A megalomaniac C.E.O. sends his son into the dangerous African Congo on a quest for a source of diamonds large enough and pure enough to function as powerful laser communications transmitters (or is it laser weapons?). When contact is lost with his son and the team, his sometime daughter- in-law is sent after them. She is a former CIA operative and, accompanied by gee-whiz gadgetry and a few eccentric characters (including a mercenary, a researcher with a talking gorilla, and a a nutty Indiana-Jones-type looking for King Solomon’s Mines), sets out to rescue her former fiancé. What they all discover is that often what we most want turns out to be the source of our downfall. Written by Tad Dibbern {DIBBERN_D@a1.mscf.upenn.edu}

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Joe Young was a simple young man trying to spread the word of the Book of Mormon when he picked the wrong house to preach at! The owner, a porn director named Maxxx Orbison, tells his henchmen to kill the guy at the door who interrupted their scene, but Joe fights off the guards with great skill, which impresses Maxxx so much that he offers Joe the lead role in the movie he’s making at the moment: Orgazmo, which is about a sex superhero who fights crime with his Orgazmorator and ChodaBoy, his sidekick. Joe, against his beliefs, takes the job so that he can pay for the wedding he plans for he and his fiancee, who he doesn’t tell about his risque new acting job. However, when the movie becomes an amazing hit just about everywhere and he finds out that Ben (ChodaBoy) has created a real Orgazmorator, Joe is in some serious hot water! Written by Danii

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Based on real events, Paul Bernardo (Collins) and his wife, Karla Homolka (Prepon), kidnap, sexually abuse, and murder three young girls.

Alex Rose (Stiller) and Nancy Kendricks (Barrymore) are a young, professional, New York couple in search of their dream home. When they finally find the perfect Brooklyn brownstone they are giddy with anticipation. The duplex is a dream come true, complete with multiple fireplaces, except for one thing: Mrs. Connelly (Eileen Essel), the cranky old lady who lives on the rent-controlled top floor. Assuming she is elderly and ill, they take the apartment but their hopes are quickly dashed when they realize that Mrs. Connelly is an energetic senior who enjoys watching her television at top volume day in and day out and rehearsing in a brass band. A writer, Alex is attempting to finish his novel against a looming deadline. However, each day as he begins to write, he is interrupted by Mrs. Connelly’s numerous demands and requests and what begins as a nuisance quickly escalates into an all-out war. When Nancy loses her job and the pair are trapped at home together with Mrs. Connelly, their rage turns to homicidal fantasy as they plot ways to get rid of their no-good neighbour… Written by Gavin Nelson

[A Totally Spoiler Free Review] Is “Spider-Man 2” the best movie ever made based on a comic book, as some early reviews have proclaimed? I don’t know, that’s a pretty grand statement and one I don’t feel qualified to assess being a non-comic book type of person. I do know the original “Spider-Man” was incredibly fun, a genuine rollercoaster ride of a movie that set the bar tremendously high, much too high for most movies of this subgenre to live up to. I believe this sequel is a better film, though I didn’t find myself feeling as exhilarated during it as I did while watching the original. But that’s not to say this one has a been-there, done-that quality to it. It doesn’t. This sequel stands on its own and in no way feels like recycled material. And judged on its own, I feel safe in declaring it’s one of the best movies we’ll see in theaters this year.

“Spider-Man 2” is darker, more emotionally intense, and features a more serious storyline than the first movie. While the first film had to spend a good portion of its running time introducing the characters and explaining how Spider-Man came to be, this second film of the series doesn’t carry that burden. We know Peter Parker (Tobey Maguire) was bitten by a radioactive spider, we know Peter loves MJ (Kirsten Dunst) but will not allow himself to be with her, and we know Peter’s best friend, Harry (James Franco) is out to kill Spider-Man because he believes the webslinger murdered his father. All of this was laid out for us by the end of the first “Spider-Man” movie.

In the second film, we’re allowed more of an opportunity to get to know Peter as a person. We feel his torment as he tries to hide his emotions from MJ. We care about him as he’s pulled between doing the responsible thing as Spider-Man and living a normal life free from the pressure of being a hero. ”Spider-Man 2” lets us look further into the psyche of the boy/man who wears the blue and red suit. And while we’re taken on this emotional journey with Peter, we’re also treated to more time with the central figures of the first “Spider-Man” movie and to a few new characters from world of the “Spider-Man” comic books, foremost of which is this film’s villain, Dr. Otto Octavius (Doc Ock for short). This ultra-cool bad guy is the star of the show when it comes to effects - and acting. Very few movie villains can rival Alfred Molina in character as the man with tentacles (special kudos to Raimi for making sure Doc Ock was played by such a first-rate actor). Doc Ock could have been a campy character, but with Molina in charge, he remains a man tormented by the evil he’s unleashed and overwhelmed by tragic circumstances, rather than a two-dimensional antagonist of the film’s hero.

“Spider-Man 2” has a gentler sense of humor, quirky like the original, yet quieter. Sam Raimi throws in a few recognizable faces in cameo roles who generate a fair share of laughs, and even inserts a scene in which Maguire as Spider-Man injures his back (a nod at Maguire’s real-life back problems, which almost kept him out of this sequel). One of my personal favorite scenes featured Hal Sparks in an elevator with the in-costume Spider-Man. Classic.

We got used to watching Spider-Man fly between buildings and leap from incredible heights in the first movie. The effects which worked so well in “Spider-Man” have been tweaked to such a degree in “Spider-Man 2” it’s nearly impossible to distinguish pure computer-generated graphics from scenes involving actors or stuntmen in front of blue screens. Because all of the effects – from speeding trains to giant fiery orbs – are simply incredible, there’s nothing that jolts you out of the movie, no point in the film where you are jarred from believing your eyes. As far as effects-heavy movies go, “Spider-Man 2” is at the head of the pack.

Comparing the two “Spider-Man” movies is like comparing apples and oranges. They are totally different creations. One’s an exuberant burst of energy contained on film and the other’s a toned down, coming-of-age tale set in the world of superheroes and monstrous villains. Though both movies relied heavily on the CGI effects, Raimi did a terrific job in both films of never forgetting the audience needs to connect with the flesh and blood actors. The reason “Spider-Man” and “Spider-Man 2” work is that both keep that focus in the forefront, with the special effects filling in around the actors and not overwhelming them.

Rebecca Murray
Hollywood Movies Guide

Melanie Carmichael (Reese Witherspoon), an up and rising fashion designer in New York, has gotten almost everything she wished for since she was little. She has a great career and the JFK-like husband of New York City. But when he proposes to her, she doesn’t forget about her family back down South - and, more importantly, her husband back there, who refuses to divorce her ever since she sent divorce paper for almost 5 years. To settle matters straight, she decides to go to the south quick and make him sign the papers. But when things don’t turn out the way she planned them out, she realizes that what she had before in the south was far more perfect than the life she had in new york city. Written by kay

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Divorce mediators John Beckwith and Jeremy Grey are business partners and lifelong friends who share one truly unique springtime hobby–crashing weddings! Whatever the ethnicity of the wedding party–Jewish, Italian, Irish, Chinese, Hindu–the charismatic and charming duo always have clever back stories for inquisitive guests and inevitably become the hit of every reception, where they strictly adhere to their proven rules of wedding crashing to meet and pick up women aroused by the very thought of marriage. At the tail end of another successful season of toasting brides and grooms, Jeremy learns that the daughter of Treasury Secretary William Cleary and his wife, Kathleen, is getting married in what is sure to be the Washington D.C. social event of the year. After infiltrating the lavish affair, John and Jeremy quickly set their sights on two bridesmaids, Claire and Gloria Cleary. With the lavish reception in full swing, Jeremy works his game plan to perfection in seducing Gloria, but John’s flirtation banter with Claire is unexpectedly impeded by her pompous, Ivy League boyfriend Sack. Having uncharacteristically fallen hard and fast for Claire, John convinces a resistant Jeremy to bend the crashing rules and accept an invitation to an extended weekend party at the Cleary family compound. Once at the palatial waterfront estate, John and Jeremy endure a multitude of comical mishaps at the hands of the dysfunctional members of the Cleary family, but also learn a few unexpected lessons about love and relationships. Written by Sujit R. Varma

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