Don Anderson (Greg Kinnear) is the Mickey’s food restaurant chain’s Marketing Director. He is the inventor of the “Big One” the hamburger best seller of Mickey’s. An independent research reports the presence of cow’s feces in the Big One. So Don is sent to Cody, Colorado, to verify if the slaughterhouse, main supplier of Mickey’s, is efficient as it appears and the production process is regular. During his investigations he discovers the horrible truth behind a simple hamburger; the reality is not like we think it is. Don discovers that the mass production system involves from the temp workers like Amber (Ashley Jonhson), to the exploitation of Mexican irregular immigrants. It is not only the meat that is crush in the mincing machine, but all our society. Written by 1felco

(more…)

Based on the classic novel by ‘CS Lewis’ . Four London children are sent to a professor’s country home in order for protection during World War II. There they find a magic wardrobe which leads to a mystical land called Narnia, which is being ruled by an evil witch. To defeat the witch, they must join forces with Aslan, the lion God of Narnia. Written by Brett Walter {StreepFan126@cs.com}

(more…)

A man in a suit at a Manhattan firm leaves work on Friday; he looks unhappy. He stops at a fortune teller’s for a Tarot reading: “You are not where you belong,” she tells him. That evening he quits his marriage and walks the streets of New York, passing from a classy bar to a gentleman’s club, then to a high-class bordello, a mugging, a pawnshop, and a diner where someone does listen. He shares his insights with her and later with others. Violence, disappointment, and musings entwine as Edmond loses his moorings while believing he’s found them. Where does he belong? Written by {jhailey@hotmail.com}

A masochistic cop (Maura Tierney), who hides her predilection from her cop husband (Terry Kinney), gets involved in pursuing a kidnapper nicknamed Harry for Harry Houdini (Adrien Brody), who has kidnapped a rich woman (Laila Robins) and has buried her somewhere in Manhattan while demanding a ransom from her tycoon husband (James Naughton). Failure to pay the ransom within 24 hours will lead the kidnapper to abandoning the woman. Dylan Baker also appears as the fed that is assigned to the case. Written by John Sacksteder {jsackste@bellsouth.net}

I’ve heard people refer to “The Notebook” as cheesy, as a ‘chick flick’ (a label very few of my colleagues can stand because of its negative connotation), as predictable and sappy. So “The Notebook” doesn’t exactly take a brain surgeon to guess how the story is going to play out. And it does unapologetically play on your emotions, practically begging you to squeeze out a few tears. But here’s why I enjoyed “The Notebook”: it’s a movie you can relax and let flow over you. It’s also one of the few films out there that tells a complete story. There’s a well-defined beginning, middle, and end.

(more…)

The story is set in 1890s Siam. Jone Bang Fai (the Fireball Bandit) is a young Muay Thai warrior and rocketry expert who steals back water buffalo taken from poor Isan farmers by unscrupulous cattle raiders. He is also searching for a man with a tattoo who killed his parents.

Meanwhile, a local nobleman, Lord Waeng, wants to create a market for the steam tractors he’s selling. So he hires a hulking convict, “The Thief”, to kill all the cattle traders and round up all the water buffalo for slaughter, depriving farmers of the draft animals they need to cultivate rice. Lord Waeng’s men are eventually pitted against Nai Hoi Sing, a cattle trader with supernatural martial arts powers and a tattoo on his chest. The tattoo gets Jone Bang Fai’s attention, and while the Thief is trying to steal Sing’s cattle herd, Jone Bang Fai tries to attack Sing, but is repelled.

Lord Waeng then enlists Jone Bang Fai in a scheme to defeat Sing. To do so, they also need the help of the Black Wizard, who was once cursed by Sing so that he cannot withstand sunlight. The Black Wizard says the only way to defeat Sing and reverse his spells is to use the menstrual blood of a virgin – the Black Wizard’s daughter, E’Sao.

Kevin McAllister, 8 years old is accidentally left behind while his family rushes to the Airport to go to France for their Christmas vacation. Kevin learns that he made his family is gone. He spends his first day having fun in his house. Kevin learns that Mav and Harry (The Wet Bandits), two crooks are trying to rob his house. Kevin fends for himself and protects his house from the thieves, by setting traps everywhere. Meanwhile, Kevin’s mother discovers that they left Kevin in Chicago and tries to go back to Chicago while the other members of the family stay in Fance. Written by Inhotenjoys

(more…)

Three activists invade a laboratory with the intention of releasing some monkeys and chimps. What they do not know is that these animals are under experience, infected by the virus of rage. The activists are immediately killed and the animals escape. Twenty-eight days later, Jim wakes up from a comma alone in a abandoned hospital. He leaves the place and finds out that London is desert, apparently without a living soul. Then, he meets Selena and her friend Mark and he is informed that all the population died. People got infected by the monkeys, and the infected ones attacked the survivals. Jim decides to go home with the new friends and see what might have happened with his parents. Then, they are rescued by Frank and his daughter Hannah. They listen to a broadcast message from Manchester and they decide to go to the place guided by the broadcasting. Lots of action happens with the group while trying to escape from mutant zombies. Written by Claudio Carvalho, Rio de Janeiro, Brazil

(more…)

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband’s restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism. Written by Keith Loh {loh@sfu.ca}