Nearly 10 years have passed since Sarah Connor was targeted for termination by a cyborg from the future. Now her son, John, the future leader of the resistance, is the target for a newer, more deadly terminator. Once again, the resistance has managed to send a protector back to attempt to save John and his mother Sarah. Written by Colin Tinto {cst@imdb.com}

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Slim, Otis, Frank and Alex (three boys and a girl) form a group of snowboard and skate young bank robbers. They are known as masters of the runaway art. Slim, the thinking head hatched a plan for their final retirement: five consecutive burglars, in five days, involving 20 million dollars. But this time, they’re gonna have to face both the police - and the mafia! Written by Anonymous

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Three activists invade a laboratory with the intention of releasing some monkeys and chimps. What they do not know is that these animals are under experience, infected by the virus of rage. The activists are immediately killed and the animals escape. Twenty-eight days later, Jim wakes up from a comma alone in a abandoned hospital. He leaves the place and finds out that London is desert, apparently without a living soul. Then, he meets Selena and her friend Mark and he is informed that all the population died. People got infected by the monkeys, and the infected ones attacked the survivals. Jim decides to go home with the new friends and see what might have happened with his parents. Then, they are rescued by Frank and his daughter Hannah. They listen to a broadcast message from Manchester and they decide to go to the place guided by the broadcasting. Lots of action happens with the group while trying to escape from mutant zombies. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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This film charts the rise and fall of Yuri Orlov, from his early days in the early 1980s in Little Odessa, selling guns to mobsters in his local neighbourhood, through to his ascension through the decade of excess and indulgence into the early 90s, where he forms a business partnership with an African warlord and his psychotic son. The film also charts his relationship through the years with his younger brother, his marriage to a famous model, his relentless pursuit by a determined federal agent and his inner demons that sway between his drive for success and the immorality of what he does. Written by davidgraham83@hotmail.co.uk

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A missile disappears in Iran, but the CIA has other problems: the heir to an Emirate gives an oil contract to China, cutting out a US company that promptly fires its immigrant workers and merges with a small firm that has landed a Kazakhstani oil contract. The Department of Justice suspects bribery, and the oil company’s law firm finds a scapegoat. The CIA also needs one when its plot to kill the Emir-apparent fails. Agent Bob Barnes, the fall guy, sorts out the double cross. An American economist parlays the death of his son into a contract to advise the sheik the CIA wants dead. The jobless Pakistanis join a fundamentalist group. All roads start and end in the oil fields. Written by {jhailey@hotmail.com}

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If you’re wondering whether “Jarhead” is a message movie, you’ll find your answer in a line from the film. When the Marines in his sniper unit begin discussing the reason behind America’s involvement in Desert Storm, Troy (Peter Sarsgaard) says, “To hell with politics. We’re here now.” That sentiment sums up what “Jarhead” the movie is all about. To hell with politics, arguments over whether or not America should have been involved in protecting Kuwait from Saddam Hussein’s Iraqi troops, and other concerns over the justification of sending Americans to fight in Desert Storm.

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John Triton is a heroic Marine who returns home after being discharged–against his will–from the Iraq War. Stateside, he finds himself back in action, when a group of murderous diamond thieves on the run led by a merciless criminal named Rome has kidnapped his wife and John goes on a chase through the South Carolinian wilderness to retrieve her. With everything on the line, the Marine will stop at nothing to carry out his toughest and most important mission. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Mathilda, a twelve-year old New York girl, is living an undesirable life among her half-family. Her father stores drugs for two-faced cop Norman Stansfield. Only her little brother keeps Mathilda from breaking apart. One day, Stansfield and his team take cruel revenge on her father for stretching the drugs a little, thus killing the whole family. Only Mathilda, who was out shopping, survives by finding shelter in Léon’s apartment in the moment of highest need. Soon, she finds out about the strange neighbour’s unusual profession - killing - and desperately seeks his help in taking revenge for her little brother. Léon, who is completely unexperienced in fatherly tasks, and in friendships, does his best to keep Mathilda out of trouble - unsuccessfully. Now, the conflict between a killer, who slowly discovers his abilities to live, to feel, to love and a corrupt police officer, who does anything in his might to get rid of an eye witness, arises to unmeasurable proportions - all for the sake of a little twelve-year old girl, who has nearly nothing to lose. Written by Julian Reischl {julianreischl@mac.com}

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