The world is full of zombies and the survivors have barricaded themselves inside a walled city to keep out the living dead. As the wealthy hide out in skyscrapers and chaos rules the streets, the rest of the survivors must find a way to stop the evolving zombies from breaking into the city. Written by Dan the Man

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When an accident obliterates the British royal family and most of its branches, a desperate geneological search discovers the next king: Ralph, a sleazy American lounge singer. Can Ralph measure up to the job, even with the help of loyal aristocrat Willingham? Written by Reid Gagle

Samual L Jackson plays a businessman who sinks $200 million into a special project to help fight brain cancer. As part of this project, medical biologist Susan McAlester (Saffron Burrows) rather naughtily figures out a way to genetically embiggen shark brains, so that cancer-battling enzymes can be harvested. However, the shark subjects become super smart and decide they don’t much like being cooped up in pens and being stabbed with hypodermics, so they figure a way to break out and make for the open sea… Written by John Smith {John.Smith7@net.ntl.com}

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Having defeated the Joker, Batman now faces the Penguin - a warped and deformed individual who is intent on being accepted into Gotham society. Crooked businessman Max Schreck is coerced into helping him become Mayor of Gotham and they both attempt to expose Batman in a different light. Earlier however, Selina Kyle, Max’s secretary, is thrown from the top of a building and is transformed into Catwoman - a mysterious figure who has the same personality disorder as Batman. Batman must attempt to clear his name, all the time deciding just what must be done with the Catwoman. Written by Graeme Roy {gsr@cbmamiga.demon.co.uk}

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For 400 years, Japan has been home to a secret criminal organization dedicated to its own supremacy in the underworld. Ruled by an ancient, arcane code of honor, the deadly Yakuza have been among the most feared members of society. Even today, they are immediately recognizable by the stunningly ornate tattoos that cover their bodies, telling the terrifying story of their stature and career in a dark order that knows no mercy. Now the Yakuza are coming to Los Angeles. But in America, they’re going to meet their match. Two cops are on their trail. One’s an American raised in Japan. He’s got the mind and spirit of a samurai, and the body of a human fighting machine. The other’s a Japanese-American raised in California’s San Fernando Valley. He’s into malls, pizza and MTV. But he can disarm five gunmen with his bare feet. One’s a warrior. One’s a wise-ass. But together they’ve got what it takes to remove some tattoos from Little Tokyo. “Showdown in Little Tokyo” stars action favorite Dolph Lundgren as Chris Kenner, a man fighting for his adopted heritage and his family’s honor; and Brandon Lee, in his first American film role, as Johnny Murata, a guy whose idea of a good time includes knowing where–and how–to get his kicks. Opposites in attitude, once they get on the streets, they’re a perfect odd couple. And what they have in common is their enemy–the Yakuza who are bringing a lethal new drug trade to Los Angeles, coupled with a macabre taste for violence and cruelty. Written by anonymous

[A Totally Spoiler Free Review] Is “Spider-Man 2” the best movie ever made based on a comic book, as some early reviews have proclaimed? I don’t know, that’s a pretty grand statement and one I don’t feel qualified to assess being a non-comic book type of person. I do know the original “Spider-Man” was incredibly fun, a genuine rollercoaster ride of a movie that set the bar tremendously high, much too high for most movies of this subgenre to live up to. I believe this sequel is a better film, though I didn’t find myself feeling as exhilarated during it as I did while watching the original. But that’s not to say this one has a been-there, done-that quality to it. It doesn’t. This sequel stands on its own and in no way feels like recycled material. And judged on its own, I feel safe in declaring it’s one of the best movies we’ll see in theaters this year.

“Spider-Man 2” is darker, more emotionally intense, and features a more serious storyline than the first movie. While the first film had to spend a good portion of its running time introducing the characters and explaining how Spider-Man came to be, this second film of the series doesn’t carry that burden. We know Peter Parker (Tobey Maguire) was bitten by a radioactive spider, we know Peter loves MJ (Kirsten Dunst) but will not allow himself to be with her, and we know Peter’s best friend, Harry (James Franco) is out to kill Spider-Man because he believes the webslinger murdered his father. All of this was laid out for us by the end of the first “Spider-Man” movie.

In the second film, we’re allowed more of an opportunity to get to know Peter as a person. We feel his torment as he tries to hide his emotions from MJ. We care about him as he’s pulled between doing the responsible thing as Spider-Man and living a normal life free from the pressure of being a hero. ”Spider-Man 2” lets us look further into the psyche of the boy/man who wears the blue and red suit. And while we’re taken on this emotional journey with Peter, we’re also treated to more time with the central figures of the first “Spider-Man” movie and to a few new characters from world of the “Spider-Man” comic books, foremost of which is this film’s villain, Dr. Otto Octavius (Doc Ock for short). This ultra-cool bad guy is the star of the show when it comes to effects - and acting. Very few movie villains can rival Alfred Molina in character as the man with tentacles (special kudos to Raimi for making sure Doc Ock was played by such a first-rate actor). Doc Ock could have been a campy character, but with Molina in charge, he remains a man tormented by the evil he’s unleashed and overwhelmed by tragic circumstances, rather than a two-dimensional antagonist of the film’s hero.

“Spider-Man 2” has a gentler sense of humor, quirky like the original, yet quieter. Sam Raimi throws in a few recognizable faces in cameo roles who generate a fair share of laughs, and even inserts a scene in which Maguire as Spider-Man injures his back (a nod at Maguire’s real-life back problems, which almost kept him out of this sequel). One of my personal favorite scenes featured Hal Sparks in an elevator with the in-costume Spider-Man. Classic.

We got used to watching Spider-Man fly between buildings and leap from incredible heights in the first movie. The effects which worked so well in “Spider-Man” have been tweaked to such a degree in “Spider-Man 2” it’s nearly impossible to distinguish pure computer-generated graphics from scenes involving actors or stuntmen in front of blue screens. Because all of the effects – from speeding trains to giant fiery orbs – are simply incredible, there’s nothing that jolts you out of the movie, no point in the film where you are jarred from believing your eyes. As far as effects-heavy movies go, “Spider-Man 2” is at the head of the pack.

Comparing the two “Spider-Man” movies is like comparing apples and oranges. They are totally different creations. One’s an exuberant burst of energy contained on film and the other’s a toned down, coming-of-age tale set in the world of superheroes and monstrous villains. Though both movies relied heavily on the CGI effects, Raimi did a terrific job in both films of never forgetting the audience needs to connect with the flesh and blood actors. The reason “Spider-Man” and “Spider-Man 2” work is that both keep that focus in the forefront, with the special effects filling in around the actors and not overwhelming them.

Rebecca Murray
Hollywood Movies Guide

The psychiatric intern Clark Stevens (Joshua Leonanrd) comes to Cunningham Hall, a mental healthy facility administrated by Dr. Franks (Lance Henriksen), for a training period before his graduation in medical college. He gets close to the resident Sara (Jordan Ladd) and to Ben London, a dangerous patient lodged in cell 44 in the basement of the clinic. Clark becomes intrigued with a boy, who seems to be a ghost, and finds that Dr. Franks does not use real medication in the patients. A further investigation shows hidden dark secrets in the clinic. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Two hundred years after Mary Shelley’s novel the brilliant but mad Doctor (Thomas Kretschmann) has sustained his creature and himself over two centuries through genetic experimentation. In present-day America Detective O’Connor (Parker Posey) is investigating a series of horrific murders which leads her to the doctor and his creature. What she uncovers reveals the strange evolution the doctor and his creation undergo over the course of two centuries and the divergent paths creator and monster take in pursuing good or evil. Written by dumpster_cakes

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Docu-drama based on the life of Ted Bundy, a serial killer who killed at least 19 young women during the 1970’s (though some sources say as many as 30 to 35 were murdered). Set from his college student years, to his first victims, his capture, escape from prison (twice), his final killing spree to his trial, conviction and execution. Written by Anonymous

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