Two straight, single Brooklyn firefighters (Sandler, James) pretend to be a gay couple in order to receive domestic partner benefits.

In November, 1970, virtually the entire football team and coaches of Marshall University (Huntington, W.V.) die in a plane crash. That spring, led by Nate Ruffin, a player who was ill and missed the fatal flight, students rally to convince the board of governors to play the 1971 season. The college president, Don Dedman, must find a coach, who then must find players. They petition the NCAA to allow freshmen to play, and coach Jack Lengyel motivates and leads young players at the same time that he reexamines the Lombardi creed that winning is the only thing. The father and the fiancée of a player who died find strength to move on. Can Marshall win even one game in 1971? Written by {jhailey@hotmail.com}

A rookie firefighter tries to earn the respect of his older brother and other firefighters while taking part in an investigation of a string of arson/murders. This detailed look into the duties and private lives of firemen naturally features widespread pyrotechnics and special effects. Written by Keith Loh {loh@sfu.ca}

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A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via short-wave radio. The son uses this opportunity to warn the father of his impending death in a warehouse fire, and manages to save his life. However, what he does not realize is that changing history has triggered a new set of tragic events, including the murder of his mother. The two men must now work together, 30 years apart, to find the murderer before he strikes so that they can change history–again. Written by {jgp3553@excite.com}

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Dalton is the Cooler in bars; He backs up and directs the bouncers. He takes a job in a Road House that has gotten far too rough. His attempts to clean things up put him in conflict with Brad Wesley, the town bully and rich person. Things heat up. Written by John Vogel {jlvogel@comcast.net}

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When a man dressed as a clown enters a bank and trys to rob it, no one takes him seriously at start. But as this New Yorker pulls this daring robbery with the help of his friends, it looks like leaving the bank with all the stolen money is the easy part! All they have to do now is make it out of the city and to the airport. They have plenty of time, but its not that easy as they seem to get out of one problem only to fall into another. Will they make before the cops catch up with them? Written by Sami Al-Taher {staher2000@yahoo.com}

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Determined to solve the coincidence of seeing the same conspicuous stranger three times in a day, Albert hires a pair of existentialist detectives, who insist on spying on his everyday life while sharing their views on life and the nature of the universe. Written by Benjamin Conway

How can a movie with flames leaping all over the place, people in jeopardy, and firefighters bravely battling against immeasurable odds be such a yawner? I almost feel guilty calling this film a bore - there’s a post 9/11 vibe to it that makes disliking it seem a bit unpatriotic, which feels disingenuous to say the least - but that’s what it is. “Ladder 49” is a big, bloated, boring, heartless drama that tries too hard to be wrestle some tears from its poor unsuspecting audience.

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Hype machines be damned. Forget the rumors of derision behind the scenes, forget the cost over-runs and lack of onscreen chemistry between two of the leading actors. Forget that Miramax and Harvey Weinstein had anything whatsoever to do with cutting, budgeting or otherwise exercising creative control over the finished product. “Gangs of New York” is pure Scorsese through-and-through and for that audiences should be eternally grateful. We’re not force-fed a toned down, been-there-done-that formula film. Instead Scorsese delivers an epic motion picture showcasing a critical time in our nation’s history.

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John Quincy Archibald’s son Michael collapses while playing baseball as a result of heart failure. John rushes Michael to a hospital emergency room where he is informed that Michael’s only hope is a transplant. Unfortunately, John’s insurance won’t cover his son’s transplant. Out of options, John Q. takes the emergency room staff and patients hostage until hospital doctors agree to do the transplant. Written by Anonymous