A naive, bumbling veterinarian named Corky Romano the outcast son if a Mafia boss, is recruited by his family to infiltrate the FBI and steal any and all evidence that will put his cranky father named Francis A. “Pops” Romano in jail! But he’s in way over his head when he’s made out to be a super agent. It’s a reputation must live up to as he tries to fake his way through one tough assignment after another while hunting for the elusive incriminating proof of his father’s illegal activities. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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John Rambo is removed from prison by his former superior, Colonel Samuel Troutman, for a top-secret operation to bring back POW’s still held in Vietnam. Rambo’s assignment is to only take pictures of where the POWs are being held, but Rambo wants to get the POWs out of Vietnam. Teamed up with female Vietnamese freedom fighter Co Bao, Rambo embarks on a mission to rescue the POWs, who are being held by sadistic Vietnamese Captain Vinh and his Russian comrade, Lieutenant Colonel Padovsky. Rambo falls in love with Co Bao, and when Co Bao is killed by Captain Vinh, Rambo wants revenge, so he starts killing every enemy in sight while still focusing on his intentions to rescue the POWs. There are also corrupt American officials involved in the mission, including Marshall Murdock, one of Rambo’s superiors. Written by Todd Baldridge

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A madcap portrayal of William Lightbody’s stay at the health farm run by cereal king Dr. John Harvey Kellogg. William’s wife, Eleanor, has persuaded him to go to Kellogg to have his system cleaned of impurities. Kellogg is very unconventional, and almost barbaric in his treatments. Written by Rob Hartill

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This story takes place in a typical American neighborhood, when some new neighbors come to live in the house next to Ray Peterson. These new people are really strange; nobody has ever seen them, their house is a real mess, and during the night you can hear weird noises from their basement. The only thing they know is their name: Klopeks. One day Walter (an old man of the neighborhood) suddenly disappears and everyone starts to suspect the Klopeks… Written by Chris Makrozahopoulos {makzax@hotmail.com}

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“Anger Management” is another example of a good idea gone bad. Take two popular actors with radically different styles, mix in a sprinkling of a few name actors, throw in Adam Sandler’s buddies in supporting roles, and ask them to take an intriguing idea and turn it into a solid comedy. The result? Well, let’s just say this is deeply disappointing considering how much promise Sandler showed in “Punch-Drunk Love.” And Nicholson’s far from blameless. He takes his wild man character from the latter part of “The Shining,” tones it down a bit, and then generally looks uncomfortable with the results throughout this film.

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I loved the trailer and video clips from “Saw,” so my expectations were relatively high going into the screening. Prepared for a gory good time, I wanted to like “Saw.” I wanted it to make me squirm, make me hide my eyes, and just get lost in a gross-out horror/thriller. But what I couldn’t have prepared myself for was just how horrific “Saw” turned out to be. And that’s not a compliment.

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In Manhattan, Ashley Albright is a lucky woman and very successful in the agency where she works. The clumsy Jake Hardin is an unlucky aspirant manager of the rock band McFly, who is unsuccessfully trying to contact the entrepreneur Damon Phillips to promote his band. When Ashley meets Jake in a masquerade party, they kiss each other, swapping her fortune with his bad luck. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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[A Totally Spoiler Free Review] Is “Spider-Man 2” the best movie ever made based on a comic book, as some early reviews have proclaimed? I don’t know, that’s a pretty grand statement and one I don’t feel qualified to assess being a non-comic book type of person. I do know the original “Spider-Man” was incredibly fun, a genuine rollercoaster ride of a movie that set the bar tremendously high, much too high for most movies of this subgenre to live up to. I believe this sequel is a better film, though I didn’t find myself feeling as exhilarated during it as I did while watching the original. But that’s not to say this one has a been-there, done-that quality to it. It doesn’t. This sequel stands on its own and in no way feels like recycled material. And judged on its own, I feel safe in declaring it’s one of the best movies we’ll see in theaters this year.

“Spider-Man 2” is darker, more emotionally intense, and features a more serious storyline than the first movie. While the first film had to spend a good portion of its running time introducing the characters and explaining how Spider-Man came to be, this second film of the series doesn’t carry that burden. We know Peter Parker (Tobey Maguire) was bitten by a radioactive spider, we know Peter loves MJ (Kirsten Dunst) but will not allow himself to be with her, and we know Peter’s best friend, Harry (James Franco) is out to kill Spider-Man because he believes the webslinger murdered his father. All of this was laid out for us by the end of the first “Spider-Man” movie.

In the second film, we’re allowed more of an opportunity to get to know Peter as a person. We feel his torment as he tries to hide his emotions from MJ. We care about him as he’s pulled between doing the responsible thing as Spider-Man and living a normal life free from the pressure of being a hero. ”Spider-Man 2” lets us look further into the psyche of the boy/man who wears the blue and red suit. And while we’re taken on this emotional journey with Peter, we’re also treated to more time with the central figures of the first “Spider-Man” movie and to a few new characters from world of the “Spider-Man” comic books, foremost of which is this film’s villain, Dr. Otto Octavius (Doc Ock for short). This ultra-cool bad guy is the star of the show when it comes to effects - and acting. Very few movie villains can rival Alfred Molina in character as the man with tentacles (special kudos to Raimi for making sure Doc Ock was played by such a first-rate actor). Doc Ock could have been a campy character, but with Molina in charge, he remains a man tormented by the evil he’s unleashed and overwhelmed by tragic circumstances, rather than a two-dimensional antagonist of the film’s hero.

“Spider-Man 2” has a gentler sense of humor, quirky like the original, yet quieter. Sam Raimi throws in a few recognizable faces in cameo roles who generate a fair share of laughs, and even inserts a scene in which Maguire as Spider-Man injures his back (a nod at Maguire’s real-life back problems, which almost kept him out of this sequel). One of my personal favorite scenes featured Hal Sparks in an elevator with the in-costume Spider-Man. Classic.

We got used to watching Spider-Man fly between buildings and leap from incredible heights in the first movie. The effects which worked so well in “Spider-Man” have been tweaked to such a degree in “Spider-Man 2” it’s nearly impossible to distinguish pure computer-generated graphics from scenes involving actors or stuntmen in front of blue screens. Because all of the effects – from speeding trains to giant fiery orbs – are simply incredible, there’s nothing that jolts you out of the movie, no point in the film where you are jarred from believing your eyes. As far as effects-heavy movies go, “Spider-Man 2” is at the head of the pack.

Comparing the two “Spider-Man” movies is like comparing apples and oranges. They are totally different creations. One’s an exuberant burst of energy contained on film and the other’s a toned down, coming-of-age tale set in the world of superheroes and monstrous villains. Though both movies relied heavily on the CGI effects, Raimi did a terrific job in both films of never forgetting the audience needs to connect with the flesh and blood actors. The reason “Spider-Man” and “Spider-Man 2” work is that both keep that focus in the forefront, with the special effects filling in around the actors and not overwhelming them.

Rebecca Murray
Hollywood Movies Guide

After a long prison sentence Smiler Grogan is heading at high speed to a California park where he hid $350,000 from a job 15 years previously. He accidentally careers over a cliff in view of four cars whose occupants go down to help. The dying Grogan gives details of where the money is buried and when the witnesses fail to agree on sharing the cash, a crazy chase develops across the state. Written by Col Needham {col@imdb.com}

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The psychiatric intern Clark Stevens (Joshua Leonanrd) comes to Cunningham Hall, a mental healthy facility administrated by Dr. Franks (Lance Henriksen), for a training period before his graduation in medical college. He gets close to the resident Sara (Jordan Ladd) and to Ben London, a dangerous patient lodged in cell 44 in the basement of the clinic. Clark becomes intrigued with a boy, who seems to be a ghost, and finds that Dr. Franks does not use real medication in the patients. A further investigation shows hidden dark secrets in the clinic. Written by Claudio Carvalho, Rio de Janeiro, Brazil