has a young woman being abducted by aliens on a camping trip—and then going through an even harder ordeal when she wakes up in a brutal military hospital for the rehabilitation of abductees.

Evan Treborn grows up in a small town with his single working mom and his friends. He suffers from memory blackouts where he suddenly finds himself somewhere else, confused. Evans’ friends and mom hardly believe him, thinking he makes it up just to get out of trouble, something bad always seems to happen during these blackouts. As Evan grows up he has less of these blackouts until he seems to have recovered. Since the age of seven he has written a diary of his blackout moments so he can remember what happens. One day at college he starts to read one of his old diaries, and suddenly a flashback hits him like a brick! Written by Anonymous

Biker Cary Ford is framed by an old rival and biker gang leader for the murder of another gang member who happens to be the brother of Trey (Ice Cube), leader of the most feared biker gang in the country. Ford is now on the run trying to clear his name from the murder with Trey and his gang looking for his blood. Written by EL TORO 79