The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy’s mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family. Written by Gustaf Molin {gustaf.molin@usa.net}

A descent into Hell is triggered when “Ex-Lord” Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help. Written by Bob Lee

Wealthy teenager Charlie Bartlett is failing miserably at fitting in at a new public high school run by the world-weary Principal Gardner. As he begins to better understand the social hierarchy, Charlie’s honest charm and likability positions him as the resident “psychiatrist” dishing out advice, and the occasional prescription with his partner and fellow student, Murphy Bivens, to other students in need. Along the way, he decides to take some of his own advice, find romance, and learn to accept who he is, thus wielding a witty dark comedy about the angst-filled years before college. Written by Anonymous

Loaded with terrific performances, beautifully rendered CGI creatures, and directed with finesse by Mark Waters (Mean Girls), The Spiderwick Chronicles is a hugely entertaining fantasy film for the whole family (except maybe those under 5 who may be scared silly by Nick Nolte and/or the hideous ogre he plays). While some fantasy films overwhelm the actors with their extensive use of computer generated imagery - the CGI work can overpower the flesh and blood actors, no matter how powerful or engaging the performances - The Spiderwick Chronicles manages to work the CGI creatures seamlessly into the film. The special effects, which are as good as any we’ve seen, never eclipse the film’s human actors. Director Waters and screenwriters Karey Kirkpatrick, David Berenbaum, and John Sayles have created a movie that’s very much grounded in reality, as strange as that sounds, even though half of its inhabitants are mythical creatures.

The Story

Fairies, goblins, griffins, and assorted beasties do exist according to the world of The Spiderwick Chronicles. Twins Jared and Simon along with sister Mallory (a whiz with a sword) find out things that go bump in the night can actually do harm when they move into the creaky old house once occupied by their great-great uncle Arthur Spiderwick (David Strathairn) and his daughter (Joan Plowright).

Arthur Spiderwick spent his adult life investigating and documenting the strange creatures most people have no idea exist. All of his research and hard work is contained in a journal he called Arthur Spiderwick’s Field Guide to the Fantastical World Around You. Jared, the twin who’s always in some kind of trouble, finds the book hidden away in an old trunk while chasing down a noise in the wall. The noise turns out to be a house brownie named Thimbletack (voiced by Martin Short). The honey-loving creature tells Jared to stay away from the book, but his words fall on deaf ears. Although there’s a warning attached to the book, Jared breaks open the sealed volume and dives in, reading the text throughout the night.

This book is so valuable that Arthur was abducted by creatures and kept in a state of suspended animation for decades in order to keep him away from evil goblins, led by the horrible Mulgarath (Nick Nolte), who want to possess its knowledge. If Mulgarath gets his hands on the book, he’ll be able to destroy all the fairies and other extraordinary critters.

The book itself is safe as long as it remains within the protective circle which surrounds the Spiderwick estate. But after Jared’s curiosity gets the best of him, Mulgarath quickly learns Arthur isn’t the only one with complete knowledge of his secret world. Unwittingly, Jared puts his entire family at risk and it’s up to the three Grace kids to outsmart an age-old ogre and restore order to the fairy universe.

The Cast

Freddie Highmore plays both twins and while it must have been a schizophrenic experience figuring out who to be and where to look during filming, the fact it’s the same actor in both roles is, thankfully, in no way distracting. Jared and Simon are the main characters and one or both are on the screen for the majority of the film, and if Highmore pulling double duty was either confusing or too gimmicky, Spiderwick Chronicles would have been just another poor film adaptation of a best-selling book series. But Highmore’s got the talent to make it work and he does so while pulling off a decent American accent.

Highmore’s main support onscreen comes in the form of Sarah Bolger who really brings the put-upon older sister part to life (Bolger has mastered the irritated glare). Strathairn, Plowright, Nolte, and Weeds star Mary-Louise Parker as the mom are all strong in supporting roles. Add in voice work by Martin Short as the honey-chugging angry little Thimbletack and Seth Rogen as Hogsqueal the bird-eating beastie and it’s impossible to find a weak link in the entire group.

The Bottom Line

Family issues such as dealing with divorce and sibling rivalry are just as important to the Spiderwick Chronicles story as the battle between the Grace kids and Mulgarath and his legion of goblins. There are plenty of action sequences to keep the story speeding along, but time’s also taken to develop the characters into real children facing real problems. While real kids don’t have to worry about an ogre breaking into their home or learn how to ride a griffin in order to rescue a long-lost family member, there’s a lot to relate to with the three Grace kids.

Tasked to condense The Spiderwick Chronicles book series into one film, screenwriters Kirkpatrick, Berenbaum, and Sayles were able to remain true to the spirit of Tony DiTerlizzi’s and Holly Black’s kid-friendly books. The movie version of The Spiderwick Chronicles is an engaging, adventurous tale filled with all sorts of intriguing and entertaining characters. It’s one film the entire family can take in together and that’s something you can’t often say. Even those that are supposedly family-friendly productions often play out over the heads of the younger audience or bore adults to tears. Fortunately, The Spiderwick Chronicles does neither.

Rebecca Murray
Hollywood Movies Guide

Shakespeare’s classic tale of romance and tragedy. Two families of Verona, the Montagues and the Capulets, have been feuding with each other for years. Young Romeo Montague goes out with his friends to make trouble at a party the Capulets are hosting, but while there he spies the Capulet’s daughter Juliet, and falls hopelessly in love with her. She returns his affections, but they both know that their families will never allow them to follow their hearts. Written by Jean-Marc Rocher {rocher@fiberbit.net}

What’s Eating Gibert Grape is a beautifully shot movie of tenderness, caring and self-awareness that is set amongst the fictional working class one street town Endora. Centred around the Grape family Ellen and Amy and their two brothers Arnie and Gilbert, who, along with their morbidly obese widowed mother Bonnie Grape are striving to survive and coexist with the absence of a father figure, low wage work and seventeen-year-old Arnie’s severe mental condition. It is in this awkward and extremely one sided affair that the unfortunate Gilbert has to constantly, while working for the town’s slowly dying Convenience Store, take care of his younger brother Arnie. Gilbert’s life, his future, is thwarted he know this, but it is in this Guardian Angel that his love and bond for Arnie cannot, and will not, be let go. That is until the free spirit of Becky arrives in town, and with her grandmother are stranded for the week while waiting for parts for their vehicle. This realization unties new feelings, new thoughts and new hope for the put upon Gibert, something new is eating Gilbert Grape. Written by Cinema_Fan

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Mel Coplin departs on a mission of discovery dragging his wife and 4 month old son behind. He and wife, Nancy, won’t agree on a name for their son until adopted Mel gets in touch with his roots. He assures her that once he knows who he really is, the right name for their boy will be a snap. Enlisting the aid of student-psychologist and part-time adoption agent, Tina Kalb, they embark on a journey across the United States to find Mel’s “birth” mother. “The best part,” Mel tells Nancy, “is it’s all free.” Tina is finishing her dissertation and will film the happy reunion of mother and child as part of her research. For this privilege, she’s footing the bill. His adoptive parents are left behind feeling abandoned by an ungrateful son. Clerical errors, mistaken identities, Nancy’s misplaced high school friend and his gay lover, and a super-charged libido here and there are thrown into the mix along the way until — at last — Mel’s real parents, the Schlictings (mispronounced as “Shit-kings” by Mrs. Coplin), are discovered in remote New Mexico. There, Mel begins to wonder if he would have been better off not knowing these people, after all. Written by MARK FLEETWOOD {mfleetwo@mail.coin.missouri.edu}

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I hadn’t read Jennifer Weiner’s book and the trailer didn’t sell me on “In Her Shoes,” so I went in without any expectations. I came away believing I’d seen one of the few movies of 2005 worth watching twice.

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“The deeper you look…the more you will find.”

I was fooled - I’ll admit that upfront. I believed the advance hype I read about the film and thought there was a supernatural element involved. Half an hour into the film I realized my mistake. There wasn’t anything supernatural about “Angel Eyes,” clearly it was more of a science fiction story. Jim Caviezel’s character, Catch, was obviously sent to Earth from a distant planet. He was a pod person, here to infiltrate the Chicago Police Department by corrupting the intelligent, independent Sergeant Sharon Pogue (Jennifer Lopez aka J-Lo). What other explanation could there be for an otherwise responsible, logical person to fall in love so quickly with a man who wouldn’t disclose his name, his past, or why he chooses to always dress in a trench coat and t-shirts? Why would a perfectly normal, healthy woman - who also happens to be a cop - throw caution to the wind and overlook even the basic disclosure of a real name? It had to be some form of mind-control practiced by aliens bent on mating with earthlings. Or, as it turns out, it had to be love. A concept that upon listening to these two, seems as strange as alien possession.

Sgt. Sharon Pogue is a tough beat cop. We learn early on that her family life is nothing to smile about. Seems the men in her family like to abuse their women, a trait that has created an estrangement between Sharon and her dad, and eventually from her only brother. Her co-workers treat her like one of the guys and she seems content with that. She’s lacking a personal life, though not from trying. She hates having to answer all the standard date questions about her work. Her dates never ask her what it’s like to help someone in need; all they ever want to know about is whether she’s had to use her gun. She’d much rather be on the job than making small talk.

Through flashbacks, and a series of shots of Catch helping people throughout the city, we’re told that Catch is a strange dude who walks the city alone, keeping an eye on Sharon and doing good deeds for complete strangers. We also learn that Sharon has vivid memories of helping a car accident victim. How the two go together isn’t explained at first, but you just know from the importance placed on the flashbacks that there is some significant connection.

While catching a quick bite at a local eatery, Sharon and a group of her fellow officers are targets of a driveby shooting. Officers are wounded and it’s up to Sharon and her partner, Robby (Terrence Howard), to bring down the perps. No slouch in the fighting and chasing department, Sharon pursues one of the assailants as her partner stops to handcuff the other. Taking off without her partner isn’t a wise move. She’s left to pursue the armed suspect into an area with lots of hiding spaces. Sharon chases him down but ends up on the losing end of a physical altercation, shot twice in the chest but saved by her bulletproof vest. Pinned to the ground, looking into the barrel of a gun, Sharon is all but dead until Catch appears out of nowhere. He attacks the gunmen, knocking the gun away, and holding him down until Sharon’s partner is able to take over.

Catch is dark, mysterious, and apparently, Sharon’s guardian angel. How else to explain his appearance at that exact moment, at that location? As a thank you, Sharon invites Catch to meet her for a drink after work. He shows up, quiet, somber and with a smile that could melt the coldest heart. Sharon can’t get much info from him other than the name Catch, and that he helped her because he appreciates officers and their work at making the streets safe. Catch’s first conversations with Sharon come off as strained, awkward, and reserved. He doesn’t want to disclose anything personal, preferring to start from scratch - as though he had no life up until the moment they met. Catch acts almost as though he’s never spoken to another human being, or had much personal contact with members of the opposite sex (their conversations are so surface level and stilted that the assumption that he’s an alien isn’t really that bizarre). The two have an instant connection, an almost tangible bond that takes Sharon by surprise. Catch has saved her life, and beyond being grateful, she’s attracted both emotionally and physically to her savior.

Too much more info and I’d be giving away the entire story. Suffice it to say that Catch and Sharon are two lonely, complicated people in need of what the other has to offer. “Angel Eyes” turned out to be different than I expected, but that’s not a bad thing. The love story is central to the entire movie without being too cloying or sappy. Two different actors may have taken this movie to other levels, but I felt Jennifer Lopez has never been better cast in a film. Jim Caviezel’s performance is understated, perfectly capturing Catch’s obvious pain and longing. Lopez and Caviezel have a wonderful on-screen chemistry that was surprising in its intensity. I wouldn’t go so far as to say this is a must-see for romance fans, however it never disappointed me and it kept my interest for the entire film.

About The Production

After a year in development, screenwriter Gerald DiPego (30 films including “Message in a Bottle,” “Phenomenon,” “Instinct,” “Sharkey’s Machine”), director Luis Mandoki (”White Palace,” “Born Yesterday,” “When a Man Loves a Woman,” “Message in a Bottle“), and producer Mark Canton learned that none other than Jennifer Lopez was interested in the film. Chairman and CEO of Franchise Pictures, Elie Samaha, entered the picture and gave the go-ahead to make the film. Recalls Samaha, “When Mark told me of Jennifer Lopez’s commitment to this film and her passion for the story, my response was, ‘Let’s do it’.”

The idea behind the film was to explore a reality-based story of ordinary human beings who personify qualities that might be considered angelic. Producer Mark Canton recalls, “We considered a number of ideas but this is the one I was most excited about. It was very original from the inception. I especially liked the inner-city police beat as our setting and the way the two leading characters were developed as brave but damaged souls.”

Director Luis Mandoki credits his stars for conveying the depth of emotion in their characters with the right subtlety. “Both Jennifer and Jim understood immediately…Their chemistry is phenomenal.” It was Lopez herself who suggested Jim Caviezel for the role of Catch. She was impressed with his ability to convey emotions through his intense gaze and expressive eyes. Caviezel was about to start another film but met with Mandoki and there was no question that he wanted to do “Angel Eyes.” “Angel Eyes” is Caviezel’s first love story. Caviezel states, “Truth is, I just look for great material and this was great material. There’s a wonderful mood to this film that’s very unusual. It’s kind of an old-fashioned story in a contemporary setting.”

Rebecca Murray
Hollywood Movies Guide

Dr. John Dolittle has the world in his hands: A beautiful wife at his side, two adorable daughters and a career that could not go better. One night, he nearly runs over a dog with his car. The dog yells “bonehead” and disappears. From then on, his childhood ability is back: To communicate with animals. Unfortunately, the word of Dolittle’s ability is spreading quickly. Soon, many animals from rat to horse flock to his place to get medical advice. But his colleagues suspect he’s going mad, and as the clinic Dolittle used to work for is about to being taken over for a huge amount of money, many decisions have to be made. Believe him? Put him into a mental institution? Sell the clinic? But also his family is close to breaking apart. Until a circus tiger falls seriously ill. Written by Julian Reischl {julianreischl@mac.com}